I’m Really Confused About This Mosaic Auction …

About five years ago (i.e. in August, 2012) or so I came across a couple of mosaics (three, actually) being offered for sale by Phoenix Ancient Art. Just the other day, however, I noticed that the photos were no longer on my blogpost and I assumed had been taken down by Phoenix. Here’s my original blogpost:

Mystery Mosaic | rogueclassicism https://rogueclassicism.com/2012/08/15/mystery-mosaic/

So imagine my surprise today when I’m poking around Phoenix’ site and see that they still have the two I was most interested in five years ago. Here’s the mask (Roman Mosaic Panel of a Theater Mask – Phoenix Ancient Art ):

Screen Shot 2018-01-16 at 1.52.32 PM

… and here’s the athlete (Roman Mosaic Panel of an Athlete – Phoenix Ancient Art )

Screen Shot 2018-01-16 at 1.52.42 PM

So far, so good … it’s been in the same shop for five years. Checking out the provenance — Asfar and Sarkis — brought me something more interesting. In 2013, the ‘mask’ apparently was sold and realized a good price at Christie’s (A ROMAN MARBLE AND GLASS MOSAIC PANEL )

Screen Shot 2018-01-16 at 1.52.18 PM

 

It’s clearly the same mosaic. What’s going on here?

UPDATE (a few minutes later): The Satyr and Maenad piece I mentioned in my post five years ago appears to have been up for sale in Monaco in 2014: The most prestigious salon of art and antiques in Monaco to be held from 12 to 16 June 2014 in Monte-Carlo (scroll down almost to the bottom). Not sure if it sold …

 

Screen Shot 2018-01-16 at 2.32.09 PM

Quellenforschung du jour: The Daily Mail on a Hellenistic Wreath

From time to time I am asked why I link to the Daily Mail in my Explorator newsletter. As most folks are aware, the Daily Mail is a flashy, pop-culture-gossip-oriented  British newspaper which generally is looked askance upon by folks who are fans of serious journalism. Indeed, when it comes to news about archaeology and/or the ancient Greek and Roman worlds, almost without exception something found in the Daily Mail will be a rewrite culled from other sources, but lavishly illustrated with tons of photos and usually a sidebar or two with useful background information. It is a guilty pleasure of sorts to regularly read it (for which I blame Dorothy King for removing the ‘stigma’ (if that’s right word)), but I do link to it precisely for the photos and sidebars. For the most part, the rewrites add nothing of value other than a bit of hype and a headline which may or may not fit comfortably into a tweet — which results in numerous rewrites of the headline over the course of the week. Whatever the case, the point of this long-winded introduction is to emphasize that when it comes to ‘breaking’ a news story about the ancient world, the Daily Mail generally isn’t the one to do it and their coverage of anything of the sort usually only pops in my mailbox after the story has appeared elsewhere.

Screen Shot 2016-05-28 at 10.56.22 AMWith that in mind, it was a very curious thing last Thursday, when — while the waves of coverage about that purported Aristotle tomb find were flooding my box —  the Daily Mail seemed to be first off the mark with the story of a pensioner who had what was apparently a 2300 years bp Macedonian-style gold wreath in a box under his bed. I waited for the story to show up in a ‘more reputable’ source, but things didn’t unfold quite according to the established pattern. Indeed, it appears that all subsequent coverage was pretty much a rewrite of the Daily Mail (there’s one for you irony fans) … in order of appearance in my mailbox:

The Daily Mail includes a pile of photos from the Duke’s of Dorchester auction house (more on that later) and most of the subsequent coverage picks one or more of those photos up as well. Here are the salient points from the Daily Mail and its derivatives:

  • the pensioner from Somerset had the wreath in a box under his bed in Somerset (there’s a photo of the wreath in the box)
  • he had inherited the piece from his grandfather, who had apparently travelled extensively in Northern Greece in the 1940s and 1950s (Paul Barford rightly draws our attention to the ubiquity of the ‘dead grandfather’ in questionably-sourced antiquities claims)
  • Duke’s of Dorchester were called in to evaluate this (and other) items which were inherited
  • According to the Daily Mail, the pensioner was told the item dated to about 300 BCE and was valued at £100 000.
  • Here’s the important quote:

‘It is notoriously difficult to date gold wreaths of this type. Stylistically it belongs to a rarefied group of wreaths dateable to the Hellenistic period and the form may indicate that it was made in Northern Greece.

