Saw this a couple of weeks ago in the New York Times (inter alia):
The story of his influence on the Princeton project is told by the American technology historian, George Dyson, in his book “Turing’s Cathedral: The Origins of the Digital Universe.” A compelling book, if puzzlingly discursive at times, it describes how a team of young mathematicians and engineers led by John von Neumann at Princeton’s Institute for Advanced Study applied Turing’s ideas to develop, not the first electronic computer, but the fastest machine of its era and among the first with the type of random access memory, or RAM, for short, that we still use today.
Mr. Dyson is particularly well equipped to tell this tale, having grown up at Princeton after his father, the physicist, Freeman Dyson, joined the institute in 1953, the same year that von Neumann’s “stored-program computer” was completed. He paints a vivid portrait of campus life: from the snooty classicist who complained of his “dismay” at learning that “a group of electronic experts” had arrived at the institute; to the custom of serving tea in china cups at 3 p.m. each day.
- via: Genius and Tragedy at Dawn of Computer Age (New York Times)
… wonder who the Classicist was …
Seen on various lists:
Bologna University Greek and Latin Summer School (25th June – 13th July 2012)
The Department of Classics and Italian studies of Bologna University welcomes applications to its intensive Greek and Latin Summer School (http://www.ficlit.unibo.it/dipartimento/summer-school).
Registration is now open.
The school offers courses in Greek and Latin language (at different levels: beginners and intermediate) and the possibility of combining two courses (Latin & Greek) at a special rate.
The courses will be held in Bologna from 25th June to 13th July 2012 and are open to students (undergraduate and post-graduate) and non-students alike. Participants must be aged 18 or over.
The teaching will be focused mainly on Greek and/or Latin language with additional classes on Classical literature; further classes will touch on moments of classical history and history of art, supplemented by visits to museums and archaeological sites (in Bologna and Rome).
All teaching and activities will be in English.
To register please visit:
and then contact: diri_school.latin AT unibo.it
- 2012.04.09: Lee Fratantuono, Madness Transformed: a Reading of Ovid’s Metamorphoses.
- 2012.04.08: James J. O’Hara, Vergil. Aeneid Book 4. Focus Vergil Aeneid commentaries.
- 2012.04.07: Jennifer R. Ballengee, The Wound and the Witness. The Rhetoric of Torture.
- 2012.04.06: Lucia Athanassaki, Ewen Bowie, Archaic and Classical Choral Song: Performance, Politics and Dissemination. Trends in Classics – supplementary volumes, 10.
- 2012.04.05: Alberto Cavarzere, Gli arcani dell’oratore: alcuni appunti sull’actio dei romani. Agones. Studi, 2.
- 2012.04.04: Madalina Dana, Culture et mobilité dans le Pont-Euxin. Scripta antiqua, 37.
- 2012.04.03: Ioannis Fappas, Έλαιον ευώδες, τεθυωμένον: Τα αρωματικά έλαια και οι πρακτικές χρήσης τους στη μυκηναϊκή Ελλάδα και την αρχαία Εγγύς Ανατολή (14ος -13ος αι. π.Χ.). Κρητική Εστία, 13 (2009-2010).
- 2012.04.02: Manuela Callipo, Dionisio Trace e la tradizione grammaticale. Multa paucis, 9.
- 2012.03.59: Edward J. Kenney (ed.), Gioachino Chiarini, (trans.), Ovidio Metamorfosi. Volume IV. Libri VII-IX. Scrittori greci e latini.
- 2012.03.58: Elizabeth Schofield, Ayia Irini: the Western sector. Keos, 10.
- 2012.03.57: Andrew Erskine, The Hellenistic Stoa: Political Thought and Action. Second edition (first published 1990). Bristol Classical paperbacks.
Longtime readers of rogueclassicism will remember a series of posts we made a couple of years ago on the subject of the Aqua Traiana … in chronological order:
- Source of the Aqua Traiana Found?
- More on the Aqua Traiana
- Still More on the Aqua Traiana(includes materials from the O’Neills)
- Aqua Traiana in Peril?
- Aqua Traiana Followup: Aqueducthunter.com
… to which we happily add a feature in the March/April 2012 issue of Archaeology, which is online:
… and this awesome video from the same source (man I wish the Archaeology people would start doing television again … I’ll settle for this sort of thing, though):
posted with permission:
Zachary P. Biles, Aristophanes and the Poetics of Competition. Cambridge and New York: Cambridge University Press, 2011. Pp. xi + 290. £60.00/$95.00. ISBN 978-0-521-76407-0.
