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Archive for the month “January, 2011”

This Day in Ancient History: ante diem iii idus januarias

Bronze sestertius of Nero
Image by peterjr1961 via Flickr
ante diem iii idus januarias

  • Carmentalia begins (day 1) — a two-day festival (with a three day break between the days) in honour of the deity Carmenta, who was possibly a goddess of both childbirth and prophecy.
  • 49 B.C. — Julius Caesar crosses the Rubicon (by another reckoning)
  • ?? B.C. — dedication of the Temple of Juturna in the Campus Martius
  • 29 B.C. — Octavian closes the doors of the Temple of Janus, signifying the Roman world was at peace

Emperors of Rome: Tiberius

Adrian Murdoch continues his series:

This Day in Ancient History: ante diem iv idus januarias

roman dice
Image by mo pie via Flickr

ante diem iv idus januarias

  • 49 B.C. — Caesar crosses the Rubicon (according to some sources)
  • 69 A.D. — emperor-for-a-little-while-and-not-much-longer Galba adopts Lucius Calpurnius Piso

In Explorator 13.38

Some gleanings from today’s newsletter … as always, some repeats, some alternate versions, some things I hope I’ll get to blog:
================================================================
ANCIENT NEAR EAST AND EGYPT
================================================================
Finds from various periods at Medinet al-Far (Syria):

http://www.english.globalarabnetwork.com/201101058547/Related-news-from-Syria/ar\
chaeologists-head-statue-mosque-walls-islamic-coins-discovered-in-syria.html

All sorts of translation/transcription problems with this Byzantine (?)
mosaic (?) find from
Kfamboda, Hama (Syria):

http://www.english.globalarabnetwork.com/201101068555/Related-news-from-Syria/ar\
chaeologists-unearthed-byzantine-mosaic-painting-in-syria.html

Marble ‘pillars’ from Gaza:

http://www.maannews.net/eng/ViewDetails.aspx?ID=347876
================================================================
ANCIENT GREECE AND ROME (AND CLASSICS)
================================================================
Brief item on some Roman and Byzantine tombs being found at Sweida (Syria):

http://www.upi.com/Science_News/2011/01/03/Ancient-tomb-sites-uncovered-in-Syria\
/UPI-34231294079010/

http://www.english.globalarabnetwork.com/201101028499/Travel/archaeologists-byza\
ntine-and-roman-tombs-unearthed-in-south-of-syria.html

Evidence of a Roman legionary settlement of some sort from Balaklava:

http://www.thenews.pl/international/artykul146739_polish-archeologists-discover-\
roman-fort-in-ukraine.html

An update of sorts from one of the digs in Paphos:

http://www.cyprus-mail.com/features/house-expected-reveal-hidden-secrets-ancient\
-city/20110109

Possible Roman burial from Epsom:

http://www.epsomguardian.co.uk/news/8774591.Bones_found_by_workmen/

A large complex from the Roman period found during excavations at Vlou
(Cyprus):

http://www.cyprus-mail.com/history/large-ancient-dwelling-uncovered-anogyra/2011\
0107

http://www.mcw.gov.cy/mcw/da/da.nsf/All/CB740A26E2D59C534225780A003818BB?OpenDoc\
ument

Feature on the Villa dei Quintili:

http://www.irishtimes.com/newspaper/world/2011/0103/1224286668742.html

The Romeyka dialect seems to be a survival of Pontic Greek:

http://www.independent.co.uk/life-style/history/jason-and-the-argot-land-where-g\
reeks-ancient-language-survives-2174669.html

http://www.independent.co.uk/opinion/leading-articles/leading-article-not-such-a\
-dead-language-2174681.html

http://www.upi.com/Science_News/2011/01/04/Modern-dialect-linked-to-ancient-Gree\
k/UPI-58711294187312/

http://www.ekathimerini.com/4dcgi/_w_articles_politics_100010_05/01/2011_122140
http://www.physorg.com/news/2011-01-endangered-language-window-video.html

Identifying the owner of a New Testament papyrus that dates to the time of
Constantine:

http://www.unreportedheritagenews.com/2011/01/flax-merchant-from-egypt-owner-of-\
4th.html

Reviewing the year in archaeology in Bulgaria:

http://www.novinite.com/view_news.php?id=123905

Claims of finding Alexander’s tomb … in Illinois (really is Elmer
material):

http://www.carmitimes.com/area_news/x1728384742/Does-Alexander-the-Great-rest-in\
-southern-Illinois

… and claims about Achilles’ grave are likely in the same category:

http://www.todayszaman.com/news-231953-mythological-warrior-achilles-to-have-his\
-trojan-horse-back.html

Interesting theory that the vallum that runs along Hadrian’s Wall was
originally intended
to be a road:

http://www.hexhamcourant.co.uk/news/news-at-a-glance/archaeologist-claims-vallum\
-was-abandoned-roman-road-1.795685?referrerPath=/courant-news-and-sport-1.257779

cf:
http://structuralarchaeology.blogspot.com/2010/11/40-reverse-engineering-vallum.\
html

