rogueclassicism

quidquid bene dictum est ab ullo, meum est

Archive for the month “February, 2010”

CONF: Imagines 2010

Seen on Aegeanet (please send any responses to the folks mentioned in the quoted text, not to rogueclassicism!):

Seduction and Power
IMAGINES II – Antiquity in the Visual and Performing Arts
Bristol, 22-25 September 2010
WWW.IMAGINES-PROJECT.ORG

University of Bristol
Institute of Greece, Rome and the Classical Tradition
University of Wales – Lampeter

Seduction and Power (IMAGINES II) is the second in a series of major
international and interdisciplinary conferences focusing on the
reception of antiquity in the performing and visual arts. It explores
the impact in post-classical imagery of the tensions and relations of
gender, sexuality, eroticism and power attributed to historical or
legendary characters and events of the Ancient World.

IMAGINES is an interdisciplinary project addressing Classical reception
in e.g. film, theatre, dance, opera, sculpture, architecture, painting,
comic, design and photography. It establishes networks across boundaries
in reception studies and goes beyond the treatment of reception in
individual genres and periods, taking specific genres as starting point
and going on to highlight their interconnections. IMAGINES demonstrates
the influence of the reception of antiquity on a specific manifestation
of culture and shows how it shapes culture as such, ranging from
post-classical traditional art disciplines to contemporary popular
cultural expressions.

For the main outlines of the IMAGINES project and past and future
conferences see website: www.imagines-project.org

Seduction and Power
Programme

22 September 2010

16:00 registration

16:45 opening

17:00 Public lecture
Prof Martin Winkler (George Mason University): Three Queens: Helen,
Penelope, and Dido in Franco Rossi’s Odissea and Eneide.

18:30 Public event
Pantelis Michelakis, Marta Garcia, Irene Berti. Screening of silent
films centring on antiquity.

23 September 2010

9:30 day registration

10:00
Dr Silke Knippschild (University of Bristol): Woman on Top? Semiramide
and the Power of the ‘Oriental Woman’.

10:30
Dr Michael Seymour (British Museum): Power, Sin and Seduction in
Babylon: the Case of Verdi’s Nabucco.

11:00 coffee

11:15
Prof Lloyd Llewellyn-Jones (University of Edinburgh):
‘Jewel-in-the-belly-button’ Orientalism in Oliver Stone’s Alexander: The
Fantasy of the Harem and Hollywood’s Ancient World.

11:45
Dr Martina Treu (IULM University, Milan): Dark Ladies, Bad Girls, Demon
Queens. Female Power and Seduction from Greek Tragedy to Pop Culture.

12:15
Dr Pantelis Michelakis (University of Bristol): Film Genres in Cinematic
Adaptations of Greek Tragedy.

13:00 lunch

14:30
Dr Irene Berti (Universität Heidelberg): Circe in Literature and Art of
the Renaissance.

15:00
Dr Maite Clavo (Universitat de Barcelona): The Erotics of Power in Jordi
Coca’s Ifigènia (2009).

15:30
Dr Maddalena Giovannelli and Dr Andrea Capra (Università Statale di
Milano): ‘Prince of Painters’, the Grimacing Mask of Power and Seduction
in Aristophanes’ Assemblywomen.

16:00 coffee

16:30
Prof Montserrat Reig (Universitat de Barcelona) and Dr Jesús Carruesco
(ICAC, Tarragona): Myth and Tragedy in Opera Staging in the 21st Century.

17:00
Dr Nicoletta Momigliano (University of Bristol): Isadora Duncan, Russian
Ballet, and the Seduction of Minoan Crete.
.
17:30
Prof James Lesher (University of North Carolina, Chapel Hill): Greek
Elements in T. S. Eliot’s The Cocktail Party.

24 September 2010

9:15 day registration

9:30
Dr Constantina Katsari (University of Leicester): Nelly’s Nudes on the
Acropolis.

10:00
Dr Charlotte Ribeyrol (Université de Paris-Sorbonne): The Lure of the
Hermaphrodite in the Poetry and Painting of the English Aesthetes.

10:30
Dr Pepa Castillo (Universidad de la Rioja): Claudia Quinta and Publius
Cornelius Scipio: exempla virtutis in Vienna under Leopold I (1640-1705).

11:00 coffee

11:15
Dr Oscar Lapeña (Universidad de Cádiz): The Stolen Seduction: ‘Spartaco
Gladiatore della Tracia’ (Riccardo Freda, Italia 1953).