Reviewed by Ian C. Storey, Trent University
In this study Biles does not address the usual topics of Aristophanes’ political “message” or his emulation of Euripides, but his “poetics of competition,” the on-going engagement among the comic poets competing at the dramatic festivals. Here his starting-points are: (1) that the persona established by the poet is a deliberate fiction; (2) that competition is deeply embedded in the Greek cultural psyche; and (3) how one looks matters greatly in a “face” culture and thus “a poet who stepped forward to engage in public contest risked overreaching with his ambitions and accompanying claims of superiority” (54). This affects how Aristophanes portrays himself, in particular in the parabasis, and here Biles distinguishes “parabasis,” the distinctive structural unit, from “parabatic,” those occasions that “express something positive about Aristophanes and his play” (224). But there is far more to a parabasis than just the chorus’ appeal for the poet, and far more to Aristophanes’ comedy than comic rivalry, e.g. his political themes and his imaginative fantasy. Biles assumes also that the atmosphere of the competition was bitter and antagonistic, that jokes against rivals were made in deadly earnest, while I would see the “poetics of competition” as more jocular and part of the “great game” being played.
In Chapter 2 Biles “equates” Dicaeopolis with Aristophanes, but not for any political message. He argues plausibly that both use competitions to achieve their ends and that this “poetics of competition” runs the entire length of the play. The next chapter examines Aristophanes’ put-down of rival poets at Knights 507-50, where he neatly sandwiches his current rival Cratinus between poets of the past such as Magnes and Crates. One of the strongest points in Biles’ study is the light he sheds on the poetic rivalry with Cratinus, reminding us that in 425 and 424 Cratinus was the great adversary whom any aspiring poet would have to take on. This parabasis he reasonably considers “a kind of literary tropaion for the victory of Acharnians” (98) but his attempt (129-35) to equate somehow Aristophanes’ triumph over Cratinus with his crusade against Cleon in the play seems rather unlikely to me. There is much more to Knights than celebrating a victory over Cratinus in 425.
Chapter 4, originally published in AJPh (2002), is the strongest part of this book, where he examines the rivalry between Aristophanes and Cratinus, starting from the latter’s F 38 (Didaskaliai), where “you [female] were despised for ladling fine dithyrambs [thriamboi]”. Biles takes thriamboi as Cratinus “vituperative comic mode” (134), but it could refer also to an ability to write lyrics (cf. Knights 529-30)—granted that these celebrated songs could also have been abusive in tone. He then takes us to Wine-flask (423), whose brilliant success marks the climax of a rivalry that featured many exchanges, using and re-using each other’s material, and spills over into Wasps, where the inebriated Philocleon in that comedy must owe more than a little to the drunken self-caricature that Cratinus creates in Wine-flask. I am less convinced, however, that the trial of the dogs is a conscious reflection of whatever “trial” of Cratinus took place in Wine-flask.
The last two chapters are less successful. The first assesses the parabasis proper of the extant version of Clouds (419 or 418). Biles talks of a “bitter failure” behind such revisions as Clouds and Euripides’ Hippolytos, but there could be other reasons why a dramatist might revise a play, notably the desire to do something different with the same theme. Biles does consider (186 n. 74) that five comedies, not three, were presented in the 420s, but it makes a considerable difference if Aristophanes finished third of three, or won “the bronze medal” in a field of five. Thus a desire “to erase the memory of his disgrace” (172) may be overstating the case. We simply do not know enough about the original performed version of Clouds (423) to evaluate what Aristophanes was doing with a revision that was not far advanced. We should consider also that Eupolis, replying in F 89 (Baptai) to the charge of plagiarising Knights, is not responding to Clouds but to Aristophanes’ Anagyros (F 59). Aristophanes may have written the parabasis of his intended revision of Clouds about the same time, and then not done much more.