Nice hype for Kathryn Gutzwiller’s mosaic paper at the APA:

http://www.physorg.com/news/2011-01-mosaics-pieces-popular-ancient.html
http://www.uc.edu/profiles/profile.asp?id=12911

… and Kathleen Lynch’s sympotic evolution paper at the AIA:

http://www.physorg.com/news/2011-01-toast-history-years-wine-drinking-cups.html
http://www.sciencedaily.com/releases/2011/01/110103110327.htm
http://www.scientificamerican.com/podcast/episode.cfm?id=ancient-greek-symposium\
-featured-dr-11-01-03

http://www.uc.edu/news/NR.aspx?id=12888

Ross Kilpatrick sees some Horace (and Petrarch) allusions in the Mona Lisa:

http://www.physorg.com/news/2011-01-professor-hidden-literary-mona-lisa.html
http://www.deccanherald.com/content/127134/professor-uncovers-hidden-literary-re\
ferences.html

http://www.sify.com/news/professor-uncovers-hidden-literary-references-in-mona-l\
isa-news-international-lbhsahgeihf.html

http://www.mnn.com/lifestyle/arts-culture/stories/hidden-literary-code-found-in-\
da-vincis-masterpiece

http://www.sciencedaily.com/releases/2011/01/110106153123.htm
http://www.ctv.ca/CTVNews/Entertainment/20110107/professor-probes-mona-lisa-secr\
ets-110109/

What Umit Dhuga is up to:

http://www.calvin.edu/news/detail.html?id=f5ed48de-e671-46ef-b376-c1074da9dfdb

Cartledge and Romm continue to talk about Alexander:

http://blogs.forbes.com/booked/2011/01/03/two-great-historians-talk-alexander-th\
e-great-part-4/

A new ‘preservation plan’ for Rome:

http://news.xinhuanet.com/english2010/culture/2011-01/05/c_13676620.htm

Some Cleopatra movie gossip/observations:

http://www.guardian.co.uk/books/2011/jan/09/cleopatra-paul-greengrass-angelina-j\
olie

An interview with Stephen Dando-Collins about his *Legions of Rome*:

http://www.newstatesman.com/books/2011/01/roman-legions-interview

… and one with Philip Matyszak about his *Legionary: The Roman Soldier’s
(Unofficial) Manual*:

http://www.boston.com/ae/books/articles/2009/05/31/an_interview_with_philip_maty\
szak_on_legionary/

The Antikythera Mechanism is the APOD:

http://apod.nasa.gov/apod/ap110109.html

A Sri Lankan Classicist is also a national hero:

http://www.dailynews.lk/2011/01/03/fea01.asp

Folks might be interested in checking out Adrian Murdoch’s podcasts on Roman
emperors which will be appearing every Monday:

http://adrianmurdoch.typepad.com/my_weblog/2011/01/emperors-of-rome-augustus.htm\
l

================================================================
CRIME BEAT
================================================================
Marion True talks about her trial:

http://theartnewspaper.com/articles/%E2%80%9CNeither+condemned+nor+vindicated%E2\
%80%9D/22163

http://artsbeat.blogs.nytimes.com/2011/01/06/trial-over-former-getty-curator-spe\
aks-out/

http://latimesblogs.latimes.com/culturemonster/2011/01/getty-antiquities-marion-\
true-speaks-out-about-her-five-year-43-session-trial-in-italy.html

… while Paolo Ferri talks about the problems of making a case when it
involves clandestine
digging:

http://www.theartnewspaper.com/articles/%E2%80%9CClandestine+excavation+is+a+cri\
me+that+is+hard+to+prove%E2%80%9D/22164

================================================================
NUMISMATICA
================================================================
A huge hoard of coins (actually two of them) from the excavations at
‘Pistillus’ workshop’ in Autun:

http://www.artdaily.org/index.asp?int_sec=2&int_new=43979
================================================================
OBITUARIES
================================================================
Andrew Berube:

http://www.nj.com/bayonne/index.ssf/2011/01/beloved_teacher_at_bayonnes_ho.html

================================================================
================================================================
Past issues of Explorator are available on the web via our
Yahoo site:

http://tech.groups.yahoo.com/group/Explorator/

To subscribe to Explorator, send a blank email message to:

Explorator-subscribe@yahoogroups.com

CFP: Electra e-journal

Seen on the Classicists list (please direct any queries to the folks mentioned in the item and not to rogueclassicism):

Dear all,
A new e-journal called "Electra" is about to be launched by the Centre for
the Study of Myth and Religion in Greek and Roman Antiquity, founded by
the Department of Philology of the University of Patras, Greece.
(http://electra.lis.upatras.gr/)
In general, Electra shall welcome articles focusing on Ancient Greek and
Roman Mythology and Religion from a philological, historical,
anthropological, archaeological, linguistic or philosophical point of view.
Particularly, for the first issue (to be published online by the end of
spring 2011) we are looking for papers focusing specifically on the
Atreids myth (approached from any aspect).
Anyone interested should submit their papers until 30th April 2011.