11:45
Prof Francisco Pina Polo (Universidad de Zaragoza): The Great Seducer:
Cleopatra, Queen and Sex-Symbol.

12:15
Dr Marta García Morcillo (University of Wales, Lampeter): Seduced,
Defeated and Forever Damned: Marc Antony in Post-Classical Imagery.

12:45
Dr Martin Lindner (Universität Oldenburg): Power beyond Measure –
Caligula in Pop Culture.

13:15 lunch

15:00
Dr Mary R. McHugh (Gustavus Adolphus College): Constantia memoriae – the
Reputation of Agrippina the Younger.

15:30
Dr Charo Rovira (British Museum): Hadrian and Antinous: The Power of
Seduction.

16:00
Dr Filippo Carlà (Universität Heidelberg): Saint or Prostitute? The
Reception of Empress Theodora in the Performing and Visual Arts.

16:30 coffee

17:00
Prof Antonio Duplá (The University of the Basque Country, Vitoria):
History, Moral and Power: The Ancient World in 19th Century Spanish
Historical Painting.

17:30
Dr Erika Notti (IULM University, Milan): Presentation of the project
Digital and Iconographic Theatre-Antiquity Lexicon (DigITAL).

25 September 2010

Venue: The Bristol Gallery, Building 2, Unit 8, Millennium Promenade,
Harbourside, Bristol BS1 5TY

10:30
Eric Shanower (San Diego, California): Exhibition of original artwork
and public talk: Trojan Lovers and Warriors – The Power of Seduction in
Age of Bronze.

Special event
Exhibition of AGE OF BRONZE artwork by graphic novelist Eric Shanower
(San Diego, California) at The Bristol Gallery (21-25 September 2010).

www.age-of-bronze.com

www.thebristolgallery.com

Opening times
Monday to Friday: 9 am to 6 pm
Saturday and Sunday: 10 am to 5 pm
Late night Thursday: until 8 pm

Contact and information
Dr Silke Knippschild: clzsk AT bristol.ac.uk
Department of Classics and Ancient History
11 Woodland Road
Bristol BS8 2NG
UK

Dr Marta García Morcillo: m.morcillo AT lamp.ac.uk
Department of Classics University of Wales, Lampeter Lampeter SA48 7ED Wales
UK

Citanda: First Minoan Shipwreck

Full article from Archaeology now online:

via First Minoan Shipwreck | Archaeology.

Citanda: MC lecture to Explore Ancient Roman Fountains   – Monmouth, IL – Daily Review Atlas

Brenda Longfellow, an assistant professor at the University of Iowa’s School of Art and Art History, will present the next archaeology lecture at Monmouth College on Feb. 25 at 7:30 p.m. in the Morgan Room in Poling Hall.

Titled “Myth and Memory in Ancient Roman Fountains” the talk is free and open to the public. It is sponsored by the MC Classics Department, in cooperation with the Western Illinois Society of the Archaeological Institute of America (AIA).

via MC lecture to explore ancient Roman fountains   – Monmouth, IL – Daily Review Atlas.

Citanda: Penn Museum Lecture Sexes Up Ancient History

Jennifer Wegner, Penn professor and curator of the Egyptian section of the museum, spoke at last night’s Valentine’s Day lecture, “Cougars, Playas and Baby Mama Drama in the Ancient World.”

via Penn Museum lecture sexes up ancient history | The Daily Pennsylvanian.

Citanda: Rome’s stamp on America

Interesting review of an exhibition entitled Ancient Rome & America:

Rome’s stamp on America | Philadelphia Inquirer.

This Day in Ancient History: ante diem xi kalendas martias

ante diem xi kalendas martias

  • Parentalia (Day 7) — the period for honouring the dead continues
  • 198 A.D. — death of emperor wannabe Clodius Albinus
  • 1806 — death of Elizabeth Carter (Classicist who translated Epictetus)

Site of the Golden Bough Found?

From the Telegraph … I may have things to add later when I have time to look into this more detail:

In Roman mythology, the bough was a tree branch with golden leaves that enabled the Trojan hero Aeneas to travel through the underworld safely.

They discovered the remains while excavating religious sanctuary built in honour of the goddess Diana near an ancient volcanic lake in the Alban Hills, 20 miles south of Rome.

They believe the enclosure protected a huge Cypress or oak tree which was sacred to the Latins, a powerful tribe which ruled the region before the rise of the Roman Empire.