The final chapter attempts to read Frogs as a play-long exploration of the poetic agon. Here Biles must make Dionysos a more serious spectator of drama throughout, but plays down the fact that Dionysos is a frequent comic buffoon, witness Eupolis’ Officers or Aristophanes’ Babylonians. Thus at 918 when Dionysos agrees readily that he was a fool to be taken in by Euripides, this is not a sign of his changing tastes (239) but the typical comic Dionysos in action. Biles argues that “the agon comes as a surprise” (218), but contests are a staple of Old Comedy and any seasoned spectator will be expecting some sort of competition in the underworld. Nor do I agree that the outcome of the agon is decided long in advance (250) or that Dionysos’ decision is “no unprincipled or arbitrary choice” (255). My reading of Frogs is that while Euripides is so “good” (technically) and Aeschylus so “good” (morally), Aristophanic comedy is the dramatic form that provides the best of both worlds. On the whole, however, Biles has some provocative and enlightening comments to make about the persona that Aristophanes adopts in presenting himself and his comedy to the Athenian theatre-going public.
Seen on the Classicists list:
Call for Registrations
South Italy, Sicily and the Mediterranean: Cultural Interactions
17th – 21st July 2012, Melbourne, Australia
Hosted by the Centre for Greek Studies and the A.D. Trendall Research Centre
for Ancient Mediterranean Studies at La Trobe University in Melbourne,
Australia, this conference will focus on the movement of people and
interactions of culture in the region of Southern Italy and Sicily from
antiquity until the present.
The conference will run between 17th and 21st July 2012 at the Museo
Italiano in Carlton, Melbourne.
This inter-disciplinary conference seeks to foster critical analysis of
geographical and chronological interconnections in Southern Italy and
Sicily. Consideration of cultural interaction, population movements, and
changing religious and philosophical ideas over a period of approximately
3000 years will prompt scholarly discussion around continuity and change
over time in this region of the Mediterranean.
Confirmed Keynote Speakers:
· Professor David Abulafia, Professorial Fellow of Gonville and Caius
College and Professor of Mediterranean History at Cambridge University
· Associate Professor Mia Fuller, Associate Professor of Italian
Studies at the University of California, Berkeley
· Professor Sebastiano Tusa, Professor of Palaeontology at the
University Suor Orsola Benincasa of Naples
· Professor Roger Wilson, Professor of the Archaeology of the Roman
Empire and Director of the Centre for the Study of Ancient Sicily at the
University of British Columbia
The program will include exhibitions at the Hellenic Museum and the Museo
Italiano of ancient Greek vases from Southern Italy and Sicily as well as
other pieces from the collection of the Trendall Research Centre. It will
also include a tour of the world-class resources held at the A.D. Trendall
Research Centre at La Trobe University.
Please visit the conference website for the most up to date conference
Register online before the 30th April at:
Seen on the Classicists list:
ATHLETIC FOUNDATIONS: IDENTITY, HERITAGE AND SPORT
A half day conference exploring the uses of heritage in the construction and consolidation of identities through modern sports events. Organised by the Open University in association with the Olympics 2012 Humanities programme.
18 June 2012, 5-8pm. The Open University in London.
17.00 – 17.30: Reception
(light refreshments will be provided)
17.30 – 18.00: Prof Armand D’Angour (University of Oxford)
Keynote. The Pindaric ode: Recalling an ancient tradition at the modern Olympics
18.00 – 18.30: Dr William Rollason (Brunel University)
Playing the whiteman: Football versus cultural heritage on a Papuan island
18.30 – 19.00: Dr Sonya Nevin (University of Roehampton)
Ancient religion, Modern Games: 19th century Hellenism and sporting values
19.00 – 19.30: Prof Wray Vamplew (University of Central Lancashire)
Preferred lies: Issues of golf heritage and identity
19.30 – 20.00: Dr Daniel Burdsey (University of Brighton)
Fifty years of football in Britain’s Asian communities: Symbol, tradition, identity
Registration fee: £5. Registration deadline: 13 June.
Please see the conference website for details: http://www.open.ac.uk/Arts/af/
Seen on the Classicists list:
Sex and Slavery
An international conference co-organised by the Department of Archaeology and Ancient History (Leicester),
the Department of Classics (Nottingham) and the Institute for the Study Of Slavery (ISOS)
Nottingham, 13-14 September 2012
As part of the ongoing collaboration between Nottingham and Leicester, we are pleased to announce an
international conference on Sex and Slavery. Sexual activity involving individuals of unfree or slave status
is known throughout slave-owning societies. Sex is often a tool through which power relationships and
dominance can be asserted; however, sex can also be means through which power relations are blurred and
We approach the topic from an interdisciplinary, global and diachronic perspective which reaches from
antiquity to the present. Ten speakers specialising on different areas and periods have been invited to give
papers on a range of aspects, while another ten scholars will provide responses to these papers. In order to
enhance and focus comparison, we have invited scholars specialising on modern slaveries to respond to papers
on ancient slaveries and vice versa.
