I continue to be confused about how Didaskalia is published, but I’m beginning to suspect it’s now an annual thing with pieces posted from time to time. So … first we’ll catch up with volume 8:
8.06
Interview: Satyrs in L.A. [PDF]
Mary Hart
8.07
KOSKY – The Women of Troy: Barrie Kosky, The Sydney Theatre Company, and Classical Theatre in Australia [PDF]
Elizabeth Hale, guest editor
8.08
KOSKY – Delivering the Message in Kosky’s The Women of Troy [PDF]
Helen Slaney
8.09
KOSKY – The Women of Troy: Barrie Kosky’s “operatic” version of Euripides [PDF]
Michael Halliwell
8.10
KOSKY – The Women of Troy—New and Old [PDF]
Michael Ewans
8.11
KOSKY – “Toothless intellectuals,” “the misery of the poor,” “poetry after Auschwitz,” and the White, Middle-class Audience: the Moral Perils of Kosky and Wright’s The Women of Troy (or, how do we regard the pain of others?) [PDF]
Marguerite Johnson
8.12
Masks in the Oxford Greek Play 2008: Theory and Practice [PDF]
Claire Catenaccio
8.13
The Masked Chorus in Action—Staging Euripides’ Bacchae [PDF]
Chris Vervain
8.14
Review: Orestes Terrorist at the University of California, Santa Cruz [PDF]
Fiona Macintosh
8.15
Review: 47th Season of Classical Plays at the Greek Theatre in Syracuse [PDF]
Caterina Barone
8.16
Review: Medea at the Long Beach Opera [PDF]
Yoko Kurahashi
8.17
Interview: Theater of War [PDF]
Amy R. Cohen and Brett M. Rogers
8.18
Storm in a Teacup: an Exercise in Performance Reception in Twenty-First-Century Israel [PDF]
Lisa Maurice
8.19
Review: Seneca’s Oedipus at the Stanford Summer Theater [PDF]
David J. Jacobson
8.20
Review: Sophocles: Seven Sicknesses at the Chopin Theater [PDF]
Teresa M. Danze Lemieux
8.21
ADIP I – Ancient Drama in Performance: Theory and Practice [PDF]
Amy R. Cohen
8.22
ADIP I – Play in the Sunshine [PDF]
Jennifer S. Starkey
8.23
ADIP I – Adapting Hecuba: Where Do Problems Begin? [PDF]
Nancy Nanney
8.24
ADIP I – The Twice Born and One More: Portraying Dionysus in the Bacchae [PDF]
Jaclyn Dudek
8.25
ADIP I – A Gestural Phallacy [PDF]
David J. Jacobson
8.26
ADIP I – Double the Message [PDF]
Diane J. Rayor
8.27
ADIP I – Performing the “Unperformable” Extispicy Scene in Seneca’s Oedipus Rex [PDF]
Eric Dodson-Robinson
8.28
ADIP I – Compassion in Chorus and Audience [PDF]
Paul Woodruff
8.29
ADIP I – Staging the Reconciliation Scene of Aristophanes’ Lysistrata [PDF]
John Given
8.30
ADIP I – The Delayed Feast: the Festival Context of Plautus’ Pseudolus [PDF]
Laura Banducci
8.31
ADIP I – Euripides’ Hecuba: the Text and the Event [PDF]
Kenneth Reckford
8.32
ADIP I – Hecuba in a New Translation [PDF]
Jay Kardan and Laura-Gray Street
8.33
ADIP I – Talkback: Hecuba [PDF]
Mary-Kay Gamel
… and from Volume 9:
9.02Review: Lysistrata Jones
John Given
9.01
Risk-taking and Transgression: Aristophanes’ Lysistrata Today
Michael Ewans and Robert Phiddian
rogueclassicism 