The tree was central to the myth of Aeneas, who was told by a spirit to pluck a branch bearing golden leaves to protect himself when he ventured into Hades to seek counsel from his dead father.

In a second, more historically credible legend, the Latins believed it symbolised the power of their priest-king.

Anyone who broke off a branch, even a fugitive slave, could then challenge the king in a fight to the death. If the king was killed in the battle, the challenger assumed his position as the tribe’s leader.

The discovery was made near the town of Nemi by a team led by Filippo Coarelli, a recently retired professor of archaeology at Perugia University.

After months of excavations in the volcanic soil, they unearthed the remains of a stone enclosure.

Shards of pottery surrounding the site date it to the mid to late Bronze Age, between the 12th and 13th centuries BC.

“We found many, many pottery pieces of a votive or ritual nature,” said Prof Coarelli. “The location also tells us that it must have been a sacred structure. We spent months excavating, during which we had to cut into enormous blocks of lava.”

The stone enclosure is in the middle of an area which contains the ruins of an immense sanctuary dedicated to Diana, the goddess of hunting, along with the remains of terracing, fountains, cisterns and a nymphaeum.

“It’s an intriguing discovery and adds evidence to the fact that this was an extraordinarily important sanctuary,” said Prof Christopher Smith, the head of the British School at Rome, an archaeological institute.

“We know that trees were grown in containers at temple sites. The Latins gathered here to worship right up until the founding of the Roman republic in 509BC.”

The story about the golden bough and Aeneas, who is said to have journeyed from Troy to Italy to found the city of Rome, was documented by Virgil in his epic, the Aeneid.

“Virgil tells us that the sibyls told Aeneas to go to the underworld to take advice from his father but he had to take a branch of gold as a sort of key to allow him access,” said Prof Smith.

The legend inspired JMW Turner to paint a grand canvas entitled ‘Lake Avernus – The Fates and the Golden Bough’, now held by the Tate Collection.

Addenda: There’s a bit more detail in the La Repubblica coverage: In questo vaso cresceva l’ albero con il ramo d’ oro. However, I’m curious on what basis they think this enclosure housed a tree. It’s certainly very interesting that this pushes the age of the sanctuary back to the Bronze Age …

Citanda: VDH’s Private Papers – Why Did Rome Fall – And Why Does It Matter Now?

Tip o’ the pileus to Barbara Saylor Rodgers for sending this along (VDH is Victor Davis Hanson, of course)

via VDH’s Private Papers::Why Did Rome Fall – And Why Does It Matter Now?.

Getty Museum <3 Sicily

Given the fairly regular busts which seem to be going on in Italy and the Getty’s ‘reputation’ (for want of a better word), I can’t decide if this is good/bad for the Getty/Sicily or what:

The J. Paul Getty Museum said Wednesday that it is expanding its partnerships with various regions of Italy by embarking on a long-term cultural collaboration with Sicily.

The joint project will involve object conservation, earthquake protection of collections, exhibitions and more. The Getty said it will be working with the Sicilian Ministry of Culture and Sicilian Identity.

Currently, the Getty has partnerships with the Museo Archeologico Nazionale in Florence and the Museo Archeologico Nazionale in Naples.

The collaborations are the result of a 2007 agreement between the Getty and the Italian Ministry of Culture. As part of that accord, the Getty agreed to transfer 40 objects to Italy in order to help bring to a close the protracted legal battle over disputed works of art.

Italy and the Getty also agreed at the time to a “broad cultural collaboration” that would include loans of significant art works, joint exhibitions and other endeavors.

Among the projects slated for the Sicily project is a new exhibition to be undertaken by the Getty that will explore Sicily during the Classical and Hellenistic periods — or roughly between the 5th and 3rd centuries BC.

The Getty said the exhibition, which is provisionally titled “Between Greece and Rome: Sicily in the Classical and Hellenistic Period,” will open at the Getty Villa in Malibu in 2013 and will borrow from a number of Sicilian museums and other international institutions.

Another planned exhibition will involve the exploration of Selinunte (Selinos), a Greek colonial settlement in southwestern Sicily that has a number of ancient Greek temples. The Getty will partner with various organizations on the show, whose opening day has yet to be announced.

The Getty said it will borrow several objects from the Museo Archeologico di Aidone that relate to the worship of the goddesses Demeter and Persephone. The objects will be loaned for display in the “Gods and Goddesses” gallery at the Getty Villa for one year.

