rogueclassicism

quidquid bene dictum est ab ullo, meum est

Classical Pop

New York Magazine has an interview with Iggy Pop,  inter alia:

You describe the album as an “alternative score” to Michel Houellebecq’s 2005 sci-fi novel, The Possibility of an Island. What else have you been reading lately?

I read The Jazz Ear, by Ben Ratliff, and I just finished Vermeer’s Hat, by Timothy Brook. And there’s a killer translation of Herodotus out now. I enjoy reading about the Assyrians and the Medians and the Egyptians. I get off on that shit.

This comes just as we were discussing on the Latinteach list some modern songs with a Classical bent … Iggy has a couple that I can recall off the top of my head: Caesar and Curiosity,

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5 thoughts on “Classical Pop

  1. He also once wrote a piece on Gibbon for Classics Ireland:
    http://www.ucd.ie/cai/classics-ireland/1995/Pop95.html

  2. Jamie M. Forbes on said:

    As a book agent a decade or so ago, I represented a former wife of James Osterberg [and knew girls he dated], particularly with regard to contracts with the renowned Barney Rosset.

    Around here, which is Downtown New York, a lot of folks think the Igster is a jerk — I mean, musicians, artists, writers, and such, are infantilistically competitive. If I’m a duck, this water rolls off me.

    In my main life I read Rogueclassicism.

    I want to know which new translation Iggy Pop thinks is killer.

    Got any candidates?

  3. rogueclassicist on said:

    I assumed he’s referring to the Landmark Herodotus, translated by Robert Strassler … it just came out in the last month or so.

    • Jamie M. Forbes on said:

      Okay. Good. I’m just now reading an essay in New York Review of Books online that incorporates both The Landmark Herodotus: The Histories edited by Robert B. Strassler, translated from the Greek by Andrea L. Purvis, with an introduction by Rosalind Thomas Pantheon, 953 pp., $45.00 and Commentary on Herodotus Books I–IV by David Asheri, Alan Lloyd, and Aldo Corcella, edited by Oswyn Murray and Alfonso Moreno, with a contribution by Maria Brosius.

      Many thanks.

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