Not sure how long this one will be up on Youtube, so it might be a good idea to watch it now … my review follows:
We’ll begin by noting that when this one first appeared on the BBC a week or two ago, it seemed to be universally-panned by folks on twitter and facebook. It had been hyped by the BBC (who produced the program).and by the University of Alabama (whence comes Sarah Parcak, whose work sparked the show: Birmingham Egyptologist Sarah Parcak featured in BBC show on lost treasures rediscovered from space). In case you didn’t know, Parcak was the “space archaeologist” who was in the news a year and a half ago for finding a pile of Egyptian sites (including pyramids) using her satellite methods (e.g. Egyptian pyramids found by infra-red satellite images … BBC). She also gave a very interesting TED talk that you should check out if you get a chance: Sarah Parcak: Archeology from space ).
That said, we have to note that this particular documentary has a pile of the ‘devices’ that I find incredibly annoying in documentaries about the ancient world, and all of them are connected to trying to create ‘drama’. For example, although the thing is hosted by the very capable Dan Snow, I really don’t care about his parents dragging him around ancient sites or Dr Parcak’s imaginary space ship. We really don’t need silly statements about Dr Parcak being an ‘ordinary lecturer’ by day, but someone who sits in front of a computer at night doing research (don’t we all do that?). I don’t like the ‘contrivedness’ of having Dr Parcak being set up in the ruins of Portus/Ostia (can’t tell which), supposedly doing the research for the first time when we all know it was all done well in advance of any footage being shot. We also don’t need the shots of her working long hours into the night or confessions of self doubt, yadda yadda yadda. The UK version of all this is an hour and twenty minutes long; when the program comes to the US this summer, it is apparently going to be shorter. If they’re looking for things to cut out, that’s a nice list.
As long as we’re talking about editing things out, I should also note that in general, the documentary puts one in the same mood as one might have been listening to the Rolling Stones’ Exile On Main Street for the first time: so much good stuff if the other bits were stripped out. In particular, the supposed unifying element in this program — the question of how Rome maintained such a vast empire with so few soldiers — is completely unneeded and the focus should have been from the start simply what the new technologies can tell us that we didn’t need to learn before. We don’t need to make it look like we are suddenly coming up with a new theory when we’re just finding evidence confirming what is already believed by a majority of scholars.
That said, there is some really good information here, but not all of it is without controversy. The first segment is devoted to Portus and is seeking to help Simon Keay and crew find things like canals and the lighthouse. Back in 2010, a canal find at Portus was big news (Major Roman Canal from Portus!). In 2011, we read about a shipyard find (Huge Roman Shipyard Found (Maybe)) .
Unfortunately, the segment with Keay and crew is just an introductory tease and we are taken to the land of the Dacians — which, of course, is more dramatically referred to as ‘Transylvania’. Outside of the use of sonar to ‘sort of” find the footings of the bridge Trajan built across the Danube (and the expected graphical recreations), what is really important here is the use of LiDAR to find evidence of rampants around Sarmizgetusa. The segment involves a big gun in Dacian archaeology (Gelu Florea) and really deserved a bit more attention than it had. But it’s really our first indication of what these new technologies can reveal to us.
Back to Portus where Parcak has (finally, it dramatically appears) located something with her infrared-enhanced satellite technology: a major canal running up the *east* side of the Tiber. This is an incredible find and it would have been very nice if they could have somehow followed it further to see how far it actually went. As with the previously-mentioned canal find (above), I can only ask what effect all these canals had on the water levels of the Tiber. Someone needs to correlate reports of flooding of the Tiber to construction of canals like these.
Unfortunately (again), they don’t really go very deep into the matter and suddenly have a need to dash off to Jordan. There’s lots of dramatic silliness until we meet up with Chris Tuttle, who has been working in the environs of Petra over the past few years. The goal of this segment is to find evidence of “abundance” under the pax Romana and Parcak locates a promising site with the infrared satellite thing. The trio (Snow, Parcak, and Tuttle) do a quick survey and find potsherds, some of which are apparently Roman. Supposedly this is evidence of “abundance” … more detail is needed here.
Back to Portus, where Parcak identifies what is possibly a Roman amphitheatre. This is presented as a new find and is really quite dishonest as presented. In fact, Keay made the claim to have found this back in 2009 — and for some reason it doesn’t seem to have been mentioned by me. Happily, the Science Daily coverage is still up: Archaeologists Discover Amphitheatre In Excavation Of Portus, Ancient Port Of Rome … as is Mary Beard’s criticism of all the hype: The luxury amphitheatre at Portus. After the tease, we are shown the shipyards mentioned above (also not a new discovery, obviously).