‘It is eight inches across and weighs about 100 grams. It’s pure gold and handmade, it would have been hammered out by a goldsmith.

  • the wreath is said to be similar to one auctioned in 2012 for almost £200 000 and will be coming to auction June 9.

For my part, outside of the vagueness attached to the collecting history, I was skeptical in general of the authenticity of the piece (and was muttering about it on twitter with @CarolineLawrenc and @kyrikmk.  Before I could look deeper into that, however, I came across the page at Duke’s for the auction. It was rather interesting how the story at the auction house was rather significantly different that what was in the Daily Mail and its derivatives:

  • the piece is officially described as A ‘Hellenistic’ Gold Wreath (with the scare quotes; in the body of the text description, Hellenistic has regular quotation marks)
  • the estimated price has dropped markedly: £10000-20000
  • the collecting history has changed somewhat as well: “Acquired by the Grandfather of the vendor is the 1930’s and thence by descent Private Collection, Somerset”

Perhaps there is a policy at the Daily Mail to boost numbers whenever possible by a factor of ten (as seen in the price and the find date)? Whatever the case, the auction house does not seem to be on the same page as the Daily Mail at all.

As mentioned above, I had my own questions about the authenticity of the piece. I’ll preface this section by acknowledging that I am hardly an expert in Hellenistic gold wreaths, but I have seen my fair share of them. This one just didn’t ‘look right’ … here’s the photo from Duke’s which is in most of the press coverage. Obviously the pink circles were added by me:

34A1D17600000578-3610916-An_incredibly_rare_gold_crown_believed_to_be_more_than_2_000_yea-m-46_1464273115483.jpg

  1. The first thing that made me do a Marge Simpson hmmmm are the two eyelets. They looked awfully modern and it was difficult to find an ancient example of a wreath with similar items. In fact, the only one which seemed ‘reliable’ was a piece at the Boston MFA and the ‘loops’ still look markedly different.
  2. All the leaves have a border/outline around the outside edge; I looked in vain for an ancient example of this and most other examples (including the Boston item) seem to be ‘scissor cut’ from a sheet of gold; these seem stamped or even cast. I would be happy if someone can point me to similar style leaves from the Hellenistic (or other) period.
  3. The flowers (which we are told are myrtles) have too many petals (six as opposed to five). Similarly, they seem to be stamped out as opposed to cut and soldered — most examples one can find on the web have individual leaves which seem to be attached to the center thing.

Taken together, there is much to be suspicious about this one. The disconnect between the accounts in the Daily Mail and the Duke’s of Dorchester official description are concerning at least from a collection history point of view. The huge difference in valuation also suggests the auction house might not be as enthusiastic about this as the Daily Mail would have us believe.  Outside of that, the wreath itself has several features which just don’t ‘seem right’ from a Hellenistic gold wreath point of view. We’ll continue to watch how this one develops …

“New” Virgil Opera Coming to Auction

From a Christie’s press release:

On 12 June 2013, Christie’s London will offer a newly discovered, deluxe copy of Opera by Virgil (70-19 B.C.) in the sale of Valuable Printed Books & Manuscripts (estimate: £500,000 – 800,000). The Aeneid is accepted as the foundation stone of western literature, and this copy is the earliest edition a collector could ever aspire to own.

Printed in 1470, within a year of the beginning of printing in Venice, it is the second edition, acknowledged to be textually superior. Its rarity is indicated in the fact that the last copy to come on the market was sold almost a century ago, in 1920. This newly discovered copy is complete and printed on costly vellum for a wealthy patron; the elegance of its page and the hand-painted decoration add to its resemblance to a Renaissance manuscript, and indeed, an earlier owner may have regarded it as a manuscript, perhaps contributing to its true identity not being recognised until now.

This book combines rarity with great aesthetic beauty but also represents a monumental moment in the history of printing.

… I can’t find mention of when this was ‘newly discovered …

Poussin’s Hannibal Coming to Auction

This one’s interesting inasmuch as I’ve never seen this work before. The intro to a piece in Lebananon’s Daily Star:

Auction house Christie’s will offer an unconventional painting by French classical artist Nicolas Poussin, depicting Carthaginian general Hannibal astride an elephant, in July, expecting it to fetch 3-5 million pounds ($4.5-7.5 million). The early work is not considered one of the artist’s best and was little known until it appeared in public at an exhibition in Rouen in northern France in 1961.