The provisional programme is as follows:
Thursday, September 13th 2012
10.30-11.30 Camillia Cowling (Edinburgh): ‘Carnal Acts’: sex and the significance of freedom for ex-slave
women in Havana and Rio de Janeiro, 1870s-1880s. Respondent: Kostas Vlassopoulos (Nottingham).
11.45-12.45 Andrea Nicholson (Nottingham Trent): Exploring cultural identity in contemporary female slavery.
Respondent: David Lewis (Durham).
14.15-16.15 Constantina Katsari (Leicester): Slaves, sex and money in the Roman world and the antebellum
American South. Respondent: Yossef Rapoport (Queen Mary)
Susanne Seymour (Nottingham): Reproducing slavery: planters ʽbreedingʼ schemes and enslaved African women on
early 19th-century plantations in Grenada. Respondent: Niall McKeown (Birmingham).
16.45-17.45 Walter Scheidel (Stanford): Sex, slavery, and the cultural evolution of normative monogamy.
Respondent: David Mattingly (Leicester).
17.45-18.15 General discussion
Friday, September 14th 2012
10.45-11.45 Lynn Fotheringham (Nottingham): Offspring of slave and free in historical novels set in Greece
and Rome. Respondent: Melanie Ulz (Osnabruck).
12.00-13.00 Judith Mossman (Nottingham): Becoming slaves: Hecuba and Andromache in Euripidesʼ Trojan Women.
Respondent: Jonathan Taylor (De Montfort).
14.00-16.00 Esther Eidinow (Nottingham): Ancient Greek slavery and sexuality: strategies and risks.
Respondent: Gad Heuman (Warwick).
Jane-Marie Collins (Nottingham): ‘Declaro que sempre me conservei no estado de solteira e nunca tive filhos’:
symbolic celibacy, childlessness and the religiosity of freed women in nineteenth-century Brazil. Respondent:
Jennifer Baird (Birkbeck).
16.15-17.15 Junia Ferreira Furtado (UFMG/Brazil): Women of color and slavery in colonial Brazil. Respondent:
Lin Foxhall (Leicester).
17.15-18.15 General discussion and future prospects
Those willing to attend the conference can register online at
For any queries concerning registration, please contact Heather Sowter:
heather.sowter AT nottingham.ac.uk
For any queries concerning the conference, please contact Kostas
Vlassopoulos: konstantinos.vlassopoulos@ AT nottingham.ac.uk
Constantina Katsari (Leicester)
Naoise Mac Sweeney (Leicester)
Kostas Vlassopoulos (Nottingham)
This seems to have only been picked up briefly by AP, so I’ll just include the first line from the Washington Post’s coverage, which pretty much says it all:
Several Romans dressed as gladiators have climbed the Colosseum to protest a crackdown on their unauthorized business of posing with tourists for money. [...]
But for the full effect, check out the slideshow at La Reppubblica (which even has a bit of Classical ink) … and they’ve got a video too … full article: Colosseo, blitz dei gladiatori in quattro salgono sul primo anello
… I’m waiting with baited breath for them to start chanting Io sono Spartaco!
Roman Times: Augustus or Julius Caesar? Ostia head another puzzle.
AWOL – The Ancient World Online: The archaeological work of the ephorias on the Internet.
[in case I don't get around to mentioning this incredible resource myself]
Smarthistory: Pair of Centaurs Fighting Cats of Prey from Hadrian’s Villa.
Smarthistory: Alma-Tadema’s Listening to Homer.
[not sure how old this is ... my reader is suddenly full of Smarthistory stuff]
Laudator Temporis Acti: Some Lines in Lucretius.
[lines with all nouns in asyndeton]
Classics Daily: Why is the third declension such a black hole for students?.
SCREEN PLAYS: Greek plays: Antigone, part 3 of The Theban Plays BBC, 1986.
Pop Classics: Spartacus Vengeance: Wrath of the Gods.
Love of History Blog: A new journal on ancient history?.
A Don’s Life by Mary Beard: “All in a Don’s Day” and “Meet the Romans”.
Blogging Pompeii: Fourth Herculaneum Conference of the Friends of Herculaneum Society.