The Gospel of Jesus’ Wife ~ A Rogueclassicist Perspective

I’m sure most folks have seen all the ‘Gospel of Jesus’ Wife’ coverage in the morning Blogosphere posts and perhaps some people were wondering why I hadn’t commented yet. It was mostly a matter of lack of time, but it’s kind of interesting that I couldn’t respond because the story took a couple of interesting turns as it made its way through the news cycle. So here’s a compendium-cum-commentary sort of post which should bring you up to speed if you have missed it and which also asks some questions that have arisen for me along the way. The best place to begin is with the press release from the Harvard Divinity School (which has some internal links worth exploring, but I’ll mention them again later):

Four words on a previously unknown papyrus fragment provide the first evidence that some early Christians believed Jesus had been married, Harvard Professor Karen King told the 10th International Congress of Coptic Studies today.

King, the Hollis Professor of Divinity at Harvard Divinity School, announced the existence of the ancient text at the Congress’s meeting, held every four years and hosted this year by the Vatican’s Institutum Patristicum Augustinianum in Rome. The four words that appear on the fragment translate to, “Jesus said to them, my wife.” The words, written in Coptic, a language of ancient Egyptian Christians, are on a papyrus fragment of about one and a half inches by three inches.

“Christian tradition has long held that Jesus was not married, even though no reliable historical evidence exists to support that claim,” King said. “This new gospel doesn’t prove that Jesus was married, but it tells us that the whole question only came up as part of vociferous debates about sexuality and marriage. From the very beginning, Christians disagreed about whether it was better not to marry, but it was over a century after Jesus’s death before they began appealing to Jesus’s marital status to support their positions.”

Roger Bagnall, director of the Institute for the Study of the Ancient World in New York, believes the fragment to be authentic based on examination of the papyrus and the handwriting, and Ariel Shisha-Halevy, a Coptic expert at Hebrew University in Jerusalem, considers it likely to be authentic on the basis of language and grammar, King said. Final judgment on the fragment, King said, depends on further examination by colleagues and further testing, especially of the chemical composition of the ink.

One side of the fragment contains eight incomplete lines of handwriting, while the other side is badly damaged and the ink so faded that only three words and a few individual letters are still visible, even with infrared photography and computer photo enhancement. Despite its tiny size and poor condition, King said, the fragment provides tantalizing glimpses into issues about family, discipleship, and marriage that concerned ancient Christians.

King and colleague AnneMarie Luijendijk, an associate professor of religion at Princeton University, believe that the fragment is part of a newly discovered gospel. Their analysis of the fragment is scheduled for publication in the January 2013 issue of Harvard Theological Review, a peer-reviewed journal.

King has posted a draft of the paper, an extensive question-and-answer on the fragment and its meaning, and images of it, on a page on the Divinity School website.

The brownish-yellow, tattered fragment belongs to an anonymous private collector who contacted King to help translate and analyze it. The collector provided King with a letter from the early 1980s indicating that Professor Gerhard Fecht from the faculty of Egyptology at the Free University in Berlin believed it to be evidence for a possible marriage of Jesus.

King said that when the owner first contacted her about the papyrus, in 2010, “I didn’t believe it was authentic and told him I wasn’t interested.” But the owner was persistent, so in December 2011, King invited him to bring it to her at Harvard. After examining it, in March 2012 King carried the fragment to New York and, together with Luijendijk, took it to Bagnall to be authenticated. When Bagnall’s examination of the handwriting, ways that the ink had penetrated and interacted with the papyrus, and other factors, confirmed its likely authenticity, work on the analysis and interpretation of the fragment began in earnest, King said.

Little is known about the discovery of the fragment, but it is believed to have come from Egypt because it is written in Coptic, the form of the Egyptian language used by Christians there during the Roman imperial period. Luijendijk suggested that “a fragment this damaged probably came from an ancient garbage heap like all of the earliest scraps of the New Testament.” Since there is writing on both sides of the fragment, it clearly belongs to an ancient book, or codex, not a scroll, she said.