CFP: The Playful Plutarch (Oxford, July, 2011)

Seen on the Classicists list (please direct any queries to the folks mentioned in the item and not to rogueclassicism):

CALL FOR PAPERS:

Irony and Humour as Imperial Greek Literary Strategies: The Playful Plutarch

IOANNOU CENTRE FOR CLASSICAL AND BYZANTINE STUDIES,

(UNIVERSITY OF OXFORD ,12-13 July 2011)

Plutarch of Chaeronea is always taken very seriously. The old image of a sober moralist, whose words should be taken at face value and whose ethical judgements are clear and simple, still dominates research. Even readers who are willing to grant him a sense of humour are seldom prepared to see this as anything more than a flash in the pan.

Yet Plutarch often employs irony; almost no other ancient author is more receptive to the different intellectual and cultural uses of humour. From the Table Talk’s concern with identifying appropriate uses of jesting at the symposium, to the Political Precepts’ admonition to make measured use of witticism in political discourse; or from the lively interest exhibited by the Lives in joking as evidence of good or bad character, to the various effects that irony achieves in the Moralia, Plutarch’s corpus consistently testifies to the importance of humour as a means of intellectual engagement and communication in the period of the high Roman Empire.

This conference aims to examine the centrality of humour in Plutarch’s works, both as a literary device and as a topic in its own right. By ‘humour’, we wish to encompass a broad spectrum of discursive and intellectual practices, literary devices and manifestations of psychological processes: laughter, wit, anecdote, ridicule, joking and jesting, mockery, derision, satire and the satirical, parody and irony.

We welcome papers exploring specific passages in Plutarch’s writings where humour features, as well as papers tracing his views and works to broader cultural practices of playful engagement in public festivals or elite symposia. In particular, we suggest the following key topics for investigation:

Announcing Iota Magazine

Seen on the Classicists list (please direct any queries to the folks mentioned in the item and not to rogueclassicism):

This is to let you know that Iota, a new magazine for primary school children, will be out this month and you can now purchase a copy or subscription online in advance on our website at http://irismagazine.org/iota.html

Iota is a Classics magazine produced by The Iris Project (www.irismagazine.org) for younger children. It introduces Classics and Latin in a fun, informative and engaging way, and its content is designed and written to fit in with the key stage two material on the ancient Greeks and Romans.

There will be three editions published per year – one for each school term – and every issue will be themed around a different Classical myth. Through five exciting, fact-filled and vibrant sections, children can find clues about the story while learning about how the Romans and Greeks lived, as well as being introduced to the Latin language through activities and games.

Please get in touch if you have any questions, and best wishes for 2011!

Lorna.

CFP: Approaches to Ancient Medicine

Seen on the Classicists list (please direct any queries to the folks mentioned in the item and not to rogueclassicism):

CFP: APPROACHES TO ANCIENT MEDICINE – UNIVERSITY OF EXETER 22-23 August 2011

Continuing the annual series held at Newcastle, Reading and Cardiff since 2000, the 2011 "Approaches to Ancient Medicine" conference will be held at the University of Exeter on Monday and Tuesday 22-23 August 2011, hosted jointly by the Centre for Medical History and the Department of Classics and Ancient History.

If you are interested in giving a paper at the conference, please send an abstract of up to 200 words to Robert Leigh ral212 AT ex.ac.uk by 28 February 2011 at the latest. Papers should be of 20 minutes duration. In addition to papers relating to the classical Greek and Roman period we welcome proposals relating to medicine in late antiquity, to the transmission of classical medicine including via the Syriac/Arabic traditions and to its reception at all periods up to the early modern.

It is hoped that the programme will be finalised in late March 2011.

Please direct any enquiries to Robert Leigh (ral212 AT ex.ac.uk).

CONF: APGRD Lectures

Seen on the Classicists list (please direct any queries to the folks mentioned in the item and not to rogueclassicism):

The Archive of Performances of Greek and Roman Drama (APGRD) would like to invite you to two upcoming events in the Lecture Theatre, Ioannou Centre for Classical and Byzantine Studies, 66 St Giles, University of Oxford, Oxford OX1 3LU.

Martin Crimp (Playwright) will give a lecture at 2.15 pm, Monday 7 February, on:

‘Sophocles at the Tennis Court: On writing Cruel and Tender, a version of Sophocles’ Women of Trachis’.

Professor Christian Biet (Paris X-Nanterre) will give a lecture at 2.15 pm Monday 7 March on:

‘"Senecan" theatrical cruelty in England and France in the late 16th and early 17th centuries: audience, citizens and chorus’.

The events are free and everyone is welcome to attend.

Achilles’ Grave Found?

Another tenuous claim … this time from Today’s Zaman:

Achilles, the mythological warrior in Homer’s “Iliad,” will reunite with his wooden horse 5,000 years after he used it to capture Troy.

Claims that the grave of Achilles, the son of sea goddess Thetis, may be located in the Osmancık district of Çorum have aroused researchers’ interest in the district. The Municipality of Osmancık has proposed a TL 1 million project to develop the district’s tourism potential. The project has been submitted to the Central Black Sea Development Agency (OKA), and if it is approved, a miniature version of the Trojan Horse will be erected next to the alleged grave of Achilles in Adatepe.

