Last week the Telegraph devoted a major portion of its newspaper to the upcoming Pompeii and Herculaneum exhibition at the British Museum … I think I’ve managed to find all the links, all of which have plenty of images and all the Alastair Sooke things have videos. Some familiar names have penned most of these pieces. You can probably kill an hour or so perusing the following:
- Pompeii exhibition: a history of Pompeii and Herculaneum in numbers
- Pompeii exhibition: an extract from ‘The Last Days of Pompeii’ (Excerpt from The Last Days of Pompeii)
- Pompeii exhibition: Alastair Sooke behind the scenes at the British Museum (Video interview with the curator)
Pompeii exhibition: the food and drink of the ancient Roman cities
- Pompeii exhibition: a timeline of Pompeii and Herculaneum(by Andrew Wallace-Hadrill and Joanne Berry)
- Pompeii exhibition at the British Museum: glorious pictures, from frescoes to mosaics
- Pompeii exhibition: beauty, fashion and jewellery – Roman style (Butterworth, Laurence, and Roberts)
- Pompeii exhibition: 50 shades of Pompeii?(Joanne Berry)
- Pompeii exhibition: Mary Beard on life in Pompeii and Herculaneum(Mary Beard, of course)
- Pompeii exhibition: Alastair Sooke on Roman sculpture (Video)
- Pompeii exhibition: Alastair Sooke on Roman jewellery(Video)
- Pompeii exhibition: Alastair Sooke on Roman frescoes(Video)
- Pompeii exhibition: Alastair Sooke on the volcano (Video)
This looks like it’s going to be really really really really good:
I’ve seen this one in various places (this particular text is via the Classicists list):
New courses for university students: Discover the ancient Romans in the shadow of Vesuvius!
The Herculaneum Centre www.herculaneumcentre.org is very pleased to announce the launch of a new series of university-level courses related to Vesuvian archaeology that will take place in September 2012 and March 2013, with learning mostly taking place at the sites themselves.
The Vesuvian Archaeology Study Programme has been specifically designed to meet the needs of university students. The programme content is suitable for students of Roman history, archaeology, architecture, history of art and material culture. Students of heritage management and conservation will find the programme offers stimulating case studies that explore the role archaeological sites play in the modern world and the challenges of conserving them.
Participants will visit Pompeii, Herculaneum and Oplontis, lesser known sites such as Villa Sora, as well as exploring the Vesuvius National Park and the National Archaeology Museum in Naples. This rich programme will be led by Dr Joanne Berry, scholar and author of The Complete Pompeii (Thames and Hudson, 2007) and founder of Blogging Pompeii, with input from a range of other scholars and practitioners active in the field.
We bring together the best of our three partners: the Comune di Ercolano (the town council) offers us a network of local partners and resources, the Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei (the local heritage authority) ties us to the archaeological site which is used as an open-air classroom, and the British School at Rome offers connections to international and research communities.
Details of the courses can be found at www.herculaneumcentre.org, and a leaflet and application form are available to be downloaded on the British School at Rome website http://www.bsr.ac.uk/courses-for-university-students-shadow-of-vesuvius.
Please forward this information to your students!
Over at Blogging Pompeii, they have links to a couple of recent interviews — one in English, one in Italian — with Dr Wallace-Hadrill all about the Herculaneum Conservation Project:
- rites in honour of Luna at the Graecostasis
- mundus patet — the mundus was a ritual pit which had a sort of vaulted cover on it. Three times a year the Romans removed this cover (August 24, Oct. 5 and November eighth) at which time the gates of the underworld were considered to be opened and the manes (spirits of the dead) were free to walk the streets of Rome.
- 72 A.D. — martyrdom of Batholomew at Albanopolis
- 79 A.D. — Vesuvius erupts, burying Pompeii, Herculaneum and Stabiae
- 410 A.D. — Alaric sacks Rome
- 1971 — death of Carl Blegen (excavator of Pylos)
- 1997 — death of Philip Vellacott
I think the last time we heard of this was back in July of last year; seems they’re having some difficulties:
Some 2,000-year-old Roman scrolls are stubbornly hanging onto their ancient secrets, defying the best efforts of computer scientists at the University of Kentucky to unlock them.
The researchers have learned much about the scrolls, which were reduced to lumps of carbon in the heat of an eruption by Italy’s Mount Vesuvius in 79 A.D. But they can’t read what’s written on them.
“What we’ve found is that the problem is even more challenging than we thought going in,” said Brent Seales, Gill professor of engineering in UK’s computer science department and leader of the team working on the scrolls.
The UK team spent a month last summer making numerous X-ray scans of two of the scrolls that are stored at the French National Academy in Paris. They hoped that computer processing would convert the scans into digital images showing the interiors of the scrolls and revealing the ancient writing. The main fear, however, was that the Roman writers might have used carbon-based inks, which would be essentially invisible to the scans.