The gospel of which the fragment is but a small part, which King and Luijendijk have named the Gospel of Jesus’s Wife for reference purposes, was probably originally written in Greek, the two professors said, and only later translated into Coptic for use among congregations of Coptic-speaking Christians. King dated the time it was written to the second half of the second century because it shows close connections to other newly discovered gospels written at that time, especially the Gospel of Thomas, the Gospel of Mary, and the Gospel of Philip.

Like those gospels, it was probably ascribed to one or more of Jesus’s closest followers, but the actual author would have remained unknown even if more of it had survived. As it stands, the remaining piece is too small to tell us anything more about who may have composed, read, or circulated the new gospel, King said.

The main topic of the dialogue between Jesus and his disciples is one that deeply concerned early Christians, who were asked to put loyalty to Jesus before their natal families, as the New Testament gospels show. Christians were talking about themselves as a family, with God the father, his son Jesus, and members as brothers and sisters. Twice in the tiny fragment, Jesus speaks of his mother and once of his wife—one of whom is identified as “Mary.” The disciples discuss whether Mary is worthy, and Jesus states that “she can be my disciple.” Although less clear, it may be that by portraying Jesus as married, the Gospel of Jesus’s Wife conveys a positive theological message about marriage and sexuality, perhaps similar to the Gospel of Philip’s view that pure marriage can be an image of divine unity and creativity.

From the very beginning, Christians disagreed about whether they should marry or be celibate. But, King notes, it was not until around 200 that there is the earliest extant claim that Jesus did not marry, recorded by Clement of Alexandria. He wrote of Christians who claimed that marriage is fornication instituted by the devil, and says people should emulate Jesus in not marrying, King said. A decade or two later, she said, Tertullian of Carthage in North Africa declared that Jesus was “entirely unmarried,” and Christians should aim for a similar condition. Yet Tertullian did not condemn sexual relations altogether, allowing for one marriage, although he denounced not only divorce, but even remarriage for widows and widowers as overindulgence. Nearly a century earlier, the New Testament letter of 1 Timothy had warned that people who forbid marriage are following the “doctrines of demons,” although it didn’t claim Jesus was married to support that point.

In the end, the view that dominated would claim celibacy as the highest form of Christian sexual virtue, while conceding marriage for the sake of reproduction alone. The Gospel of Jesus’s Wife, if it was originally written in the late second century, suggests that the whole question of Jesus’s marital status only came up over a century after Jesus died as part of vociferous debates about sexuality and marriage, King said. King noted that contemporary debates over celibate clergy, the roles of women, sexuality, and marriage demonstrate that the issues are far from resolved.

“The discovery of this new gospel,” King said, “offers an occasion to rethink what we thought we knew by asking what role claims about Jesus’s marital status played historically in early Christian controversies over marriage, celibacy, and family. Christian tradition preserved only those voices that claimed Jesus never married. The Gospel of Jesus’s Wife now shows that some Christians thought otherwise.”

So the initial press release gives some important info:

  • the claim is being made by a chaired professor (Dr. King)
  • the fragment is written in Coptic and is written/translated in such a way as to suggest that Jesus had a wife
  • Roger Bagnall thinks the piece authentic on papyrological and paleographical grounds
  • Ariel Shisha-Halevy thinks the piece authentic on grammatical grounds
  • further testing of the ink is forthcoming (maybe)
  • the fragment has close connections to the Gospel of Thomas (more on that later)

… so far, so good, but then we get into things that initially me feel somewhat  uncomfortable:

  • the provenance of the fragment is unknown and somewhat suspicious
  • we are told it came from a codex, because it is written on both sides; one side is really faded, however (more on that later)
  • Dr King and her associate have named the fragment Gospel of Jesus’s Wife for reference purposes, but in the process are predisposing people what to think about it

Setting that aside, there was a ‘head on media’ assault — for want of a better term — with this one … from Harvard came:

a video:


… all of which led to quite a bit of media coverage … here’s a sampling:

… and of course, the Daily Mail took it that one step further:

We also saw some things from the Smithsonian, which may have added some gravitas to the story:

… and it became apparent that this was connected to a documentary on the subject which was funded by the Smithsonian and which will appear on the Smithsonian Channel later this month.

After the initial wave, Dr King presented her paper and AP came out with a piece which — to its credit — noted the suspicion of scholars … some excerpts:

[...]