The tomb of the legendary warrior Achilles is located in the Osmancık district of Çorum, claims Cevdet Seraçer, an author and researcher from Osmancık who quit his career as a lawyer to dedicate his life and energy to this study. Seraçer translated Homer’s “Iliad” into Turkish and spent many years trying to locate the grave of Achilles. In his book titled “Tarihsel Doku İçinde Unutulan Kent Osmancık” (A City Forgotten in Historical Texture: Osmancık), which he wrote using Cevat Şakir Kabaağaçlı’s works, he claims that Achilles’ grave is located in Adatepe in the heart of the district. “Hermes, the helper, led them down the dank ways. Past the streams of Oceanus and the White Rock, past the gates of the Sun they sped and the land of dreams, and soon they came to the mead of asphodel, where dwell the souls, the phantoms of men outworn. There they found the soul of Achilles son of Peleus, and the souls of Patroclus, and of noble Antilochus, and of Aias, who in face and form was goodliest of all the Danaans after the noble son of Peleus,” he quotes from Homer to prove his claim. He says that the mead of asphodel refers to Osmancık and the White Rock is a mountain rich in marble near Adatepe.

Without any major objection, this claim has found a sizable number of followers in Osmancık, and a small-scale tourism sector has developed in the district. To boost this potential using certain landscaping and cultural elements and promote the district’s tourism potential, the district’s municipality is now planning to build a Trojan Horse near Achilles’ grave. The municipality has already submitted a TL 1 million project to OKA, and if approved, renovation of the hill will start and a miniature version of the Trojan Horse will be built next to the grave. Part of the hill will be used as a popular excursion spot using the wooded area. Moreover, the roads to the hill will also be renovated.

Osmancık Mayor Bekir Yazıcı stated that they have prepared a very comprehensive project. “We have considered our options as to what we can do with Achilles’ grave in our district. We seek to make our district more attractive by landscaping this touristic and historical site,” he said.

Now I won’t poopoo the idea that someone might find something which might appear to be Achilles’ tomb — clearly there was some sort of touristy type thing in antiquity which was visited by various folks (e.g. Alexander). But we also know that there was a hero cult for Achilles in the Black Sea area (see, e.g., Guy Hedreen, “The Cult of Achilles in the Euxine” Hesperia 60, 313–330 … there’s a good summary in the relevant section of Wikipedia), which presumably would be associated with a tomb of some sort. Outside of that, it seems somewhat anachronistic to associate the Trojan Horse with Achilles at all, doesn’t it? (or am I wrong in thinking the Horse came after Achilles’ death?)

Greek Prostitution

Look what turned up in a press release:

Prostitution has been called arguably the world’s oldest profession. And the world can now get rare insight into some of the earliest prostitution from ancient Greece in a new book that was co-edited by Madeleine Henry, a professor in Iowa State University’s department of world languages and cultures and chair of the classical studies program.

Henry and co-editor Allison Glazebrook, an associate professor of classics at Brock University in Ontario, Canada, brought together an international team of scholars to contribute to the book, “Greek Prostitutes in the Ancient Mediterranean, 800 BCE-200 CE,” which is being released this month ( The University of Wisconsin Press ).

While the book’s dozen essays document prostitution from as far back as nearly 3,000 years ago, Henry still sees some similarities between early prostitutes and the hardships many women face in the sex trade today.

“I wouldn’t want to draw really thick, solid lines [between prostitution of ancient Greece with prostitution today], but there are a lot of parallels because prostitution is often a human rights question,” Henry said. “And so it’s important to look at it without rose-colored glasses. This book does that in an area that was difficult to research because of how scattered and difficult to interpret much of the Greek material was.”

The book’s authors draw on portrayals of prostitutes in painted vases and literature from the period as some of the evidence they document in their essays. They include an introduction by the co-editors titled, “Why Prostitutes? Why Greek? Why Now?” Henry also authored the book’s first essay, “The Traffic in Women: From Homer to Hipponax, from War to Commerce.”

The essays challenge an often romanticized literary portrayal of the ancient prostitute being an elegant and liberated woman who luxuriously served royalty. The authors consider the Greek prostitute as a displaced foreigner, slave and member of the urban underclass.

“Historically, we like to focus on the glamorous upper class aspects of prostitution. We don’t focus on buying the right to rape a child,” said Henry, whose first book, “Prisoner of History: Aspasia of Miletus and Her Biographical Tradition,” was about a woman who was reputed to be a prostitute and the teacher of Socrates. Henry contends that she was probably not a prostitute.

The new book focuses for the first time on the degradation, marginality and exploitation inherent in the ancient sex trade. It also includes essays that cover male prostitution in ancient Greece.

Henry says the essays are in stark contrast to some romanticized contemporary portrayals of prostitution, including HBO’s “Cathouse: The Series;” and the popular film “Pretty Woman,” starring Julia Roberts.

“It’s such a fantasy,” Henry said. “This is mostly not a pretty story.

“What makes our book different is that we’re not talking about it as something that’s glamorous,” she said. “Certainly very few people, mainly females, appear in the historical record to have become influential, powerful and fabled, but most of the prostituted people from the Greek and Roman world had pretty miserable lives.”

More details from the publisher: Greek Prostitutes in the Ancient Mediterranean, 800 BCE-200 CE

A Randy Newman Roman Rant?

Brief item in the Gambit:

In January 2007, The New York Times ran a guest editorial by Randy Newman. It was, appropriately, the lyrics to a song, “A Few Words in Defense of Our Country,” which condemned the current state of American politics through a clenched-teeth grin, belittling modern leaders in light of the more accomplished imperialists of Nazi Germany and ancient Rome. Perhaps the most flattering Times music review ever, the placement drew Newman’s acerbic ire for what didn’t run: several lines about incest in the time of Caesar. “What are they protecting, Tiberius?” Newman told NPR. “These people have been dead 2,000 years. … Kevin Caesar isn’t going to come out of the woodwork and sue them.”

Anyone heard anything about this before?

 

 

Alexander’s Tomb In … Southern Illinois???

I don’t know which is more stupid … this claim or the fact that a news organization would actually give it any attention at all (to say nothing of a county board of some sort). From the CarmiTimes:

An Iuka man who believes the lost Tomb of Alexander the Great may be located in extreme southeastern Marion County encouraged a county board committee Tuesday night to pursue development of the site a tourist attraction.

Harry Hubbard presented artifacts he said were earlier looted and sold from the underground cave, WJBD Radio reported, along with a number of books and maps that he said confirm the location of the cave.

“The county could be rolling in revenues coming in from the outside,” he told the committee. “Any country in the world would love to have this repository within their boundaries… and it can be exploited.”

Hubbard said he believes gold and riches are still buried in the cave, even after what he calculated was the removal of over five thousand pieces and over $6 million in gold.

The brief report includes this link to a longer story, which I won’t bother to excerpt except this paragraph, which is probably all you need to know:

Hubbard has translated three European based languages on some of the artifacts, confirming the remains are not from American Indians. He believes as many as 50-thousand Europeans fled during the Roman Empire and arrived in the area by coming up the Mississippi River and then followed the Ohio River and Wabash River before traveling up the Skillet Fork to an area where he believes the cave is located.

… photos of some of the ‘artifacts’ are also there, for what they’re worth (not much …) and it’s probably some charitable divinity which is preventing WordPress from allowing me to post the last image there, which has the caption “Hubbard says this rock contains an ancient Latin language that shows the stone is from someone of European descent.” No word on whether Hubbard knows of the, er, non-Roman origins of Alexander. Besides, we know that Alexander’s tomb is in Gevgelija … no, I meant Australia … no, it’s over here, behind the couch …

 

 

 

 

 

Old Men in the Chorus

Umit Dhuga at Calvin has been working on a project related to tragic choruses of elderly folk:

His long study of the choruses in Greek drama has led Umit Dhuga to the following question: “Why are so many choruses composed of men who limp and complain about their decrepitude?” he asks,

Dhuga, a Calvin professor of classical languages, has recently published a new book, Choral Identity and the Chorus of Elders in Greek Tragedy (Lexington Books) in which he rehabilitates the reputation of one particular species of Greek chorister: old men.

Old male choruses are thought by scholars to serve a merely decorative, or even comic, function in ancient Greek drama, Dhuga says: “The older chorus is marginal by mere fact of its old age. In other words, I think that scholars for too long have conflated the idea of social marginality with dramatic marginality—which, in some ways, I think, shows how scholars can be rather myopic.”

The cure for this nearsightedness, Dhuga believes, is a less-modern point of view, “One had to wonder what preconceptions an ancient Athenian had when he saw a chorus of old men walk on the stage.”
Integral to the plot

What a Greek theatergoer saw in an old, male chorus was probably wiser and more central to the dramatic action than has been supposed, Dhuga argues: “As early as Homer—even earlier—old men are traditional repositories of wisdom …It would stand to reason that our choruses of old men might also play advising roles.”

Dugha’s concentrated his study on Greek plays featuring old-man choruses, what he calls “the chorus of elders.” He has examined the choruses in Sophocles’s Oedipus Coloneus and Antigone, Euripides’s Heraclidae and Hercules Furens, and Aeschylus’s Agamemnon, among others, concentrating on the actual language of the texts.

In all of these plays, he finds old men driving the action. “In Oedipus Coloneus , … every political decision is made by the chorus and then ratified by the king. In Antigone, the chorus is silenced throughout the play until the king realizes his folly, then begs for advice,” Dhuga argued.

The elderly-ness of the chorus is not a factor in their influence on a play: “The extent to which their advice is either heeded or ignored is based more their relationship to the ruler and less on identity per se,” Dhuga said, adding that the old Greek guys can also be hard to predict: “There is not a typical old-man chorus.”
Many choruses

Dhuga hopes his scholarship will enhance understanding of the role of the chorus in Greek tragedy. The choral tradition was important not only to the theater of the period, but also to the ceremonies of everyday life. “By the time your average male citizen was 35, he would have experienced hundreds of choruses,” he said. Greek youth were schooled in choral fundamentals such as singing, dancing, narrating, and acting.