But the auction house is hoping that its provenance – the painting was originally in the collection of Poussin’s greatest patron in Rome, scholar Cassiano dal Pozzo – will help boost interest when it goes under the hammer in London July 2.

“It was painted right after he arrived in Rome and he obviously developed as his career progressed,” said Georgina Wilsenach, head of old master and British paintings at Christie’s.

“I don’t think that takes away its appeal,” she added. “It is quite unusual. In terms of [Poussin] works coming up for auction, I think that most are religious paintings or mythological subjects.”

The canvas, dating from the mid-1620s and measuring around 1 by 1.35 meters, depicts Hannibal on an elephant leading his troops on the fabled journey from Iberia into northern Italy via the Alps to attack Roman forces in the Second Punic War. […]

And since it’s so unusual (I’ll bet most of you have never seen it either):

via the Daily Star

Very unPoussinish … clearly an early work.

Roman Sarcophagus in a Dorset Garden

Haven’t had this sort of story in a while, and this one is very interesting … from the Daily Mail:

An eagle-eyed antiques expert spotted a corner of what looked like a trough when he visited a property to look at some art indoors.

However, the expert spotted something in the garden – and fought through the undergrowth to reveal a 1,900-year-old marble sarcophagus.

Guy Schwinge, from Duke’s auction house in Dorchester, Dorset, also discovered a further treasure inside the house.

After rummaging around he happened upon an old auction catalogue from Duke’s – and it showed his saleroom had sold the ancient coffin in 1913.

It had remained at the Dorset house ever since, but the family had come to lose the knowledge of what it was.

Now this important lost treasure that has been dated to the second century AD is to go under the hammer again.

The 7ft long sarcophagus was made in Italy for a high ranking official, contemporaneous with Emperor Hadrian.

The decoration is centred by a pedimented entrance flanked by ionic columns, with the door slightly ajar. Further decoration includes laurel tied with a ribbon.

It is unclear when it was brought to the UK and its provenance goes back 100 years to when it was last sold.

The sarcophagus was part of the collection of Sir John Robinson from Newton Manor in Swanage, Dorset, which Duke’s sold.

In 1913 the object was bought by the family that owns the house on the Dorset coast where it was recently found, but it is unknown what it sold for.

Robinson was one of the greatest art experts and connoisseurs of the 19th century.

He was the first superintendent of the South Kensington Museum – now better known as the Victoria and Albert Museum.

He was also appointed as Queen Victoria’s Surveyor of Pictures and was largely responsible for building the collections of ancient and renaissance art at the museum.

He also amassed a large private collection of which this sarcophagus was a part. It’s possible that Robinson bought the sarcophagus on his travels to Italy.

Mr Schwinge said: ‘When I pulled up at the property I spotted what looked like a large garden trough peeping out from under some bushes.

‘I thought it looked interesting and when I commented the owner invited me to take a closer look.

‘As I drew closer I realised I was looking at a Roman sarcophagus in a remarkably good state of preservation, despite having been in the garden for 100 years.

‘After I went into the house to look at some other items, the client and I managed to find an old auction catalogue from 1913.

‘When I saw the name ‘Duke’s’ on the front I couldn’t believe it.

‘It turned out that we were the last firm to handle the sale in 1913 when we sold the collection of Sir John Charles Robinson at Newton Manor in Swanage.’

Art expert Laurence Keen OBE said: ‘This is a very important item. It is, to my mind, late 2nd or early 3rd century AD with carving of the highest quality.

‘The undecorated back probably suggests that it came from a private mausoleum of a high status individual where the tomb was placed against a wall.’

Another art expert said: ‘It is quite exceptional for a piece of Roman imperial art of this importance turn up in a garden.

‘It would be fascinating to find out where Robinson acquired it, but my view is that he probably purchased it on his travels in Italy.

‘It is much too fine to be Romano British.

‘There is always the chance, of course, that it came to this country in the 18th century and was originally part of one of the important Grand Tour collections of the Age of Enlightenment.’

The sale is on September 28.

The original article includes some photos (both now and ‘then’) … it’s a very interesting piece … not sure I’ve ever seen a temple depicted with the door slightly ajar (did this ‘house’ a former priest of some sort?).