That fear has turned out to be fact.
“We hoped that we could look for calcium or other trace compounds in the ink that might help us tease out the writing,” Seales said. “But that hasn’t worked.”
Seales says he now hopes that re-scanning the scrolls with more powerful X-ray equipment will reveal the text, which scholars are anxious to read.
The effort is part of UK’s EDUCE project — Enhanced Digital Unwrapping for Conservation and Exploration — which has drawn international attention for using computer technology to peek inside fragile and faded books and manuscripts from antiquity, and produce exact digital copies for study. EDUCE, which Seales launched several years ago, is best known for producing stunning digital images of the oldest known copy of Homer’s Iliad, which is stored in Venice.
The Roman scrolls, however, have been a harder nut to crack.
Hundreds of the scrolls were stored in a Roman villa that was buried under tons of hot ash when Mount Vesuvius destroyed the Roman towns of Pompeii and Herculaneum in one of history’s most famous volcanic eruptions. The scrolls lay hidden for 1,600 years, until excavators stumbled upon them at Herculaneum in 1709.
What they found was a mystery. Volcanic heat had carbonized the scrolls — they resemble lumps of charcoal ready for a barbecue grill — which crumbled when anyone tried to unroll them. Scholars think the scrolls contain writings in Latin by the Roman philosopher Philodemus. But that’s only a guess until someone figures out how to read the scrolls without destroying them.
The UK team hoped to do that with computer magic last year.
Seales says that, in addition to the carbon-ink problem, the sheer volume of computer data produced from the X-ray scans overwhelmed UK’s interactive software. That slowed the system to the point that technicians were typing in commands and waiting half an hour or more for a response, he said.
“We’re not ready to say yet that we’re definitely not going to see the ink,” Seales said. “But we haven’t found a way yet to get at what we want.”
According to Seales, UK is looking at possibly rescanning the scrolls, in partnership with a group in Belgium that built the X-ray scanner used last year. A meeting with the group had to be canceled in April when the eruption of a volcano in Iceland interrupted flights to Europe.
“We’ve been talking with the engineers over there on how we could go back and scan the scrolls again, knowing what we know now, and do a better job of capturing the data we need,” Seales said. He has said that it ultimately might take the creation of new computer technology to unlock the scrolls.
“Of course, we want to be the ones to do that,” he said. “We’ve solved every other part of the problem. This is the missing link.”
UK’s computer imaging has confirmed that the rolled up papyrus scrolls are 30 to 40 feet long, which seems to suggest writing must be present. Why store a 40-foot scroll with no writing on it?
“The scholars are really excited by that,” Seales said. “If the scrolls are that large, think how much text there could be.”
Another item on the project mentions a couple more Homer manuscripts on the ‘scanning list’:
I’m not a big fan of these sorts of things (outside, maybe, Disneyland vel simm) and their attendant unreality and light pollution, but perhaps someone amongst our readers likes them … from ANSA:
This year’s sound-and-light tours at Pompeii promise to be the most spectacular yet, organisers said Wednesday.
“There’ll be completely new content and effects,” said the head of the Naples Tourist Board, Dario Scalabrini.
“The show will be even more atmospheric, with a great potential for attracting all kinds of visitors,” he said.
Among the novelties of the night-time event, which has been dubbed Pompeii Moons, will be a visit to the so-called Fugitives Orchard where the most famous plaster casts of people vainly fleeing volcanic ash were made.
Visitors will also enjoy a new computer recreation of the ancient city and meet “a curious character, voiced by actor Luca Ward, who will accompany tourists on their special journey,” Scalabrini said. Pompeii Moons runs from the upcoming weekend, May 7-9, until the last weekend in October, he said.
The shows, Italy’s first-ever ‘son-et-lumiere’ tours, kicked off to immediate acclaim in 2002 and have proved a big hit ever since.
The one-hour tours in Italian, English and Japanese have a special soundtrack synchronised with the light show and mingling ambient noise with a narrative voice illustrating the various highlights.
They climax in the Forum with a dramatic video re-enactment of the catastrophic eruption that buried the city in 79 AD.
Unlike other son-et-lumiere tours in Italy and abroad, the initiative offers visitors not just a simple show but a stroll through the digs that reveals an ”unusual, poetic side” of the ancient city, organisers say.
The tour kicks off at the Terme Suburbane, a once-neglected district that has become a big draw for its frescoes graphically depicting a variety of sex acts – presumed to be an illustration of the services on offer at the local brothel.
It then winds its way up the main road, pointing out the curious cart ruts, craftsmen’s shops and famous villas.
The grand finale comes in the heart of the old city, the forum, when four giant projectors beam a special- effects-laden video reconstruction of the wrath of the volcano Vesuvius, which smothered the city and its lesser-known but equally fascinating neighbour Herculaneum in ash and cinders.
Later coverage of the ‘light show’ seems to be stressing the X rated side of things: