The incipit of an item from Art Daily:
Following the record-shattering price of $35,922,500 achieved at Sotheby’s New York in November 2010 by Sir Lawrence Alma-Tadema’s The Finding of Moses (est. $3/5 million), Sotheby’s announces that the 5 May 2011 sale of 19th Century European Art in New York will be led by another masterpiece by the artist. In The Meeting of Antony and Cleopatra, 41 B.C. Alma-Tadema draws inspiration from Shakespeare’s play in depicting the memory of Antony’s first encounter with Cleopatra (est. $3/5 million). Beautifully rendered in the artist’s distinctive style, the image took on an iconic status soon after its completion in 1883, and has since served as inspiration for theatrical and filmed versions of the famed story.
In The Meeting of Antony and Cleopatra, 41 B.C., Alma-Tadema depicts one of the most storied moments in Roman-Egyptian history. Rather than using translations of ancient texts as source material, the artist instead draws inspiration for his composition from William Shakespeare’s Antony and Cleopatra, which was regularly staged in London’s theaters at the time. [etc.]
… and is probably the most boring Cleopatra ever painted, and likely my least favourite Alma-Tadema …