Dramatic choruses took many forms—women, foreigners, others—all of them played by young men. “If I had a lifespan of 300 years, I could do a survey of every choral identity, but I don’t,” Dhuga said. “My idea was to take the identity that interested me most.”

He thinks his interest in choruses of elders was sparked through his friendship with Peter K. Marshall, an Amherst professor of Latin and Classics and Dhuga’s thesis advisor. “He was so good,” said his former student. “There was something about age, his experience, his gravitas, his stories.” Marshall died a week before Dhuga’s thesis presentation, and Choral Identity and the Chorus of Elders in Greek Tragedy is dedicated to him. (The book also served as Dhuga’s dissertation.)

“I don’t think that it’s any coincidence that I dedicated a book to my elderly advisor,” Dhuga said, “and through him that I became acquainted with antiquity.”

Dhuga has been teaching at Calvin for a year-and-a-half. “He is already well published, and so he raises the bar for the rest of us,” said classics department chair Mark Williams. “He challenges his colleagues as well as his students. He is also someone to talk English soccer with.”

Horace and the Mona Lisa

Just the other day I was wondering what my former prof Ross Kilpatrick was up to … a news item from Queen’s University suggests interesting things:

Queen’s University Classics professor emeritus Ross Kilpatrick believes the Leonardo da Vinci masterpiece, the Mona Lisa, incorporates images inspired by the Roman poet Horace and Florentine poet Petrarch. The technique of taking a passage from literature and incorporating it into a work of art is known as ‘invention’ and was used by many Renaissance artists.

“The composition of the Mona Lisa is striking. Why does Leonardo have an attractive woman sitting on a balcony, while in the background there is an entirely different world that is vast and barren?” says Dr. Kilpatrick. “What is the artist trying to say?”

Dr. Kilpatrick believes Leonardo is alluding to Horace’s Ode 1. 22 (Integer vitae) and two sonnets by Petrarch (Canzoniere CXLV, CLIX). Like the Mona Lisa, those three poems celebrate a devotion to a smiling young woman, with vows to love and follow the woman anywhere in the world, from damp mountains to arid deserts. The regions mentioned by Horace and Petrarch are similar to the background of the Mona Lisa.

Both poets were read when Leonardo painted the picture in the early 1500s. Leonardo was familiar with the works of Petrarch and Horace, and the bridge seen in the background of the Mona Lisa has been identified as the same one from Petrarch’s hometown of Arezzo.

“The Mona Lisa was made at a time when great literature was well known. It was quoted, referenced and celebrated,” says Dr. Kilpatrick.

Dr. Kilpatrick has been looking at literary references in art for the past 20 years. He has recently found references to the mythical wedding of Greek gods Ariadne and Dionysus in Gustav Klimt’s famous painting The Kiss.

Dr. Kilpatrick’s Mona Lisa findings have now been published in the Italian journal MEDICEA.

via: Professor discovers hidden literary references in the Mona Lisa

Can’t find a web presence for MEDICEA (which I am unfamiliar with and which is possibly an abbreviation) … I also note this is being picked up by the usual news sources and a few are dropping the dreaded word ‘code’ …

This Day in Ancient History: ante diem vii idus januarias

ante diem vii idus januarias

  • 43 B.C. — dies imperii (officially) of Octavian
  • ?? A.D. — the future emperor Tiberius becomes one of the VIIvir epulonum

 

This Day in Ancient History: ante diem viii idus januarias

Treasure hunter Heinrich Schliemann.

Image via Wikipedia

ante diem viii idus januarias

Sri Lankan National Hero … and Classicist!

Coat of arms of Sri Lanka.
Image via Wikipedia

I love when my spiders bring back things which are completely unexpected, in this case, the text of a speech given last year to mark the 120th anniversary of the birth of Marhoom Al Haj Dr Tuan Branudeen Jayah, whom I confess to have never heard of before, but is clearly a national hero in Sri Lanka. The bit of the oration which is of interest to us:

[...]

But, before getting to all that, let us first welcome the 20th century, which dawned when young Branudeen was only 10 years old, and well versed in the Holy Quran, Masha Allah, and very little more.

His first school was the Anglo Vernacular School Kurunegala which he attended only for a few months, as fortunately his father was transferred to Colombo. He was admitted in 1901 to SPG School, Kotahena, which I believe was the name given to St. Paul’s College in Kotahena. He was then eleven years old, and he entered what was called ‘the baby class’ which preceded the lower kindergarten and upper kindergarten after which came the first standard.
Multiple promotions

A boy too old for his class becomes a target for the mischievous. He was fortunate in having understanding school authorities who realized his predicament.

