rogueclassicism

quidquid bene dictum est ab ullo, meum est

Archive for the month “April, 2009”

Classicists in the News

Congratulations to Caroline Lawrence for winning the Classical Association’s 2009 Prize:

… and to Laurier’s Judith Fletcher, who is only the second Canadian to win the AJP’s Gildersleeve Prize:

… and to Carl Huffman, who was among the recipients of the University Professor Award at DePauw:

… and to Princeton’s Dennis Feeney, who is among this year’s recipients of Guggenheims:

… and to Trinity Academy’s Shannon Walker, who has won CAMWS’ Manson A. Stewart Teacher Training Award:

Robert E. Wolverton has been surveying folks about ‘ugly’ and ‘pretty’ words:

The Daily Targum had a nice feature on T. Corey Brennan’s punk roots:

CONF: Fédération internationale des Associations d’études classiques

Preliminary programme available here

CONF: Classical Association of Canada

The preliminary programme is now available here

This Day in Ancient History

idus apriles

  • ludi Cereri (day 2)– games in honour of the grain goddes Ceres, instituted by/before 202 B.C.
  • rites in honour of Jupiter Victor and Jupiter Liber

Doorworthy

Frank and Ernest haven’t been Classical for a while:..

CONF: Multilingualism from Alexander to Charlemagne

Multilingualism from Alexander to Charlemagne: cross-cultural themes and
perspectives

29th-30th May 2009 at the Faculty of Classics Organised by the Classical
and Indo-European Linguistics Caucus, Faculty of Classics, University of
Cambridge (Alex Mullen and Patrick James).

Over the last decade, multilingualism has become a major research focus in
the study of the ancient world. Our aim is to take a thematic and
interdisciplinary approach to issues raised by the growing number of
studies. As we bring together linguistic and archaeological evidence our
primary concern will be the implications of language contact for our
understanding of multiculturalism from Antiquity and into the Medieval
period.

Programme
Friday 29th May 2009
Registration: 8.30-11.30

9.30-11.00 [Speakers and chairs only] Introduction and round-table session
on methodology (particularly the practice of interdisciplinarity and the
application of modern bilingualism theory to the study of ancient
languages) Alex Mullen (Lumley Research Fellow, Magdalene College,
Cambridge)

11.30-1.00
Issues in the nature and interpretation of evidence for bilingualism
Chair: Pippa Steele

Dr Alderik Blom (Katharine Jex-Blake Fellow in Celtic Studies, Girton
College, Cambridge) ‘Multilingualism and ritual language’

Professor Rosanna Sornicola (Professor of Linguistics, Department of Modern
Philology, University of Naples Federico II) ‘Multilingualism in Sicily and
Southern Italy in the Early Middle Ages: issues in the nature and
interpretation of the evidence’

2.30-4.00
Micro and macro-communities and regional variation
Chair: Eleanor Dickey

Dr Oliver Simkin (Research Associate, the Greek Lexicon Project, Faculty of
Classics, Cambridge) ‘Language contact in Ancient Spain: direct and
indirect evidence’

Dr Trevor Evans (Senior Research Fellow and Lecturer in Ancient Cultures,
Macquarie University, Australia) ‘Complaints of the natives in a Greek
dress: the evidence of the Zenon Archive for a Greek-Egyptian
micro-community’

4.30-6..00
The function of languages in multilingual societies
Chair: Patrick James

Dr James Clackson (Senior University Lecturer, Faculty of Classics,
Cambridge) ‘Stable and unstable bilingualism’

Professor Andrew Wilson (Professor of the Archaeology of the Roman Empire,
School of Archaeology, Oxford) ‘Punic and Latin inscriptions in Roman North
Africa: function and display’

6.30-7.30
Reception: the Museum of Classical Archaeology, Faculty of Classics

Saturday 30th May 2009
9.30-11.00
Bilingual education and literacy
Chair: (t.b.c.)