In addition, the Getty said that it will bring select artwork in need of conservation to the Getty Villa. Among the pieces scheduled for travel are the statue known as the Marble Youth from Agrigento and a vase by the artist known as the Niobid Painter.

Wednesday’s news was co-announced by David Bomford, the acting director of the Getty Museum. Bomford took over the role of director after Michael Brand, the Getty’s former director, stepped down in January.

via Getty Museum to embark on partnership with Sicily | Los Angeles Times.

Child Sacrifice at Carthage?

Okay … so over the course of the day I’m idly checking my Twitter feed and I notice a pile of folks tweeting an article in Science Daily with the headline screaming Study Debunks Millennia-Old Claims of Systematic Infant Sacrifice in Ancient Carthage. Later, when I get home, I see an item from Eurekalert with the same headline. Before reading the articles, and while pondering whether ‘systematic’ is a word that is normally used in this context, I start to wonder if someone has managed to prove a negative somehow. Of course not.

Both articles are verbatim accounts of a press release from the University of Pittsburgh. Here’s what it says:

A study led by University of Pittsburgh researchers could finally lay to rest the millennia-old conjecture that the ancient empire of Carthage regularly sacrificed its youngest citizens. An examination of the remains of Carthaginian children revealed that most infants perished prenatally or very shortly after birth and were unlikely to have lived long enough to be sacrificed, according to a Feb. 17 report in “Proceedings of the Library of Science (PLoS) ONE.”

The findings-based on the first published analysis of the skeletal remains found in Carthaginian burial urns-refute claims from as early as the 3rd century BCE of systematic infant sacrifice at Carthage that remain a subject of debate among biblical scholars and archaeologists, said lead researcher Jeffrey H. Schwartz, a professor of anthropology and history and philosophy of science in Pitt’s School of Arts and Sciences and president of the World Academy of Art and Science. Schwartz and his colleagues present the more benign interpretation that very young Punic children were cremated and interred in burial urns regardless of how they died.

“Our study emphasizes that historical scientists must consider all evidence when deciphering ancient societal behavior,” Schwartz said. “The idea of regular infant sacrifice in Carthage is not based on a study of the cremated remains, but on instances of human sacrifice reported by a few ancient chroniclers, inferred from ambiguous Carthaginian inscriptions, and referenced in the Old Testament. Our results show that some children were sacrificed, but they contradict the conclusion that Carthaginians were a brutal bunch who regularly sacrificed their own children.”

Schwartz worked with Frank Houghton of the Veterans Research Foundation of Pittsburgh, Roberto Macchiarelli of the National Museum of Natural History in Paris, and Luca Bondioli of the National Museum of Prehistory and Ethnography in Rome to inspect the remains of children found in Tophets, burial sites peripheral to conventional Carthaginian cemeteries for older children and adults. Tophets housed urns containing the cremated remains of young children and animals, which led to the theory that they were reserved for victims of sacrifice.

Schwartz and his coauthors tested the all-sacrifice claim by examining the skeletal remains from 348 urns for developmental markers that would determine the children’s age at death. Schwartz and Houghton recorded skull, hip, long bone, and tooth measurements that indicated most of the children died in their first year with a sizeable number aged only two to five months, and that at least 20 percent of the sample was prenatal.

Schwartz and Houghton then selected teeth from 50 individuals they concluded had died before or shortly after birth and sent them to Macchiarelli and Bondioli, who examined the samples for a neonatal line. This opaque band forms in human teeth between the interruption of enamel production at birth and its resumption within two weeks of life. Identification of this line is commonly used to determine an infant’s age at death. Macchiarelli and Bondioli found a neonatal line in the teeth of 24 individuals, meaning that the remaining 26 individuals died prenatally or within two weeks of birth, the researchers reported.

The contents of the urns also dispel the possibility of mass infant sacrifice, Schwartz and Houghton noted. No urn contained enough skeletal material to suggest the presence of more than two complete individuals. Although many urns contained some superfluous fragments belonging to additional children, the researchers concluded that these bones remained from previous cremations and may have inadvertently been mixed with the ashes of subsequent cremations.

The team’s report also disputes the contention that Carthaginians specifically sacrificed first-born males. Schwartz and Houghton determined sex by measuring the sciatic notch-a crevice at the rear of the pelvis that’s wider in females-of 70 hipbones. They discovered that 38 pelvises came from females and 26 from males. Two others were likely female, one likely male, and three undetermined.