Stephen Emmel, a professor of Coptology at the University of Muenster who was on the international advisory panel that reviewed the 2006 discovery of the Gospel of Judas, said the text accurately quotes Jesus as saying “my wife.” But he questioned whether the document was authentic.

“There’s something about this fragment in its appearance and also in the grammar of the Coptic that strikes me as being not completely convincing somehow,” he said in an interview on the sidelines of the conference.

Another participant at the congress, Alin Suciu, a papyrologist at the University of Hamburg, was more blunt.

“I would say it’s a forgery. The script doesn’t look authentic” when compared to other samples of Coptic papyrus script dated to the 4th century, he said.

[...]

Wolf-Peter Funk, a noted Coptic linguist, said there was no way to evaluate the significance of the fragment because it has no context. It’s a partial text and tiny, measuring 4 centimeters by 8 centimeters (1.5 inches by 3 inches), about the size of a small cellphone.

“There are thousands of scraps of papyrus where you find crazy things,” said Funk, co-director of a project editing the Nag Hammadi Coptic library at Laval University in Quebec. “It can be anything.”

He, too, doubted the authenticity, saying the form of the fragment was “suspicious.”

[...]

Some archaeologists were quick to question Harvard’s ethics, noting that the fragment has no known provenance, or history of where it’s been, and that its current owner may have a financial interest in the publicity being generated about it.

King has said the owner wants to sell his collection to Harvard.

“There are all sorts of really dodgy things about this,” said David Gill, professor of archaeological heritage at University Campus Suffolk and author of the Looting Matters blog, which closely follows the illicit trade in antiquities. “This looks to me as if any sensible, responsible academic would keep their distance from it.”

He cited the ongoing debate in academia over publishing articles about possibly dubiously obtained antiquities, thus potentially fueling the illicit market.

[...]

Hany Sadak, the director general of the Coptic Museum in Cairo, said the fragment’s existence was unknown to Egypt’s antiquities authorities until news articles this week.

“I personally think, as a researcher, that the paper is not authentic because it was, if it had been in Egypt before, we would have known of it and we would have heard of it before it left Egypt,” he said.

If you kept up with the various Blogosphere posts, you know our biblioblogger friends were also on the suspicious side. Ecce:

As an aside, as might be expected, both Simcha Jacobovici and Dr James Tabor are very interested in this because it adds weight to their Talpiot Tomb claims:

… for more Bibloblogger reaction, see James McGrath’s compendia here and here … In addition, there was an NBC article which actually seems to have looked at assorted Bibliobloggers on this one: Reality check on Jesus and his ‘wife’ (NBC)

The common thread through most of this coverage is that people aren’t buying the authenticity of the piece and this seems to be a major sticking point. A major development in the questioning of authenticity came the other day when Dr Francis Watson posted an article (pdf) on Mark Goodacre’s blog pointing out why it is a forgery and whence came the ‘subject matter’ — mostly from the Gospel of Thomas:

The article’s findings are currently percolating through the press:

… and even the Daily Mail has become skeptical:

Finally (in terms of press coverage) we read that Harvard seems to be having second thoughts … an excerpt from an AP piece via PhysOrg:

[...] The research centers on a fourth-century papyrus fragment containing Coptic text in which Jesus uses the words “my wife.” On Tuesday, Harvard Divinity School professor Karen King announced at an international conference that the fragment was the only existing ancient text in which Jesus explicitly talks of having a wife. Harvard also said King’s research was scheduled to be published in the Harvard Theological Review in January and noted the journal was peer-reviewed, which implied the research had been fully vetted. But on Friday, the review’s co-editor Kevin Madigan said he and his co-editor had only “provisionally” committed to a January publication, pending the results of the ongoing studies. In an email, Madigan said the added studies include “scientific dating and further reports from Coptic papyrologists and grammarians.”[...]

