Earthquakes and a Roman Mausoleum

This one is out there in various forms … here’s the Eurekalert version:

Built under a sheer cliff, with a commanding view of the forum and castle in the ancient city of Pinara in Turkey, a Roman mausoleum has been knocked off-kilter, its massive building blocks shifted and part of its pediment collapsed. The likely cause is an earthquake, according to a new detailed model by Klaus-G. Hinzen and colleagues at the University of Cologne. They conclude that a 6.3 magnitude earthquake could have caused the damage, and their new finding gives seismologists a new data point to consider when they calculate the likely earthquake hazards for this southwestern region of Turkey.

Researchers have seen other signs of strong seismic activity in Pinara, most notably a raised edge to the ancient town’s Roman theater that appears to be due to activity along a fault. But archaeologists and seismologists were not certain how the mausoleum sustained its damage. An earthquake seemed likely, but the mausoleum is also built under a cliff honeycombed with numerous other tombs, and damage from a rockfall seemed possible.

Hinzen and colleagues mapped the position of each part of the mausoleum using laser scans, and transferred 90 million data points collected from the scans into a 3-D computer model of the tomb. They then ran several damage simulations on the 3-D model, concluding that rockfall was not a likely cause of damage, but that an earthquake with magnitude 6.3 would be sufficient to produce the observed damage pattern to the mausoleum’s heavy stone blocks.

For those with access, the whole article is available at: Quantitative Archaeoseismological Study of a Roman Mausoleum in Pınara (Turkey)—Testing Seismogenic and Rockfall Damage Scenarios (BSSA)

… if you don’t have access, Past Horizons seems to have the most readable version with a bit more detail with all sorts of photos too: Roman tomb offers clues to ancient earthquakes

Recent Finds in Smyrna’s Agora

From Hurriyet:

A part of a street similar to the Arcadian street in the ancient city of Ephesus in İzmir has been uncovered during excavations at a nearby historical agora.

The excavations in the area are being carried out under the leadership of Professor Akın Ersoy and his team. He said the main street, which begins from the Faustina gate and continues to the port, had been found to the researchers’ surprise. “We have also found a fountain on this street. The fountain has a statement that praises a benefactor for his support for the ancient city of Smyrna.”

Ersoy said they had also located a multi-echelon staircase on the street. “The continuation of this staircase goes to an area covered with mosaics. This ancient street is 80 meters long, but it reached the sea. This is the most important street in the agora for the entrance of goods. Just like in Ephesus, the street blocks water and has a very good sewer system. Visitors are prohibited from entering the area at the moment. When the work is done, tourists will be able to walk on this street just like in Ephesus.

The agora of Smyrna was built during the Hellenistic era at the base of Pagos Hill. It was the commercial, judicial and political nucleus of the ancient city. After a destructive earthquake in 178 AD, Smyrna was rebuilt in the Roman period and used until the Byzantine period.

One of the historical structures that had been long been neglected in the agora has recently been restored by the municipality as Agora Excavation House with support of the İzmir Development Agency.

via: Main street revealed in agora of Smyrna

Cirencester Cockerel Restored

Interesting item from the BBC:

A restored Roman cockerel figurine is the best result from a Cirencester dig in decades, archaeologists have said.

The enamelled object, which dates back as far as AD100, was unearthed during a dig in 2011 at a Roman burial site in the town.

It has now returned from conservation work and finders Cotswold Archaeology said it “looks absolutely fantastic”.

The 12.5cm bronze figure was discovered inside a child’s grave and is thought to have been a message to the gods.

‘Highly prized’

It is believed that the Romans gave religious significance to the cockerel which was known to be connected with Mercury.

Experts say it was Mercury, a messenger to the gods, that was also responsible for conducting newly-deceased souls to the afterlife.

The figurine had to be sent away for conservation work to be carried out which has taken four months to complete.

Archaeologist Neil Holbrook, from Cotswold Archaeology, said the work had “exceeded expectations”, particularly for highlighting its fine enamel detail.

“It reinforces what a fantastic article this is and how highly prized and expensive it must have been,” he said.

“This must have cost, in current money, thousands of pounds to buy and countless hours to make, and so to actually put this into the grave of a two or three-year-old child is not something that you would do lightly.

“It really shows that this was a very wealthy, important family, and signifies the love that the parents had for the dead child.”

The cockerel was found during excavation work at the former Bridges Garage site on Tetbury Road in Cirencester – once the second largest town in Roman Britain.

A burial site was unearthed at the site including more than 40 burials and four cremations; something experts said was the largest archaeological find in the town since the 1970s.

‘Best ever’

This particular figurine is one of only four ever found in Britain, with a total of eight known from the whole of the Roman Empire.