Schwartz and his colleagues conclude that the high incidence of prenate and infant mortality are consistent with modern data on stillbirths, miscarriages, and infant death. They write that if conditions in other ancient cities held in Carthage, young and unborn children could have easily succumbed to the diseases and sanitary shortcomings found in such cities as Rome and Pompeii.

So to summarize the press release:

  • there’s a millennia-old “conjecture” that Carthaginians “regularly” or “systematically” sacrificed their children
  • evidence for same is not based on examination of cremated remains, but on literary sources from various periods
  • the existence of ‘Tophet’ has led to a theory that they were the places reserved for the young victims of such sacrifices
  • examination of the remains in a fairly large number of Tophet burials suggests that there were some sacrifices, but that a much larger number of the burials were of children who died natural deaths (but that number seems to be small compared to a claimed one-instance sacrifice mentioned by Diodorus Siculus, below)

Okay, so let’s first see what Diodorus Siculus says (20.14 via Lacus Curtius) when Agathocles was beseiging Carthage:

Therefore the Carthaginians, believing that the misfortune had come to them from the gods, betook themselves to every manner of supplication of the divine powers; and, because they believed that Heracles, who was worshipped in their mother city, was exceedingly angry with them, they sent a large sum of money and many of the most expensive offerings to Tyre. Since they had come as colonists from that city, it had been their custom in the earlier period to send to the god a tenth of all that was paid into the public revenue; but later, when they had acquired great wealth and were receiving more considerable revenues, they sent very little indeed, holding the divinity of little account. But turning to repentance because of this misfortune, they bethought them of all the gods of Tyre. They even sent from their temples in supplication the golden shrines with their images, believing that they would better appease the wrath of the god if the offerings were sent for the sake of winning forgiveness. They also alleged that Cronus had turned against them inasmuch as in former times they had been accustomed to sacrifice to this god the noblest of their sons, but more recently, secretly buying and nurturing children, they had sent these to the sacrifice; and when an investigation was made, some of those who had been sacrificed were discovered to have been supposititious. When they had given thought to these things and saw their enemy encamped before their walls, they were filled with superstitious dread, for they believed that they had neglected the honours of the gods that had been established by their fathers. In their zeal to make amends for their omission, they selected two hundred of the noblest children and sacrificed them publicly; and others who were under suspicion sacrificed themselves voluntarily, in number not less than three hundred. There was in their city a bronze image of Cronus, extending its hands, palms up and sloping toward the ground, so that each of the children when placed thereon rolled down and fell into a sort of gaping pit filled with fire.

I don’t have a Greek text handy, but this literary account seems enough to take away my doubts about use of the words ‘regular’ and ‘systemic’. However, what I do not understand is why these burials from Carthage are identified as ‘Tophet’ burials (Tophet is a Biblical term, relating to this sort of sacrifice among the Canaanites … see the Wikipedia article if you’d like to track down references.). If they are ‘Tophet’ in the Biblical sense, the lack of large-scale sacrificial remains would suggest they aren’t ‘Tophet’, no? There’s some straw man/circularity lurking in here.  Or perhaps there is a technical definition being applied to something more general. Whatever the case,  near as I can tell, what has been proven is not the ‘non-existence’ of regular child sacrifice, but rather that these particular burials outside Carthage aren’t ‘Tophet’ in the Biblical sense.

Interestingly, the University of Pittsburgh press release links to the PLoS One article, which includes this abstract:

Two types of cemeteries occur at Punic Carthage and other Carthaginian settlements: one centrally situated housing the remains of older children through adults, and another at the periphery of the settlement (the “Tophet”) yielding small urns containing the cremated skeletal remains of very young animals and humans, sometimes comingled. Although the absence of the youngest humans at the primary cemeteries is unusual and worthy of discussion, debate has focused on the significance of Tophets, especially at Carthage, as burial grounds for the young. One interpretation, based on two supposed eye-witness reports of large-scale Carthaginian infant sacrifice [Kleitarchos (3rd c. BCE) and Diodorus Siculus (1st c. BCE)], a particular translation of inscriptions on some burial monuments, and the argument that if the animals had been sacrificed so too were the humans, is that Tophets represent burial grounds reserved for sacrificial victims. An alternative hypothesis acknowledges that while the Carthaginians may have occasionally sacrificed humans, as did their contemporaries, the extreme youth of Tophet individuals suggests these cemeteries were not only for the sacrificed, but also for the very young, however they died. Here we present the first rigorous analysis of the largest sample of cremated human skeletal remains (348 burial urns, N = 540 individuals) from the Carthaginian Tophet based on tooth formation, enamel histology, cranial and postcranial metrics, and the potential effects of heat-induced bone shrinkage. Most of the sample fell within the period prenatal to 5-to-6 postnatal months, with a significant presence of prenates. Rather than indicating sacrifice as the agent of death, this age distribution is consistent with modern-day data on perinatal mortality, which at Carthage would also have been exacerbated by numerous diseases common in other major cities, such as Rome and Pompeii. Our diverse approaches to analyzing the cremated human remains from Carthage strongly support the conclusion that Tophets were cemeteries for those who died shortly before or after birth, regardless of the cause.