So that’s what others think; on to what I think (if anyone cares), with the caveat that I am not a papyrologist except in the looking-up-pOxy sense, and am not at all versed in Coptic … In any event when these sorts of claims come along, your friendly rogueclassicist generally pulls a Sheldon:

… and stares at the thing for much longer than is normal. What I was staring at were the Karen King’s photos which were posted on the Harvard Divinity School page:

Karen King photo

Karen King photo

So here’s what bugs me: in the initial press stuff we were told this fragment was from a codex, because it had writing on both sides. That would be a reasonable explanation, but also predisposes us to think that what we’re looking at was, in fact, a codex. Looking at the fragment itself, it seems rather strange, does it not, that the ink on one side could be so dark and nice, while on the other side it is barely legible? It seems also strange that the ‘legible’ side seems to comfortably hold eight lines of text, while the other side has barely six. Indeed, the other side is probably the best clue about the authenticity of this fragment — barring further testing — because it can barely be read and is so illegible that one really can’t say that it actually is some sort of religious text.

With that in mind, let’s think of some recent ‘sensational’ discoveries: the James Ossuary is still being debated, but the dates check out … perhaps a good indication that some ‘forger’ simply gave a less spectacular — but genuine — ancient piece some added value. Similarly, those Jordan lead codices are speculated to have been made from ancient lead which was reused for ‘other reasons’. Just looking at the condition of this papyrus fragment, does it not suggest that this is a situation where there was some vague, and probably of little value, fragment of papyrus which some forger decided to ‘add some value’ to by adding something interesting and controversial to the other side? It seems to be a modus operandi for many of these claims of late …

ADDENDA (the next day): this a.m. I realized I neglected to include some very apropos posts in regards to provenance from David Gill’s blog:

 

Also Seen: Monumenta Asiae Minoris Antiqua XI Online

Peter Thonemann  announced the following on the Classicists list:

This is a message to announce the online publication of a new corpus of Greek and Latin inscriptions, Monumenta Asiae Minoris Antiqua XI: Monuments from Phrygia and Lykaonia.

 MAMA XI is a corpus of 387 inscriptions and other ancient monuments, 292 of which are unpublished, from Phrygia and Lykaonia, recorded by Sir William Calder (1881-1960) and Dr Michael Ballance (†27 July 2006) in the course of annual expeditions to Asia Minor in 1954-1957. The monuments have been edited with full commentaries, and marked-up in xml using EpiDoc electronic editorial conventions, by Peter Thonemann with the assistance of Édouard Chiricat and Charles Crowther.

 The full corpus was published online on 14 September 2012 at the following address: http://mama.csad.ox.ac.uk/. A print volume will be published later as a Roman Society monograph.

 The MAMA XI project has been funded by a grant from the Arts and Humanities Research Council, and is based at the Centre for the Study of Ancient Documents in Oxford.

Hellenistic Mosaic From Monasterace

Brief item from ANSA:

Monasterace (Reggio Calabria), September 20 – A large mosaic, likely of ancient Greek origins, has been discovered in the southern Italian town of Monasterace.

The discovery was announced Thursday by Mayor Maria Carmela Lanzetta.

The polychrome mosaic, said to be well-preserved, measures 25 square meters and covers the entire floor of a room in a thermal bath.

According to archaeologist Francesco Cuteri, who made the discovery, the mosaic is the largest found in southern Italy and dates from the Hellenistic period, which ran from about 323 BC to about 146 BC

The Italian coverage adds some details, such as Monasterace being the ancient site of Kaulon. Reggio TV also includes this photo of one of the mosaics:

via Reggio TV

ANSA’s Italian coverage includes this one:

via ANSA

… which doesn’t quite seem to match, but it is a large mosaic …

Followup: Mosaic at Antiochia ad Cragum

Some additional coverage to add to our previous post: Nice Mosaic from Antiochia ad Cragam (which we also corrected spellingwise to Cragum)

First, a video from the UNebraska folks themselves:


Alia (derived from the UNebraska release we mentioned in our previous post):

d.m. Brian Dobson

From the Telegraph:

The Roman Emperor Hadrian ordered the building of the wall in AD 122, and until the 1960s it was generally assumed that it was a defensive structure from which legionaries would fight off invaders from the north. Hadrian’s biographer wrote that it was built to separate the barbarians from the Romans.

Dobson and Breeze argued that this was not the wall’s purpose. Conquered provinces were a source of taxation in cash and kind. The wall, they maintained, signified the concept of a frontier and served to control and tax the movement of people across the border. While it probably deterred raiders, it would not have been very effective against large-scale attack. The wall was designed to exert control not only over people to the north of the wall but also tribes to the south, as evidenced by the Vallum, a ditch-and-mound system built parallel to the wall on the south side.