Professor Scott Bucking (Associate Professor of Ancient Mediterranean
Studies, DePaul University, Chicago, USA) ‘Archaeology, papyrology, and the
study of Greek-Coptic education in late antique Egypt’

Dr Pádraic Moran (Research Officer, Department of Anglo-Saxon, Norse and
Celtic, Cambridge) ‘Multilingualism and the Medieval Irish learned
tradition’

11.30-1.00
The linguistic and cultural implications of translation
Chair: Robert Crellin

Professor Coulter George (Assistant Professor of Classics, University of
Virginia, USA) ‘Expressions of time in the Septuagint and the New
Testament’

Professor David Langslow (Professor of Classics, Department of Classics and
Ancient History, Manchester) ‘Typologies of translation techniques in
situations of language contact’

2.30-4.30
Continuity and change in the East and West after 500 AD
Chair: Geoff Horrocks

Dr Bert Vaux (University Lecturer in Linguistics, Department of
Linguistics, Cambridge) ‘Linguistic manifestations of Greek-Armenian
contact in Late Antiquity and Byzantium’

Dr Paul Russell (Reader in Celtic, Department of Anglo-Saxon, Norse and
Celtic, Cambridge) ‘Habes linguam Latinam? Non tam bene sapio: a view from
the early-medieval West’

5.00-6.15
Multilingualism and multiculturalism

Professor Robin Osborne (Professor of Ancient History, Faculty of Classics,
Cambridge) ‘Cultures as languages and languages as cultures: reflections
from Classical Athens’

This conference has been made possible by the generous funding of the
following bodies: Faculty of Classics; The Greek Lexicon Project;
Department of Anglo-Saxon, Norse and Celtic.

Further updated information and our registration form can be found at

Please address any questions to Alex Mullen or Patrick
James

From the Italian Press

Assorted items of interest which may or may not make it to the English-reading press:

A pair of 5th/4th century B.C. burials found during sewer construction in Canosa:

From the same period come similar finds from Castellaneta; the site is clearly much larger, but there aren’t any funds to excavate, apparently:

A second century A.D. necropolis of some 300 burials from the Piana del Sole-Castel Malnome; apparently already found by tombaroli:

A story about some guy who discovered the thing he was using in his garden as a trough or whatever for these past number of years was actually a fourth century Roman sarcophagus:

The first century (A.D.) Roman Villa at Pincio, which includes first century (B.C.) mosaics, will be restored by this fall:

Some purloined Apulian (?) items recovered over forty years ago are going on display; interesting comments at the end of the piece about how the lack of provenance presents difficulties for researchers:

An Italian woman was arrested at the airport in Florence with some antiquities from Herculaneum and the Villa Soria at Torre del Greco:

Some tombaroli were apprehended in Enna:

The Sanctuary of Minerva at Breno is open to the public until the end of September:

They’ve reopened some of the rooms in the Baths of Diocletian:

A sort of touristy thing on the House of the Surgeon at Rimini:

Interesting treasure-hunt-in-the-museum idea:

DSS Exhibition Tempest Brewing?

Somewhat tangential to our purview, but dealing with an  exhibition I”m likely to go to (the Dead Sea Scrolls at the Royal Ontario Museum), we are just starting to hear rumblings of this … an excerpt from the Toronto Star:

The Conservative government is staying mum on a letter from senior Palestinian officials opposing a planned exhibit of the Dead Sea Scrolls at the Royal Ontario Museum.

A spokesperson for Foreign Affairs Minister Lawrence Cannon declined to comment yesterday on accusations that the six-month exhibit, set to begin in June and organized in co-operation with the Israel Antiquities Authority, violates at least four international conventions or protocols on the treatment of cultural goods that were illegally obtained.

Both Canada and Israel are signatories to all of the agreements, the Palestinians say.

In letters to Prime Minister Stephen Harper and top executives at the ROM, senior Palestinian officials argue the scrolls – widely regarded as among the great archaeological discoveries of the 20th century – were acquired illegally by Israel when the Jewish state annexed East Jerusalem in 1967.

The letter of protest sent this week to Harper was signed by Salam Fayyad, prime minister of the Palestinian Authority. The letter to the ROM bore the signature of Khouloud Daibes, minister of tourism and antiquities.

I personally doubt anything will come of this, but it’s an interesting bit of fallout from all the repatriations going on of late; one wonders why we haven’t seen a demand from Palestinian authorities to repatriate the scrolls … (one isn’t surprised that the Star is setting this one up as a vehicle to bash the government) …

300 Se/Pre/Interquel Gossip

Excerpt from a piece at MTV’s Splashpage:

About a year ago, news broke that Frank Miller was developing a “300” quasi-sequel. Snyder, who was in Las Vegas this week to pick up a Director of the Year award at ShoWest, revealed that he has indeed heard Miller’s idea for a graphic novel about the events that followed the key battle of “300” — and he likes it.

“There’s something that happens in history between Leonidas dying at the Hot Gates and Platea,” Snyder said. “That’s a year that’s left out of the [original] movie. A lot happened.”