Mr Holbrook added: “Without a doubt this is the best Roman cockerel ever found in Britain. […]

If you want to see the coverage from back when it was found: Cirencester Cockerel Find

Careless Archaeologists?

The focus of this seems to be Gobekli Tepe, a Neolithic site in Turkey which is frequently in the news, and which is a bit outside of the purview of this blog, but the issues aren’t … from Hurriyet:

Some of the archaeologists currently working at excavation sites around Turkey are not taking their job seriously enough, Tourism and Culture Minister Ömer Çelik has said, according to daily Hürriyet.

Çelik made the comments in an interview with Der Spiegel Magazine at the Berlin International Tourism Bourse, a well-known travel trade fair.

German archeologists have been overseeing excavations at Göbekli Tepe, he said, adding that a total of 11,000 sculptures went missing from the site in 2010. “I am not accusing them of stealing, however, this is evidence that they are not giving sufficient importance to security issues.”

Noting that the archaeologists were also responsible for the security of the excavation site, Çelik said, “Germany will have to pay an insurance fine for the stolen sculptures.”

Çelik also criticized the work and the reactions of the Prussian Cultural Heritage Foundation and of its director, Herman Parzinger. Turkey has been criticized by Parzinger and the Prussian Cultural Heritage Foundation on the grounds of its allegedly aggressive campaign to reclaim cultural antiquities for the nation.

Çelik said Parzinger had accused Turkey of being chauvinist. “I expect to hear an apology from Mr. Parzinger, for he has said Turkey is chauvinist. I do know what this means but I am against the use of this wording.”

Çelik also said Turkey was demanding the return of five historical artifacts which are currently in Berlin. These include the coffin of Hacı İbrahim Veli’s tomb, the Balıkçı Sculpture (Fisherman sculpture), the mihrab (prayer niche) of Konya’s Beyhekim Mosque, and İznik tiles stolen from the Piyale Mosque.

Eleven THOUSAND sculptures? Surely that’s a misprint … I can’t figure out the German online version of Spiegel to check …

Oschophoria Panel at the BM’s Pompeii and Herculaneum Show?

A few years ago, we were alerted to the installation at the Naples museum of a panel depicting a “Dionysiac Scene” and I note that this panel gets some coverage in the Guardian in regards to the Pompeii and Herculaneum show at the British Museum … some excerpts:

Shimmering as if still lit by the Mediterranean sun, two spectacular Roman marble panels have been reunited at the British Museum for the first time in almost 2,000 years.

Both come from a seaside mansion in Herculaneum, the town overwhelmed by a torrent of boiling mud from Vesuvius, when the wind changed direction 12 hours after Pompeii had already choked to death. They will be seen in the most eagerly awaited archaeological exhibition in decades, on life and death in the Roman towns when it opens at the museum later this month.

The remains of the owner of the palatial villa may still lie on the ancient shoreline, now half a mile inland. In AD79 the sea was the beautiful view that his sumptuously decorated room looked out on, with its fourth wall open to the sea.

[…]

“The last person to see these pieces together like this was the master of the house, in AD79 – it’s an awesome and slightly eerie thought,” said Paul Roberts, curator of the exhibition.

[…]

Treasures are being unpacked in Bloomsbury every day. Last week an entire garden arrived, with fountains, statues, singing birds in flowering bushes, all painted on huge panels of plaster. The giant packing crates fitted through the museum doors with inches to spare. It was one of the most beautiful room interiors found in Pompeii, surely the setting for a happy life – except the exhibition will also display the pathetic casts of the bodies of its last owners, man, woman, tiny children, found huddled together under the stairs.

The first of the marble reliefs, an ecstatic and tipsy celebration of the god Bacchus, was found at Herculaneum in a controversial excavation 30 years ago. The excavation was launched to find more of the House of the Papyri, an extraordinary complex the size of a small village, most of which is still buried under the modern town. When it was discovered in the 18th century almost 2,000 papyrus scrolls, a princely library, were recovered along with wonderful sculptures some of which are coming to the exhibition.

[…]

Roberts suspects there must have been a third panel, on a wall that was swept into the bay below in the eruption that ended the life of the town and ensured its place in history. “Like so much of the town and its people, the third panel must have been crushed to atoms – we’re so astonishingly lucky in what has been left to us to bear witness to what has been lost.”

… so like I said, we mentioned this four years ago (New From Herculaneum – A Depiction of the Oschophoria?) and I suggested it was more specific than just ‘Dionysiac’, but actually was a depiction of the Oschophoria, based on the cross-dressing males in the scene. That suggestion doesn’t seem to have gone down well, but it did make it into the letters column of Archaeology magazine at the time (much edited, with my grumblings about bloggers not being taken seriously edited out). So … what I’d really like to know, if someone happens to go to this exhibition that we all want to, is whether they have bought into the Oschophoria identification yet …