Sounds like an interesting study, but it’s EXTREMELY interesting that the focus does not appear to be conclusions about the scale  of child sacrifice at Carthage, but rather, who were buried in the ‘Tophet’.  One might also wonder whether children who died ‘natural’ births might have been seen by the Carthaginians as ‘sacrificed’/taken by the god(s) even if they didn’t roll out of the hands of Moloch. In any event, in the coverage hitting the newspapers, it seems like someone along the line here is engaging in a bit of revisionary sensationalism …

Addenda: if you’re wondering about the dates of the ‘Tophet’ at Carthage, see: The Tophet of Carthage | Suite101 Archaeology

Addenda II: a conversation on the Classics list reminded me that we’ve dealt with this ‘child sacrifice’ downplaying before: Child Sacrifice in Carthage (2005) (see especially the link to the ‘online debate’)

This Day in Ancient History: ante diem xiii kalendas martias

ante diem xiii kalendas martias

  • Parentalia (Day 5) — the period for appeasing the dead continued
  • Quirinalia — festival honouring the namesake of the Quirinal hill, the Sabine divinity Quirinus, who was later identified with Romulus. Little else is known about the festival.
  • 304 A.D. — martyrdom of Donatus and 80+ others near Venice
  • 1776 — Edward Gibbon publishes the first volume of the Decline and Fall of the Roman Empire

Citanda: Encyclopedia of Ancient History

Very pricey:

Encyclopedia of Ancient History.

Seen in Passing: Hadrian Flick?

The conclusion of a piece on of Deliverance, Zardoz, Point Blank (et alia) fame:

As the new decade kicks off, Boorman seems to have his hands full. He has been working on an animated version of The Wizard of Oz for several years. A film based on the Emperor Hadrian is still under development. And he seems confident that he will soon get to shoot a script he wrote with Neil Jordan a quarter of a century ago. Perhaps it’s a bit early for a lifetime achievement award.

via Deliverance’s duelling banjos were a budget cut | The Irish Times.

Citanda: Wilfred Owen in Hades

Charlotte Higgins’ latest:

Wilfred Owen in Hades: Homer and the poetry of the first world war | Guardian.

Citanda: Did Alexander the Great Fight the Yeti?

I may have to look into this:

World History Blog: Did Alexander the Great Fight the Yeti?.

… but Loren Coleman at Cryptomundo seems to have nailed it …

d.m. David Furley

Professor David John Furley, 87, of Charlbury, United Kingdom, formerly of Princeton, died January 26 after a long illness in Banbury Hospital, Banbury, United Kingdom. A former chairman of Princeton University’s Department of Classics, he was the first classicist to receive the University’s Howard T. Behrman Award for Distinguished Achievement in the Humanities, winning the award in 1984.

Born in Nottingham, England, he was educated at Nottingham High School and Cambridge University (Jesus College), where he graduated with first class honors in 1947. His studies were interrupted by active service in the Second World War, mainly in Burma, where he rose to the rank of Captain in the Artillery. After teaching in the Department of Greek and Latin of University College London from 1947 to 1966, he joined the Princeton faculty in 1966 as a professor of classics. From 1974 to his retirement in 1992 he was the Ewing Professor of Greek Language and Literature. He also directed the Program in Classical Philosophy from 1969 to 1982 and chaired the Department of Classics from 1982 to 1985. During his career he served as president of the Society for Ancient Greek Philosophy and chairman of the International Committee of the Symposium Aristotelicum.

Together with his wife Phyllis, who died in 2009, he enjoyed the company of many friends in the Princeton community.