Dobson regarded the wall as an indication of weakness rather than strength — a sign that an army designed for conquest was dissipating its energy in building and manning elaborate obstacles. Until AD122 the empire had been constantly expanding. The building of the wall (one of a series of barrier structures commissioned in various parts of the empire at around the same time) suggests that Rome was beginning to reach its limits.

Other historians have suggested that the end of Rome’s expansion led eventually to its decline as it meant that the supply of slaves, captured during the process of conquest, dried up. As a consequence Roman rulers began to squeeze conquered populations — to the point where many sided with the barbarians who challenged the empire from the 3rd century onwards and eventually brought it to its knees.

Brian Dobson was born at Hartlepool on September 13 1931 and educated at Stockton Grammar School and Durham University, where he read Modern History. After National Service he returned to Durham to take a PhD under Eric Birley on the primipilares — a cadre of former chief centurions who, in the 2nd and 3rd centuries AD, replaced the Roman hereditary aristocracy in the senior echelons of the Roman army. Among many publications that arose from this work, he produced a revision in 1967 of Die Rangordnung des römische Heeres, Alfred von Domaszewski’s classic work on the officer rank-structure of the Roman army, and Die Primipilares (1978), a book published in German and based on his PhD thesis.

After a period studying epigraphy in Freiburg, in 1957 Dobson was awarded a research fellowship at Birmingham. In 1960 he was appointed staff tutor at Durham University’s Department of Extra-Mural Studies. There, in 1968, he launched a study tour entitled “Hadrian’s Wall and Hadrian’s Army”, which was so popular that the two elements were split and turned into separate courses. In 1972 he founded the Hadrianic Society, to promote the study of Hadrian’s Wall and the Roman army. Several of his students went on to become notable Wall scholars in their own right.

A quietly devout man, who served as a lay reader at his local church, Dobson remained in Durham until his retirement in 1990.

At various times he served as president of the Archaeological and Architectural Society of Durham and Northumberland and of the Society of Antiquaries of Newcastle upon Tyne (1993-95). He was elected a Fellow of the Society of Antiquaries in 1972.

He married, in 1958, Anne Priestley, who survives him with their two sons and three daughters.

CJ Online Review: Kechagia, Plutarch Against Colotes

posted with permission:

Plutarch Against Colotes: A Lesson in History of Philosophy. By Eleni Kechagia. Oxford Classical Monographs. Oxford and New York: Oxford University Press, 2011. Pp. xviii + 359. £70.00/$135.00. ISBN 978-0-19-959723-9.

Reviewed by Jan Opsomer, University of Leuven

Plutarch’s polemical text against the Epicurean Colotes is a precious source for fragments and testimonies from Colotes and from the philosophers attacked by the latter. Kechagia has produced the first book-length study that studies Plutarch’s “anti-Epicurean pamphlet” in its own right and not just as a source for other philosophers. She discusses Plutarch’s strategies in defending the other philosophers and attacking Colotes. Kechagia wants to do justice to Plutarch as a historian of philosophy, who teaches his readers “how (not) to do (history of) philosophy” (p. 12). Plutarch indeed exposes Colotes’ disingenuity and ignorance, and explains that a serious philosophical discussion should be based on careful reading and comparison of texts. Plutarch’s own treatise is meant to set a didactic example for his own pupils (p. 167). That is not to say, of course, that his account of his philosophical opponents would satisfy present-day scholarly standards.

Besides a fine general study of the work, Kechagia provides in-depth discussions of the sections on Democritus, Plato, and the Cyrenaics (for whose epistemology Plutarch is the principal source). Her reader is given precious insights into ancient philosophical polemics. Kechagia does a good job at disentangling different layers: (1) the philosophical doctrines attacked by Colotes; (2a) Colotes’ criticism of those doctrines, carried out against the background of (2b) his own, Epicurean, philosophical persuasion; (3a) Plutarch’s defence of the other philosophers against Colotes and (3b) his criticism of Colotes’ own views and tactics, carried out against the background of (3c) Plutarch’s own philosophical views. Plutarch not only vindicates the other philosophers by showing that Colotes has misunderstood or deliberately misrepresented them, but usually also turns the tables on Colotes (the “overturning argument”) by arguing that the Epicureans are themselves guilty of the charges they bring against others and do not even realize how inconsistent and shameless they are.

