First Fascinating Aida (see below) and now a review of Spring Awakening in the Independent. While most of the description would probably bring hits to rc for all the wrong reasons, I can’t help but wonder about this:
Kevin Adams’s outstanding lighting is a constellation of bare lightbulbs – now the heavens, now the class room (where Sater’s one made-up scene achieves the impossible task of building a chorus number into a rock chant of Virgil’s Aeneid in the original language) – carried through to the auditorium in a riot of neon strips all round the Lyric’s venerable Frank Matcham interior decoration.
… someone has to find a video of that (the Aeneid thing, obviously) …
rogueclassicism 