They were impressed by his intelligence. At the end of the year his father was gratified to learn that he had been given multiple promotions to enter the third standard in 1902. This was not the end of his triple jumping, as the very next year, due to his sheer brilliance, he was given a treble promotion from third standard to sixth standard, the equivalent of Year Seven. In 1903, he won a scholarship to enter St Thomas’ College, where Jayah passed the Cambridge Junior Examination in 1906 winning the J A C Mendis Junior Mathematical Prize, a highly commendable performance indeed.

He soon became one of the most brilliant classics pupils of Warden Stone, himself a first-rate classicist who, in his pre-Ceylon period of school-mastering at Bristol Grammar School, had produced a very scholarly edition of Sallust’s Catiline, and under Warden Stone’s watchful eyes, in 1907 he passed the Cambridge Senior Examination winning the Dr Ebell’s Latin prize, showing the shift of his studies towards specialization in the Classics, which was crowned with the annexation of the Christoffer Obeysekera’s first Classical prize. It was a remarkable record for a boy who began his formal studies in the Infants’ class in 1901 to pass the London Matriculation in 1908, completing a course of studies spanning eleven years of the general education course, with distinction in just seven years – a performance that rightly belongs to the realms of the near impossible all through grit, industry and brains.

Intellectual giant

Unfortunately, mere grit, industry and brains are not enough for someone to graduate. He needs money or educational support, which young Jayah did not have. He was compelled by circumstances to seek employment before completing his education and joined Dharmaraja College, Kandy, as an Assistant Teacher in 1910. In the same year, however, he was able to assume duties as Classics master at Prince of Wales College, Moratuwa. It was while he was serving at Prince of Wales College that he passed the Intermediate Examination in Arts of the University of London in 1913 reading English, Greek, Latin, History and curiously enough, Mathematics.

This combination proved what an intellectual giant Jayah was turning out to be, as much as the combination with which he obtained his degree of Bachelor of Arts from the University of London in 1917, which included Latin, Greek, History and Economics, demonstrating his extraordinary versatility of mind, and infinite capacity for acquisition of knowledge of all disciplines.

Branudeen’s specialization in the Classics brought its own reward. In May 1917, he was accepted as a teacher at Ananda College, the heart and core of the Sinhala Buddhist revival in Ceylon. He was chosen for his extensive knowledge of the Classics in the teaching of which he had few rivals. In due course he achieved fame as a Classics Scholar and teacher equalled by few, surpassed by none.

At Ananda he taught Greek, Latin and History in the Upper School. Although these were his specific subjects, he led his pupils effortlessly into other fields of knowledge in which he was equally at home.

This demonstrates the universality of his outlook and the role he cast for himself as a teacher to help in the development of the mind, not fill it with pre-conceived notions, as while being by nature very conservative in political ideology, he produced fiery radical leaders like Philip Gunawardena, father of the left revolution, and Dr N M Perera, who was called the ‘golden brain’.

Both attained Cabinet rank and notwithstanding ideological differences they never failed to express their high regard for Jayah as a teacher.

It was this erudite scholar of classics and wonderful teacher who was doing so well at Ananda, who was invited in 1921 by N M Abdul Cader, on behalf of the Maradana Mosque Committee, to accept the principalship of Zahira College, Colombo. Marhoom Tuan Branudeen Jayah, had by then realized that despite the great debt the Muslim Community owed to its ulemas, the Alims and Moulvis who defended Islam from inroads from the West by moulding the youthful minds of the community, it was necessary to strengthen general educational standards of the community.

Read the whole thing to get a more rounded picture of this very interesting man. An item from last year in the same newspaper provides some more details. I haven’t been able to track down his ‘scholarly edition’ of Sallust’s Catiline …

 

Mulling Menander and Mosaics

The University of Cincinnati is doing a nice job hyping its AIA/APA powow participants … in addition to the item from yesterday (scroll down a bit), we have a nice feature on Kathryn Gutzwiller’s work with mosaics which appear to depict hitherto unnoticed scenes from Menander. Here’s PhysOrg‘s version:

At the Jan. 6-9 meeting of the American Philological Association, Classics Professor Kathryn Gutzwiller will present her research on recently discovered mosaics depicting lost scenes from four Greek plays popular in Roman antiquity . Her presentation, “New Menander Mosaics and the Papyri,” will introduce previously unknown scenes by Menander, an Athenian comic poet from fourth century BC whose popularity in the Roman empire was only exceeded by Homer.

“Menander, although extremely famous in antiquity, is not so well known in the modern world. I would characterize him as the inventor or most popular writer of the romantic comedy,” Gutzwiller says. “The unfortunate thing about him though is that over the centuries, his manuscripts were completely lost. However, throughout the 20th century, a number of Menander’s plays were recovered from papyri in Egypt.”

Papyri—thick paper-like materials on which texts were written —are just one medium for preserving information about ancient times. Paintings, mosaics, and small-scale replicas also help reconstruct the plots of Menander’s plays .

When Ömer Çelik, a staff archaeologist at the Hatay Archaeological Museum in Antakya, Turkey, discovered four mosaics during an expedition, he asked friend and University of Cincinnati geography graduate student Ezgi Akpinar-Ferrand to help identify their subjects. She immediately contacted the Department of Classics, knowing Gutzwiller’s background in ancient literature.

