This just-emerging story seems to be making the rounds of assorted European papers … the only English version, however, is in the Hong Kong Standard:
Greece is holding talks with the British Museum on the return of fragments from the Parthenon Marbles, the director of the Acropolis Museum in Athens said today.
Demetrios Pantermalis said he had made a proposal on the issue at a UNESCO meeting in June and that talks would be held in Athens in the coming weeks, AFP reports.
“I proposed an arrangement to colleagues from the British Museum, involving pieces — hands, heads, legs — that belong to bodies from the Parthenon sculptures and can be reattached,” Pantermalis told Skai Radio. “The proposal has been accepted in principle, we will have a discussion in the autumn.”
Greece has long campaigned for the return of the priceless friezes, removed in 1806 by Lord Elgin when Greece was occupied by the Ottoman Empire and later sold to the British Museum.
The British Museum has turned down successive Greek calls for their return, arguing that the sculptures are part of world heritage and are more accessible to visitors in London.
Inaugurated in June 2009, the new Acropolis Museum includes a section reserved for the disputed collection.
Pantermalis said the Marbles issue remained “taboo” and that the new proposal involving smaller pieces could be a way to “unravel the thread”.
As culture minister in 2009, Greek Prime Minister Antonis Samaras had turned down a British Museum loan offer for the Marbles, arguing that acceptance would “legalise their snatching” by the 19th century British diplomat.
“The government, as any other Greek government would have done in its place, is obliged to turn down the offer,” Samaras had said at the time.
“This is because accepting it would legalise the snatching of the Marbles and the monument’s carve-up,” Samaras said.
British Museum spokeswoman Hannah Boulton had then told Skai Radio that her museum could consider loaning the Marbles to Greece for three months on condition that Athens recognise the museum’s ownership rights to the sculptures.
Skai Radio is a Greek station (if you were wondering) … I’m kind of confused, though … is the idea the BC would lend body parts or that Greece would provide missing parts? Or both? Stay tuned …
That ancient statuary was coloured is, of course, well known to all who wander through these pages and in recent years (weeks, even) there has been an upsurge in interest, it seems, in ‘recolouring’ things. Accordingly, the Acropolis Museum has mounted an exhibition devoted thereto … here’s a bit from the blurb:
Commencing Tuesday 31 July 2012 and for the next twelve months, the Acropolis Museum wants to conduct research on its unique collection of archaic statues, which retain their colors to a small or large degree, and to open a very extensive discussion with the public and various experts on color, its technical issues, its detection using new technologies, its experimental use on marble surfaces, its digital reconstruction, its meaning, as well as the archaic period’s aesthetic perception of color. So far, scientific research into the color found on ancient sculpture has made great progress and reached surprising conclusions that to a large degree refute the stereotypical assumptions regarding ancient sculpture. It turns out that color, far from being just a simple decorative element, added to the sculpture’s aesthetic quality.
For ancient Greeks and their society, color constituted a way to characterize various attributes. The blond hair of the gods projected their power; the brown skin of warriors and athletes was a sign of virtue and valor, while the white skin of the korai expressed the grace and radiance of youth.
The Μuseum’s initiative on Archaic Colors is based on very careful observation, on spectroscopic analysis, on special photography sessions, on efforts to reproduce the colors of antiquity and then to apply them on Parian marble, and naturally, on searching through written sources for valuable information on the pigments.
The statues’ crisp, saturated colors, on bright garments and tender bodies, combined with the rich jewelry, frequently made of metal, and elaborately curled hair created a singular aesthetic pleasure, making the archaic statues “wonderful to behold” for the people of the period. [...]
- via: Archaic Colors (Acropolis Museum)
If you have kids, or are bored, or want to kill time, scroll down that page and you can colour the Peplos Kore in whatever gaudy goodness you want. The instructions are in Greek, but it’s not difficult to figure out …
He arrived in Greece in the ’70s as a young archaeologist aspiring to bring to light the kingdom of legendary Ulysses or, at least, the palaces of King Phillip of Macedon. Destiny, however, and the University of California at Berkeley, led Dr. Stephen G. Miller to Nemea in the Peloponnese, southern Greece, where he unearthed the ancient stadium of the Nemean Panhellenic Games.
In an interview with ANA-MPA’s “Greek Diaspora” magazine, Miller said the excavation was carried out very cautiously, and frequently with bare hands.
“The first time I visited Greece I felt a sense of national identity,” he said, adding: “I felt that I’ve always belonged here and will belong here forever.”
Dr. Miler recently spent nine months at the site, despite the fact that he is no longer the director of the excavations. Moreover, he has played a decisive role in the revival of the Nemean Games in their ancient form. Participating athletes are obligated to wear attire similar to those worn by their fellow athletes during antiquity.
“I believe that this re-enactment and revival of the ancient Nemean Games makes us all feel a part of this magnificent Greek history,” he says.
Referring to propaganda attempts following the breakup of the former Yugoslavia to cast doubt on the Hellenic nature of the ancient kingdom of Macedonia, he said the ancient Greeks of the 7th century BC considered the Macedons as fellow Hellenes, adding that “their Greek identity is obvious given that the inscriptions of the ancient Macedons were written in Greek”.
Furthermore, based on the archaeological findings, the Macedonians participated in the Games of Nemea as one of the Greek tribes and this is an indisputable fact.
Turning to another subject, he said the New Acropolis Museum is exceptional, and stressed that the British Museum no longer has any excuse to keep in London the Parthenon Marbles, “the epitome of ancient perfection, the cornerstone of Western civilisation, of beauty and symmetry.”
“If my hand was missing, wouldn’t I ask for it back? The answer is self-evident,” he continued.
He stated that isolated sculptures such as the Aphrodite of Milos (Venus di Milo) or the Nike of Samothrace would continue to be on display at the Louvre, or other such artifacts in museums throughout the world, in order to showcase the perfection of the ancient Greek spirit.
“But the Parthenon Marbles must be returned to their home, to be housed in the New Acropolis Museum, to complete their historic whole,” he added.