Then we’re off to Tunisia, which apparently was “Rome’s granary” (as if Sicily and Egypt suddenly weren’t producing). The big name here is David Mattingly, who is pleased to learn from the satellite technology about a fort (which the gang explores … and it is apparent that some diggers have already been there). Along the way we are shown remains of a Roman frontier wall … it would have been nice to see the extent of this — does it rival Hadrian’s Wall?
Finally, we head back to Portus, where this time the LiDAR is used to identify a big platform. Keay concludes that it must be the platform the lighthouse stood on and there follows much recreation — interestingly, the Portus Project’s webpage sort of downplays the recreation of the lighthouse, although it finds it useful. Missing in this segment would have been an overlay of the harbour itself to see if this platform actually extended into the water. As presented, it’s a few dotted red lines on a satellite shot. I still can’t quite figure this one out.
In closing, I should also mention something that I found annoying in all this: there were no subtitles to identify the various archaeologists and they don’t appear to be mentioned individually in the credits (although they might be clipped from the Youtube version). Definitely something that should have been included, if only to allow people to follow up on things. Stripped away of the docuembellishments and other shortcomings, though, the program does go far to show the utility of Parcak’s satellite-infrared approach to finding sites as well as the incredible potential for LiDAR. We’ll very likely be seeing similar docu-applications in the future.
Some other reviews:
- Rome’s Lost Empire, BBC 1, Sunday 9th December 2012 (Res Gerendae)
- Rome’s Lost Empire, BBC One, review (Telegraph)
4 thoughts on “Review: Rome’s Lost Empire”
Great programme! Sarah Parcak was in another BBC production regarding some of the Lost Cities of Egypt, another fantastic programme. One worth watching.
The possible Portus amphitheatre referred to in the program isn’t the same as the one discovered in 2009. That one was associated with the Imperial Palace. The other is, as stated in the program and shown in the 3D imaging, northeast of Lago Traiano. The area of the satellite image Sarah Parcak discusses can be found (not the same one, though) on Google image’s satellite database. The agricultural lot is on the Via Portuense. I agree that the show is a farce in places, but criticizing Dr. Parcak on this point was unavoidable simply by paying attention and doing a bit of homework.
Part of the problem is that the Portus Project’s website/blog doesn’t really deal with this ‘other’ amphitheatre, so it is not at all clear that it *is* a different one. My criticism is not of Dr Parcak, but of the way this find was presented … I’ve watched it again and it still seems ‘not quite right’ …
I know that by now this is already a pretty old documentary, still I have to throw in my two cents as I’ve just seen it. Basically the show feels superficial, sensationalistic and, at times, disingenuous. Dan Snow may seem like a nice enough fellow, but he hogs the camera, spews more clichés than a typical Top Gear episode and generally seems like he’s little more than a dilettante.
“Traditional” archaeology is made to look bad; sensors (radar, sonar, lidar, infrared etc.) have been used in conjunction with traditional methods for some time now and it would’ve been more interesting to see what space borne imagery brings to the table that ground and air based sensors cannot offer.
There’s too much manufactured drama/adventure: going to Petra on camel back when it’s perfectly accessible by car, driving around in a rickety old Dacia (the automotive manufacturer that actually produces… new Dacias, you know), climbing scenes where the crew is flanked by rifle wielding forest rangers. Talk of bears. Sheesh.
Well established facts and theories are presented as brand new, as if they were discovered during the making of the show. The bit with Trajan’s bridge is especially cringe-worthy; Dan Snow dives in the Danube “discovering” the base of a foot of the bridge (not that we can see it), completely ignoring the fact it’s been greatly investigated in the past and diving isn’t even necessary for the purposes of showing it since vestiges of the bridge exist on both banks of the Danube.
There all sorts of other things that take away from the show, like the needles personal interest bits. The map of the Roman Empire incorrectly defines the borders, it depicts the entire territory of modern day Romania as having been part of the empire, which is patently false. It’s like including Scotland or the whole of Germany in a map of the Roman Empire. I’m sure there are other errors.
And did I mention it’s also needlessly long? Yeah… the whole thing is a bit of a mess. There was a good concept there, but the show ruined it by focusing on the sensational and ignoring the factual.