Kechagia lucidly explains Colotes’ philosophical reasons for criticising the views of the other philosophers: Colotes thinks that their doctrines make life impossible. This may seem grotesque, but becomes more understandable when seen in the context of the Epicurean idea that philosophy should serve life. Claims that neither the world as we know it nor we, human beings, really exist would indeed undermine the project of philosophy as therapy. For the same reason scepticism was perceived to be a threat. Hence the Epicureans require that our cognitive access to the world be fully reliable and informative. The main worry behind Colotes’ polemic would be that philosophy became insulated from life.

It is usually assumed that Arcesilaus was Colotes’ main target and that most if not all of the other philosophers included in Colotes’ attack were included because of the fact that Arcesilaus considered them as predecessors for his own brand of scepticism or because of perceived similarities with Arcesilaus’ position. Plutarch is fully aware of this situation and in defending the other philosophers also vindicates his own Academic roots. Kechagia acknowledges this background of the polemic, which only makes her choice not to subject the Arcesilaus section to a close study all the more surprising. For thus she deprives herself of the possibility to offer detailed comparisons with the polemical arguments and strategies deployed to attack and to defend Democritus, Plato, and the Cyrenaics.

There were some notorious omissions in Colotes’ pamphlets against the other philosophers: neither Aristotle and the Peripatetics nor the Stoics were targeted. The common view was that he left them out because the first were simply considered as Platonists and the second were not yet recognised as an important school, but rather as a sect branching of from the Cynics. Kechagia surmises that there may also be a more philosophical explanation: neither school was seen to threaten life. This is probably right, but the reason could also be that they could not be used for a polemic with Arcesilaus.

Kechagia offers useful discussions of Colotes’ attack on, and Plutarch’s vindication of, Platonic ontology; of Plutarch’s reading of Democritus’ νόμῳ-thesis as being eliminitavist about all sensible beings deriving from atoms (for which she cites some interesting parallels, pp. 191-2); of Cyrenaic epistemology (assessing Plutarch’s report slightly differently from the received view, p. 254). Kechagia’s ideas about the structuring principle of Plutarch’s text are interesting. Kechagia argues that by changing the order in which he defends the philosophers targeted by Colotes Plutarch has created a dialectical and a physical group. If we add the fact that Plutarch discusses ethical topics in the epilogue of the work, we can see that Plutarch structured his work in accordance with the traditional tripartition of philosophy. This interpretation requires Kechagia to claim that Plutarch considers Democritus’ theses as primarily ontological; and that Plutarch’s omits Melissus so as not to destroy the nice thematic arrangement (p. 163). Possibly a different explanation of the structure is called for: Plutarch wanted to create smaller thematic groups, the larger structure of two main parts being merely a by-product.

Kechagia provides a rich and thought-provoking study of an important text. The common view according to which Colotes’ book was merely anti-sceptical is rejected by her as being too narrow. Her analyses of the sections on Plato and Democritus convincingly show this assessment to be correct.

Digital Base Map of the Roman World

Elton Barker posted this item of interest on the Classicists list:

Colleagues may be interested to learn of a new online resource that is now available and free to use.

Some of you may have been aware of the ongoing efforts in the Digital Classics community to use digital technology to visualise and help understanding of the geography of the ancient world. Projects such as Pleiades ( http://pleiades.stoa.org/), a gazetteer and graph of ancient places, for example, or Harvard’s Digital Atlas of Roman and Medieval Civilization (http://darmc.harvard.edu/icb/icb.do), which is a layered historical atlas, or Antiquity À-la-carte (http://bioapps.its.unc.edu/projects/awmc/alacarte/carte.html), an online GIS application.

Today the Pelagios team are pleased to announce the latest digital map, built on these previous initiatives and the magisterial Barrington Atlas. What marks this work out is the fact that its map tiles can be used as a background layer for use in a fashion similar to modern mapping applications like Google Maps. We are releasing these map tiles under a CC-BY license, which means that anyone is allowed not only to browse the map but also to use the tiles for presenting their own data or for building on them their own applications.