He is survived by two sons, John and William from his first marriage to Diana (née Armstrong); four grandchildren; four step-children from his second marriage, Alison, Neil, Kate, and Fiona; four step-grandchildren; and two great-grandchildren.

The funeral will be this Friday, February 12 in Charlbury near Oxford. The address of the Furleys in Charlbury is 14 The Playing Close, Charlbury, Oxfordshire OX7 3RZ, England.

In lieu of flowers, memorial gifts may be made to www.alzheimers-research.org.uk.

via www.TownTopics.com — Obituaries.

d.m. George Paul

My Ph.D. supervisor … a very patient man with a legendary book collection. This is Dr Michele George’s obituary from the Canadian Classical Bulletin:

George McKay Paul (1927-2010)

Professor Emeritus of Classics, George Paul, died at home on Monday, February 15, 2010.  Born in Glasgow, Scotland, he graduated from Oxford (BA, MA), where he studied with George Cawkwell, and London (PhD), where his thesis was supervised by H.H. Scullard.  After teaching at the University of the West Indies in Jamaica from 1955 to 1964, George joined the Department of Classics at McMaster, where he taught until his retirement in 1993.  A historian with a particular interest in historiography and rhetoric, he published articles on Thucydides, Plutarch, and Josephus, and was widely recognized as a leading authority on the Roman historian, Sallust, the article on whom he wrote for the Encyclopedia Britannica.  His Historical Commentary on Sallust’s Bellum Jugurthinum remains a standard.

Known for his meticulous attention to detail and insistence on clarity of expression, George’s high standards in the classroom were always tempered by a keen, dry wit and a perpetual twinkle in the eye.  As a long-time bibliophile and keeper of a legendary Classics library in his Westdale home, George devoted great effort toward building the Classics collection in Mills library.  His commitment leaves a permanent legacy for future generations of scholars.

Funeral services will be held at Knox Church, 23 Melville Street in Dundas, Ontario on Thursday, February 18 at 1:30.  Donations can be made to a graduate scholarship set up by George’s family on the occasion of his 80th birthday (The George McKay Paul Scholarship).

… he will be missed.

This Day in Ancient History: ante diem xiv kalendas martias

ante diem xiv kalendas martias

  • Parentalia (Day 4) — the period for appeasing the dead continued
  • 309 A.D. — martyrdom of Pamphilius

A Scholarly Slap on the Wrist?

Excerpts from an interesting piece at the New York Times’ Paper Cuts Blog:

There’s a scene in David Malouf’s “Ransom” — a novel based mainly on Homer’s “Iliad” — in which King Priam of Troy is slaughtered by Neoptolemus, the son of the Greek hero Achilles. That episode, which is not described in the “Iliad,” ultimately derives from a lost archaic Greek epic, the “Iliou Persis,” or “Sack of Troy.” But the best-known surviving version of the death of Priam appears in the second book of Virgil’s “Aeneid,” and Latinists took me to task for not mentioning it in my review of “Ransom” published in the Book Review last month.

In recompense, here are two translations of the passage in Virgil to compare, the first by Sarah Ruden. In The New York Review of Books, Garry Wills said her 2008 “Aeneid” “has soared over the bar” set high by Robert Fagles in 2006. His translation follows hers. (Neoptolemus is here called Pyrrhus; the narrator is Aeneas, at the court of Queen Dido of Carthage.)

[...]

Some other notes:

— The fantastic vase painting of the killing of Priam is from an Attic black-figure amphora of the late sixth century B.C., now in the Louvre. Like many ancient illustrations of the Trojan War, it depicts the conquest of Troy as a savage and merciless slaughter of innocents; here Neoptolemus bludgeons Priam with the body of a Trojan child.

— Virgil’s references to the rule of Asia and a headless trunk on the shore would have been immediately understood by Romans of the early Augustan age as a reference to Pompey the Great, the Roman conqueror of the East treacherously assassinated and beheaded on the shores of Egypt.

— The title of Malouf’s novel, “Ransom,” is a translation of the Greek term for the Iliadic episode in which Priam ransoms the body of his son Hector from Achilles. It’s just one of the many ways in which Malouf shows his thorough engagement with the “Iliad.”

— No matter how skillful these translations, Virgil’s Latin suffers far more in translation than does Homeric Greek. It’s worth learning Latin just to read the “Aeneid.”

via Virgil Strikes Back – Paper Cuts Blog – NYTimes.com.

Citanda: Homer and Baseball

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