Although it was dramatized terrifically, Snyder’s “300” told the story of the Battle of Thermopylae, which occurred in 480 BC. The film’s final moments mention that one year later, at Platea, 10,000 Spartan warriors helped defeat a huge Persian force; in a historical context, an equally important event occurred when the Athenian navy crushed the Persians in the battle of Salamis. According to Snyder, “300 Part II” will focus on the intense 12 months when these battles were taking place.

“Frank is definitely working on an idea,” Snyder explained. “If Frank comes up with a great idea and draws something cool, there’s no reason why we wouldn’t make another movie.”

There’s a video interview on site (which I can’t access for some reason) …

Domus Aurea Closed? Open?

A rogueclassicism reader writes to ask whether the Domus Aurea has reopened yet and whether reservations to visit can be made. I do know the DA closed last December when flooding intervened, but I can’t find any mention of it reopening. Anyone know? Please answer in the comments.

Skull-a-Day Ad for Pompeii?

One of the nice things about these four-day weekends is that I have time to check out things that are of interest to me. In this case, an item in the LA Times blog notes (inter alia):

Chalk it up to an over-eager marketing team at the Los Angeles County Museum of Art.

On Wednesday, Roman-style advertisements for the museum’s upcoming exhibition “Pompeii and the Roman Villa” were spotted on sidewalks throughout the city. The sightings were first reported by our friends over at the Curbed LA blog.

Turns out the ads were chalk drawings, some of which depicted the profile of a Roman youth along with the words “Pompeii” and “LACMA.” The museum had stenciled 20 such drawings at four locations throughout L.A.

… and here’s a photo of the ad:

From the LA Times blog

From the LA Times blog

… which I found interesting because I’m a skull guy (at school I’m surrounded by thirty or forty skulls of various types; heck, I’m wearing a t-shirt with a skull on it right now). Perhaps not surprisingly, one of the non-Classics blogs I follow is called Skull-a-day and this stencilled ad from LA struck me as somewhat familiar. Perhaps it’s just a coincidence, but it seems to me the folks are making use of/inspired by a stencil provided from Skull-a-day quite a while ago … here’s a representative image of the stencil on a tshirt:

from Skull-a-day

from Skull-a-day

From the Horatii to Cleopatra

Here’s an interesting bit of synchronicity … my spiders picked up a piece in the Independent which is about Giotto’s Lamentation of Christ … the incipit, however, is rather more in the purview of this blog:

There is also anachronism in viewing. We can’t help looking at pictures through our own later eyes. We see them in ways their first spectators could never have. They suggest to us things that didn’t exist then. This needn’t be a distraction. If the likeness is precise, it may help us focus the picture more clearly.

Take Jacques-Louis David’s painting, The Oath of the Horatii. It’s a frieze-like, neo-classical composition. It shows an ancient Roman legend. Three brother-heroes, their right arms extended straight out, are swearing self-sacrificial loyalty to their father, who holds up their swords.

But the contemporary US painter Alex Katz saw it this way. The gestures, he said, “are very, very clear, they’re very decisive – clear in what they are supposed to be as gestures… When I saw the David with the three swords I thought of three guys with cigarette lighters and a woman with a cigarette. That’s what it looked like to me.”

We’ve leapt from ancient Rome (where the scene is set) or the late 18th century (when it was painted) to a Hollywood scene in the mid 20th century – three young blades, shooting out their arms to offer some broad a light. This is far from the subject of the picture. But the precision of the visual likeness brings the modern viewer very close to the shape and speed of its three simultaneous lunges.

… which reminded me of this on-set photo from the Claudette Colbert version of Cleopatra (directed by Cecil B. DeMille):

from the John Springer Collection

from the John Springer Collection

… which coincidentally, is celebrating its 75th anniversary this week, coverage of which was also flooding my email box … here’s a representative bit from the Baltimore Sun:

Claudette Colbert is the sauciest Cleopatra since the 1st century B.C. in Cecil B. DeMille’s 1934 production of Cleopatra, a classic from those frisky days before Hollywood got itself all moral and safe.

DeMille, the master of the early-Hollywood epic, spent his career giving the people what they wanted, and what that meant was movies featuring as much titillation as contemporary standards would allow, usually in stories based on history or the Bible. Colbert had scorched the screen twice already in DeMille productions – 1932′s The Sign of the Cross, in which she famously took a nude bath in asses’ milk, and 1934′s Four Frightened People – but neither of those is as much fun as Cleopatra, in which she seduces two continents, gets delivered to Caesar (Warren William) wrapped in a rug and distracts poor Marc Anthony (Henry Wilcoxon) so that he doesn’t know which way is up, much less which way is Rome.