The basic background map (using Google Maps API) can be accessed here: http://pelagios.dme.ait.ac.at/maps/greco-roman/
Information about the making of the map, sources of geodata, and a legend to the symbols, can be found here: http://pelagios.dme.ait.ac.at/maps/greco-roman/about.html
And for a fully interactive implementation of the digital map, which shows one of the many ways it might be used, see here: francia.ahlfeldt.se/imperium.php

Work on creating these digital map tiles, made possible by the Pelagios project, has been carried out by Johan Åhlfeldt of Regnum Francorum Online ( http://www.francia.ahlfeldt.se/index.php). We would like to thank Johan for this massive undertaking, our funders JISC, and the many other people in the Digital Classics community (esp. those at Pleiades) for making this possible.

For those of you who would like more information about the work carried out, Johan has blogged about it here: http://pelagios-project.blogspot.co.uk/2012/09/a-digital-map-of-roman-empire.html. We see this initiative as part of an ongoing collaborative enterprise and we make every effort to improving this as a resource. In due course, the Pelagios partners will be populating the map with links to online resources related to the ancient places represented. In the meantime we welcome feedback.

CONF: “HIP SUBLIME: Beat Writers and the Classical Tradition”

Seen on the Classicists list:

"HIP SUBLIME: Beat Writers and the Classical Tradition"

University of Pennsylvania
Philadelphia, Pennsylvania, USA
November 16th and 17th 2012

An interdisciplinary conference on the intersections between avant-garde practice and the cultural
legacies of ancient Greece and Rome in Post-war America; hosted by the University of
Pennsylvania’s Department of Classical Studies, in collaboration with the School of Classics at the
University of St Andrews.

Friday’s program (starting at 1:30 PM): Kevin Batton ("Landscape, Classicism, and the Californian
Sublime"), Loni Reynolds ("Myth and Quest in the Early Work of William S. Burroughs"), Netta Berlin
("The Bardic Voice of Allen Ginsberg”), Matthew Pfaff ("Classical Languages and Literatures in Howl
and Other Poems"), and poet Bob Perelman (poetry reading and remarks).

Saturday’s program (starting at 9:00 AM): Gideon Nisbet ("Kenneth Rexroth, Greek Anthologist"),
William Lawlor ("Homer’s Place in Rexroth, Snyder, and Ferlinghetti"), Nick Selby ("Robert Creeley
and Gary Snyder"), Jaap van der Bent (“The Case of John Clellon Holmes”), Marguerite Johnson
("Brothers-in-arms: Gaius and Hank at the Racetrack"), Jane Falk ("Philip Whalen and the Classics"),
Richard Fletcher ("Charles Olson’s Second Sophistic"), Christopher Gair ("Literary Circulations:
Xenophon, Joyce, Kerouac"), and Stephen Dickey (“Beat Katabasis and Big Sur”).

Paper sessions will take place on the University of Pennsylvania campus, in the Terrace Room,
Claudia Cohen Hall, and will be free and open to the public. For more information, see the Penn
Classical Studies website (http://www.classics.upenn.edu/) or contact the organizers: Sheila
Murnaghan (smurnagh AT sas.upenn.edu) and Ralph Rosen
(rrosen AT sas.upenn.edu).

JOB: Ancient Roman Art and Architecture at UMaryland

seen on Aegeanet:

The Department of Art History and Archaeology at the University of Maryland, College Park, invites applications for a full-time, tenure-track position in Ancient Roman Art at the rank of Assistant Professor. The Department seeks a candidate with high potential for significant publications and excellence in teaching. The starting date for the position is August, 2013. The successful candidate must have the Ph.D. by August, 2013.

The University of Maryland is a Research I institution located inside the Washington, D.C. beltway with excellent access to the numerous libraries, museums, and research institutions of the Baltimore-Washington area, including the Library of Congress, Dumbarton Oaks, the Center for Hellenic Studies, the Smithsonian Institution, and the Walters Art Museum.

