CONF: APGRD Conference: ‘Choruses: Ancient and Modern’

The Archive of Performances of Greek and Roman Drama (www.apgrd.ox.ac.uk) is delighted to announce the Annual Conference 2010

Choruses: Ancient and Modern (13-14 September 2010)

University of Oxford

For more information and to register for the conference please contact Naomi Setchell, APGRD Archivist/Administrator (naomi.setchell AT classics.ox.ac.uk). The registration fee is £25. Several student bursaries are available.

The standard view of the ancient chorus as an encumbrance in the modern western world, where the individual rather than the collective is prized, needs serious scrutiny. Not only does this overlook much dramatic theory and practice since the eighteenth century, it also ignores the monarchical contexts in which this intrinsically neo-classical view was developed. At the conference an international and interdisciplinary group of speakers (classicists, theatre historians, anthropologists, musicologists, philosophers as well as contemporary practitioners) will examine the various contexts in the modern world in which ancient choruses have been consciously imitated, shunned and on occasions dangerously travestied in the modern world. The conference will therefore consider not only the aesthetics of the chorus but also the ways in which choruses have interacted (ritually, broadly socially and explicitly politically) with audiences in both antiquity and the modern world.

Confirmed speakers include:

Karen Ahlquist (George Washington) ‘Chorus and Community’

Joshua Billings (Oxford) ‘An Alien Body? Choral questions around 1800′

Claudia Bosse (theatre director) will lead a practical workshop

Laurence Dreyfus (Oxford) ‘Sunken in the “Mystical Abyss”: The ‘choral’ orchestra in Wagner’s Music Dramas’

Zachary Dunbar (Central School of Speech and Drama) ‘The Politics of the Musical Chorus Line’

Simon Goldhill (Cambridge) ‘Choral Lyric(s)’

Erika Fischer-Lichte (Freie-Universität, Berlin) ‘From Reinhardt to Riefenstahl’

Albert Henrichs (Harvard) ‘Chorality and Modern Interpretations: Nietzsche, Benjamin and Burkert’

Sheila Murnaghan (UPenn) ‘The choral plot of Greek tragedy’

Martin Revermann (Toronto) ‘Brechtian Choralities’

Ian Rutherford (Reading) ‘Chorus, Song, Anthropology’

Roger Savage (Edinburgh) ‘Purists and Polymorphs: the Operatic Chorus in Rameau and Gluck’

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s