“The new material gives us significant information,” Gutzwiller says. “Of the four scenes depicted, three of them are from plays that are more or less completely lost. One is from a play that has been substantially recovered, but not the scene represented in the mosaic.”

Mosaics provide missing pieces to popular ancient plays
Enlarge

A mosaic found in modern day Turkey represents Menander’s poem ‘Perikeiromene’ (‘Girl Whose Hair is Shorn’).
The mosaics, which were found in ancient Antioch and date to the third century AD, represent scenes in “Women at Lunch,” “Girl Whose Hair is Shorn,” “Sisters Who Love Brothers” and “Possessed Girl.”

“The importance of these mosaics is two-fold. One, they help us to reconstruct each of the four plays. Two, they illuminate significantly the tradition of illustrating Menander and reveal variations in the illustrations of the plays.”

Akpinar-Ferrand adds, “The findings are further valuable to gather more information about mosaics done in and around the city of Antioch during the Roman period.”

Gutzwiller will be one of four invited speakers featured at the APA presidential panel. Steven Ellis and Kathleen Lynch, also with UC’s classics department, will present their research at the conjoined meeting of the American Institute of Archaeology as well.

The University of Cincinnati’s original press release has a couple of nice photos that appear to be showing up in most of the news items as well.

 

 

 

Road Along Hadrian’s Wall?

Interesting idea from the Hexham Courant:

A CONTROVERSIAL archaeologist has turned received wisdom on its head to explain the purpose of the 112km vallum running the length of Hadrian’s Wall.

The trench – 6m wide and up to 3m deep – is unique in Roman construction and has long been the source of debate.

Located a few metres to the south of Hadrian’s finest achievement, the majority verdict is that it was a barrier providing additional protection for the Wall itself.

Another suggestion is that it helped contain livestock, delineating grazing land at the foot of the wall for the herds kept by the Roman forts.

However, Tynedale-based structural archaeologist Geoff Carter, the man who previously floated the theory the Roman Wall was first constructed in timber, believes differently.

It is, in fact, the construction trench for a road that was abandoned when the scale of the project became unwieldy, he claims.

“The vallum is unique, always a problem to archaeology, where insights so often come from comparing things,” he said.

“However, there is a simple and less ambiguous explanation for the creation of the vallum; it is a construction trench for a road that was never completed.

“The quality of a road, or other civil engineering project, was a reflection of the person who initiated and sponsored it.

“A Roman politician’s prestige and standing was, in part, a reflection of the nature and quality of the engineering ‘good works’ that bore his name.

“In this context, a plan to construct a high quality properly bedded, road along Hadrian’s new frontier is not surprising.”

When it was constructed, the vallum ran in an unbroken line the length of the Wall, so it would have provided a link between each of the forts along the way.

It had often been observed that its construction mirrored that of a Roman road, in that it had long straight stretches linked by gentle bends, and it avoided soft ground and steep gradients.

In the central section, where the Wall ran along the crags of the Whin Sill, the vallum stayed down in the valley.

And the only places where it was interrupted was where the causeways would have been that led into the forts and some of the milecastles.

“Most authors have sought to explain the vallum as a physical boundary that defines some form of military zone, restricting access to or from the Wall,” said Geoff.

“Like the Wall itself, the vallum would have represented a formidable obstacle to north-south movement.

“But the ambiguity of this explanation arises from the observation that a simple bank and ditch could have served this function more efficiently, and might be considered standard practice in the circumstances.”

He was sure the trench had been dug to house a road bed for a central carriageway, and the two parallel lines of spoil heaps – still in evidence today – set back on either side to allow room for the lanes used by riders and pedestrians.

However, the project to build a road linking the forts between the bridgehead at Newcastle and the west coast still had a long way to go.

A huge workforce would have had to be brought in for the more highly skilled construction phase, and around three million tons of aggregate and a mortared stone capping were required to do the job.

Geoff said: “If we accept the vallum was a military road, abandoned during construction, then it adds further weight to the arguments that the building of Hadrian’s Wall was interrupted, and then scaled down when work was resumed.

“The form, layout and route of the vallum all indicate that this earthwork was a road, albeit an unfinished one. This is the only rational engineering explanation.”

The vallum — a.k.a. Agricola’s Ditch — and its purpose are actually the subject of a separate Wikipedia entry which does hint at the controversy about its purpose. This theory is somewhat attractive, but the 3m deep aspect of it seems rather ‘deep’ for road construction, no? See, e.g., the useful info at the Birmingham Roman Roads Project … the  ‘shape’ seems okay, but the depths are a bit extreme … Then again, a map at the same site speculates that a road ran along the wall (and the ‘other’ wall too). I wonder if there’s a handy list of archaeological finds from along/within the vallum …

UPDATE (the next day): It turns out the archaeologist (Geoff Carter) has a blog of his own (very interesting, by the way) and has blogged about this idea in much more detail: Reverse Engineering the Vallum

 

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