Of course, it’s all delightfully anachronistic; Colbert’s about as Egyptian as George Washington, and the 1930s vernacular doesn’t exactly match the time period. But who cares? Colbert is riveting (in costumes that weighed as much as 60 pounds), DeMille’s mastery of the deliciously overblown is unmatched, and the film’s huge art-deco sets belong in a design museum.

For my part, I’ve always hoped someone would find a copy of the Theda Bara version … photos like this from a 1917 flick definitely spark curiosity (although we admit there seems to be obvious anachronism here as well; whether it’s delightful or not is probably a matter of personal taste):

Wikimedia Commons Photo

Wikimedia Commons Photo

More Clash of the Titans

Last week the details began to leak out … this week, we get some more. The incipit of a brief item from Reuters:

Liam Neeson and Ralph Fiennes will play warring gods in “Clash of the Titans,” an Olympian epic that starts shooting later this month

Neeson is playing Zeus, the wise yet sometimes ill-tempered king of the gods and father of Perseus (Sam Worthington).

Fiennes (“The Reader”) will play Hades, ruler of the underworld who aims to dethrone Zeus and rule over all.

Wow …  sounds like a total rewrite (Schindler’s List on Olympus?) … I can see Neeson as Zeus; not sure about Fiennes as Hades …

Queen Victoria’s Brackets

From the New Adventures of Queen Victoria

From the New Adventures of Queen Victoria

Pity I missed this … Apollo seems to have a pretty easy trip both in the Olympus and Roman divisions;  I figure him against Colbert in the final

This Day in Ancient History

ante diem vi idus apriles

  • ludi Megalensia continue (day 5)
  • 1979 — death of E.R. Dodds (The Greeks and the Irrational)

Another Return for the Getty

This one’s been bursting all over the newswires for the past few hours … plenty of coverage, but the incipit to the LA Times version (plus their photo) seems to be most of the info that’s circulating now:

LA Times Photo

LA Times Photo

In its latest effort to return wayward ancient artworks to their rightful owners, the J. Paul Getty Museum will send a Roman fresco fragment to Italy. The fragmentary panel, a roughly 36-by-32-inch section of a wall painting made in the third quarter of the 1st century BC, joined the museum’s collection in 1996 as a gift of New York collectors Barbara and Lawrence Fleischman.

The museum — which has returned 39 antiquities to Italy since 2007 — listed the fragment as “at some risk of forfeiture” and stated its appraised value at the time of donation as $150,000 in a 2005 internal assessment, compiled during an investigation of objects that might have been illegally exported.

But Getty officials didn’t decide to repatriate the fragment until about a year ago, when an image of it appeared in a catalog published by the Italian Ministry of Culture, said Karol Wight, the Getty’s curator of antiquities. The catalog included a “conjectural reconstruction,” she said, suggesting that the fragment and two others previously returned to Italy — one by the Los Angeles museum, also donated by the Fleischmans; the other by New York collector Shelby White — were once part of the same artwork.

“We saw the diagram and recognized immediately that the proper thing to do would be to contact the ministry and begin the process of deaccessioning and arranging to return the piece to Italy,” Wight said.

The ragged-edged fragment recently removed from display at the Getty Villa portrays a greenish landscape and buildings, seen through two framed windows. Whether it and the two other fresco pieces  actually belong together or were painted in separate, similar scenes will probably remain a mystery. No one knows the original location of the painted wall that might have contained the recovered sections or what the entire artwork depicted, Wight said.

Back in January 2008, David Gill wondered whether the Getty would be returning this piece (which seems to match up to a couple of other pieces … see photos at DG’s site) …

UPDATE (04/09/09): David Gill has now made a couple of comments on this subject:

This Day in Ancient History

ante diem vii idus apriles

  • ludi Megalesia (day 4)
  • 303 A.D. — martyrdom of Calliopus at Pompeiopolis
  • 310 A.D. — martyrdom of Peleusius at Alexandria

L’Aquila Earthquake Damages Baths of Caracalla

In addition to the mounting death toll, we’re beginning to hear of damage to antiquities from the tragic earthquake at L’Aquila. The conclusion of a piece in the New York Times notes:

Officials in Rome said that the quake had also damaged the Baths of Caracalla, one of the most imposing ancient Roman ruins in the Italian capital, some 60 miles west of the epicenter of the quake, and there was significant damage reported in the villages around L’Aquila as well.

The Telegraph adds some details, inter alia:

The baths “suffered some damage,” Angelo Bottini said, adding that the results of an initial inspection had “not yet been precisely evaluated”.