The Department of Art History and Archaeology offers the B.A., M.A., and Ph.D. degree in a wide range of art-historical fields. (Further information about the Department may be found at http://www.arthistory-archaeology.umd.edu/.) The successful applicant must be able to teach a variety of undergraduate courses including a survey course (Art and Society in Ancient and Medieval Europe and the Mediterranean) and upper-level courses in ancient Roman art and architecture; s/he will also teach graduate colloquia and seminars on specialized topics–as well as direct theses and dissertations–in Roman art and architecture.

For best consideration, candidates should submit a complete application by October 31, 2012. Application materials must include a cover letter describing your research and your qualifications for this position, a current curriculum vitae, a chapter from your dissertation or a copy of a publication, and the names and e-mail addresses of three referees who will submit letters electronically.

Preliminary interviews with selected candidates will be conducted by appointment at the Annual Meeting of the College Art Association in New York, February 13–16, 2013. Questions may be addressed to Dr. Anthony Colantuono, chair of the search committee, at pyr AT umd.edu. The search is contingent upon the continued availability of funds.

The University of Maryland, College Park, actively subscribes to a policy of equal employment opportunity, and will not discriminate against any employee or applicant because of race, age, sex, color, sexual orientation, physical or mental disability, religion, ancestry or national origin, marital status, genetic information, political affiliation, and gender identity or expression. Minorities and women are encouraged to apply.

CFP: Swords, Sorcery, Sandals and Space: The Fantastika and the Classical World

Seen on various lists:

A final reminder that the Call For Papers closes on 30 September.
Apologies for cross-posting. Please distribute to anyone who might be interested.
Swords, Sorcery, Sandals and Space: The Fantastika and the Classical World. A Science Fiction Foundation Conference
29 June – 1 July 2013

At The Foresight Centre, University of Liverpool

Guests of Honour/Plenary Speakers: Edith Hall, Nick Lowe, and Catherynne M. Valente

Call for papers

The culture of the Classical world continues to shape that of the modern West. Those studying the Fan­tastika (science fiction, fantasy and horror) know that the genres have some of their strongest roots in the literature of the Graeco-Roman world (Homer’s Odyssey, Lucian’s True History). At the same time, scholars of Classical Reception are increasingly investigating all aspects of popular culture, and have be­gun looking at science fiction. However, scholars of the one are not often enough in contact with scholars of the other. This conference aims to bridge the divide, and provide a forum in which sf and Classical Reception scholars can meet and exchange ideas.

We invite proposals for papers (20 minutes plus discussion) or themed panels of three or four papers from a wide range of disciplines (including Science Fiction, Classical Reception and Literature), from aca­demics, students, fans, and anyone else interested, on any aspect of the interaction between the Classi­cal world of Greece and Rome (including post-Roman Britain and the Byzantine empire) and science fiction, fantasy and horror. We are looking for papers on Classical elements in modern (post-1800) examples of the Fantastika, and on science fictional or fantas­tic elements in Classical literature. We are particularly interested in papers addressing literary science fiction or fantasy, where we feel investigations of the interaction with the ancient world are relatively rare. But we also welcome papers on film, television, radio, comics, games, or fan culture.

Please send proposals to conferences AT sf-foundation.org<mailto:conferences AT sf-foundation.org>, to arrive by 30 September 2012. Paper pro­posals should be no more than 300 words. Themed panels should also include an introduction to the panel, of no more than 300 words. Please include the name of the author/panel convener, and contact details.

Any enquires should be sent to the e-mail address above.

Swords, Sorcery, Sandals and Space is organised by the Science Fiction Foundation, with the co-operation of the School of Archaeology, Classics and Egyptology at the University of Liverpool.

Tony Keen

Chair, 2013 Science Fiction Foundation Conference

Conference Website: http://www.sf-foundation.org/conference

Conference Facebook Page<https://www.facebook.com/pages/Swords-Sorcery-Sandals-and-Space-The-Fantastika-and-the-Classical-World/208433862562456?sk=wall>: https://www.facebook.com/pages/Swords-Sorcery-Sandals-and-Space-The-Fantastika-and-the-Classical-World/208433862562456?sk=wall

Conference Official Twitter Feed<http://twitter.com/#!/SFFConf2013>: http://twitter.com/#!/SFFConf2013