The red-brick ruins, which cover some 11 hectares (27 acres) at the foot of Rome’s Aventine Hill, are the frequent site of opera productions and open-air concerts in the summer.

During Emperor Caracalla’s era, the bathing facilities could accommodate more than 1,600 people and included gymnasiums, libraries and gardens.

Bottini said no other historic sites in the city were damaged.

And a bit more from ANSA:

The Terme di Caracalla had suffered damage that still had to be quantified but the Forum and Colosseum were unscathed, Archeological Superintendent Angelo Bottini said. ”But we’ll have to wait until tomorrow to have a complete and detailed picture,” Bottini said.

We’ll be adding updates below as they become available…

Latin Surviving in Sonoma County

The incipit of a lengthy piece in the Press Democrat:

The cars begin pulling to the curb at Montgomery High in Santa Rosa at 6:45 a.m. Sleepy teens pile out, heading to classes that start an hour before first period.

In Room 50, Latin teacher Jennifer Lehman welcomes a decidedly retro group of students. Her 32 pupils are the only teens studying Latin in the county’s public high schools, according to the Sonoma County Office of Education.

“I love this class,” said the 65-year-old instructor with 44 years of classroom experience.

“I’m teaching five levels of Latin at once to four different classes in a 50-minute session,” she said. “It is so cool, you just can’t believe it.”

Latin language classes are a rarity these days. They still can be found in some parochial schools, and some determined students sign up for Latin at Santa Rosa Junior College. Private tutoring is available.

But teachers and students say that where Latin is taught, devotion and sacrifice can be found.

Lehman’s students gather five mornings a week for 7 a.m. classes. Despite the hour, they exhibit enthusiasm and energy.

“The nice part about Latin is it’s like a puzzle. Some days I have to look up every other word. Some days, every word,” said sophomore honors student Graham Miller, 16.

He said he took Latin for the challenge and was rewarded recently when visiting his brother, who is attending Princeton University.

“In a campus courtyard there was something carved into the cement in Latin. I could just read it. It was about how families that support Princeton had never let Princeton down,” Miller said.

Once a staple of American high schools, Latin today is mostly known as the script carved into granite buildings or gracing currency, legal documents and medication instructions.

Yet Latin, the unspoken language, speaks to us still. Carpe diem (seize the day), semper fidelis (forever faithful) and ad infinitum (without limit) are common Latin terms interwoven into daily communication.

It also is valuable in understanding other languages.

“In history, we were watching a film about the Holocaust. It had German language in it and I could see how German and Latin had similarities,” said Allison Brooke, a 15-year-old honors sophomore in Lehman’s class. “I recognize connections between other languages and Latin all the time.”

The near-demise of Latin instruction has made the hiring of teachers for public institutions challenging.

“It’s sort of a chicken-or-the-egg thing. It’s hard to hire someone full-time when you are starting a class … with a few students,” said Ron Everett, Petaluma district director of education. His district does not provide Latin instruction.

A Couple of Claims

I’ve seen this first one (from USA Today this time) a couple of times now:

Alexander the Great is also said to have had one blue and one brown eye.

I’ve never managed to find any more details on that one …

This second one — from something called Dream Dogs — strikes me as suspicious:

The Maltese has been depicted on ancient Roman and Greek works of art that dates back to 500 BC. The Roman governor Publius is said to have had a Maltese by the name of Issa and even had a portrait of her painted. Much poetry was written of Publius’ Issa.

Okay … we do know of Issa, of course, from Martial’s epigram (1.109), reproduced here via the Latin Library:

Issa est passere nequior Catulli,
Issa est purior osculo columbae,
Issa est blandior omnibus puellis,
Issa est carior Indicis lapillis,
Issa est deliciae catella Publi. 5
Hanc tu, si queritur, loqui putabis;
sentit tristitiamque gaudiumque.
Collo nixa cubat capitque somnos,
ut suspiria nulla sentiantur;
et desiderio coacta uentris 10
gutta pallia non fefellit ulla,
sed blando pede suscitat toroque
deponi monet et rogat leuari.
Castae tantus inest pudor catellae,
ignorat Venerem; nec inuenimus 15
dignum tam tenera uirum puella.
Hanc ne lux rapiat suprema totam,
picta Publius exprimit tabella,
in qua tam similem uidebis Issam,
ut sit tam similis sibi nec ipsa. 20
Issam denique pone cum tabella:
aut utramque putabis esse ueram,
aut utramque putabis esse pictam.

… but I don’t see any evidence that we’re dealing with something identifiable as a maltese. Can anyone help on the portrait claims? (or the Alexander eye colour claims?)

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