CONF: Two Thousand Years of Solitude

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TWO THOUSAND YEARS OF SOLITUDE

Exile After Ovid

This is a final reminder about the international conference to be held
on the reception of Ovid as an exile figure at St. John’s College,
Durham University, 3rd-4th September 2009 under the auspices of the
Centre for the Study of the Classical Tradition

Confirmed speakers include: Josephine Balmer (author of the forthcoming
The Word for Sorrow, incorporating versions of the Tristia), Philip
Hardie (Cambridge) Stephen Harrison (Oxford), Stephen Hinds (University
of Washington, Seattle), Duncan Kennedy (Bristol).

Booking forms for the conference and a fuller list of speakers can be
found on the provisional conference programme at

http://www.dur.ac.uk/classical.tradition/events/?eventno=5291

Those who would like to attend the conference are reminded that booking
forms and payment need to be sent to arrive no later than TUESDAY 25TH
AUGUST to Jennifer Ingleheart, 38 North Bailey, Durham, DH1 3EU, and
that bookings cannot be taken after this date.

CFP: Epic Poetry and Flavian Culture

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‘EPIC POETRY AND FLAVIAN CULTURE’

Chairs: Emma Buckley (St Andrews), Helen Lovatt (Nottingham) and Gesine Manuwald
(UCL).

To form a conference panel at the sixth Celtic Conference in Classics,
Edinburgh, 28-31 July, 2010.

Flavian Rome was a Rome in the process of radical re-making, experiencing a
traumatic change in ruling dynasty and responding to the demands of a new
imperial experience that had to distance itself from the Julio-Claudian regime
even as it replicated it. Vespasian, Titus and Domitian had to re-model the
Principate in a new image, all the while re-imagining it as the rightful and
‘natural’ continuation of the old order, provoking a schizophrenic blend of
imitation, disjunction and innovation in their attempts to forge a new ideology
of rule. But what does all this have to do with Flavian epic? How do Valerius
Flaccus, Statius and Silius Italicus in their poetry respond to the changing
social, political and material contexts of their culture? And to what extent
can a group of texts so often read purely for their intertextual pyrotechnics
be reintegrated with the study of the Flavian age more generally?

The Flavian Epic Network, headed by Helen Lovatt and Gesine Manuwald, invite
suggestions for papers on this theme (40 minutes in length) concerning, for
instance, interactions between the Flavian epicists; Flavian epic’s
relationship with other forms of contemporary poetry and prose; connections
between Flavian epic and the art, archaeology and history of the period.

Send a proposed title and an abstract of max. 300 words to Emma Buckley:

eb221 AT st-andrews.ac.uk

by November 15, 2009

For further information about the sixth Celtic Conference in Classics contact:

Founder and Organiser: Anton Powell, powellanton AT btopenworld.com

Organiser in Edinburgh: Richard Rawles, Richard.Rawles AT ed.ac.uk

CFP: Desiring the Text

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DESIRING THE TEXT, TOUCHING THE PAST: TOWARDS AN EROTICS OF RECEPTION

A one-day conference co-organized by
the Bristol Institute of Greece, Rome and the Classical Tradition &
the Centre for Medieval Studies, University of Toronto

University of Bristol, 10 July 2010

Keynote Speaker: Professor Carolyn Dinshaw, NYU

CALL FOR PAPERS

"In reading Cicero’s letters I felt charmed and offended in equal measure.
Indeed, beside myself, in a fit of anger I wrote to him as if he were a
friend and contemporary of mine, forgetting, as it were, the gap of time,
with a familiarity appropriate to my intimate acquaintance with his
thought; and I pointed out those things he had written that had offended
me." (Petrarch, Rerum Familiarum Liber I.1.42)

Love, desire, fannish obsession and emotional identification as modes of
engaging with texts, characters and authors are often framed as
illegitimate and transgressive: excessive, subjective, lacking in
scholarly rigour. Yet such modes of relating to texts and pasts persist,
across widely different historical periods and cultural contexts. Many
classical and medieval authors recount embodied and highly emotional
encounters with religious, fictional or historical characters, while
modern and postmodern practices of reception and reading – from high art
to the subcultural practices of media fandom – are characterized by desire
in all its ambivalent complexity. Theories of readership and reception,
however, sometimes seem unable to move beyond an antagonistic model:
cultural studies sees resistant audiences struggling to gain control of or
to overwrite an ideologically loaded text, while literary models of
reception have young poets fighting to assert their poetic autonomy
vis-a-vis the paternal authority of their literary ancestors.

This conference aims, by contrast, to begin to elaborate a theory of the
erotics of reception. It will bring together scholars working in and
across various disciplines to share research into reading, writing and
viewing practices characterized by love, identification, and desire: we
hope that it will lead to the establishment of an international research
network and the formulation of some long-term research projects. In order
to facilitate discussion at the conference, we will ask participants to
circulate full papers (around 5,000 words) in May 2010.

We now invite abstracts of 300 words, to be submitted by email by 30
November 2009. Abstracts will be assessed on the basis of their
theoretical and interdisciplinary interest. We particularly welcome
contributions from scholars working on literary, visual and performance
texts in the fields of: history, reception studies, mediaeval studies, fan
studies, cultural studies, theology, and literary/critical theory.

Some ideas which might be addressed include, but are not limited to:

* Writing oneself into the text: self-insertion and empathetic identification
* Historical desire: does the historian desire the past?
* Hermeneutics and erotics
* Pleasures of the text, pleasures of the body: (how) are embodied
responses to the text gendered?
* Anachronistic reading: does desire disturb chronology?
* Erotics and/or eristics: love-hate relationships with texts

This conference is part of the ‘Thinking Reciprocity’ series and will
follow directly from the conference ‘Reception and the Gift of Beauty’
(Bristol, 8-9 July 2010). Reduced fees will be offered to people attending
both conferences.
If you have any queries, or to submit an abstract, please contact one of
the conference organizers:

Dr Ika Willis (Ika.Willis AT bristol.ac.uk)
Anna Wilson (anna.wilson AT utoronto.ca).

CFP: Engendering Reception: From Penelope to Atwood’s Penelopiad

Preliminary notice: Engendering Reception: From Penelope to Atwood’s Penelopiad
University of Toronto, April 24-25 2010

The Classics Graduate Student Association of the University of Toronto
invites abstracts for a graduate conference on the theme Engendering
Reception, to be held in Toronto on April 24-25, 2010. Our keynote
speaker will be Susanna Braund, Canada Research Chair in Latin Poetry
and its Reception, University of British Columbia.

This conference aims to consider the role gender plays in reception
both within antiquity and beyond. What does it mean when Catullus and
Horace imitate Sappho? How are epic heroines and villains portrayed in
other genres? How is gender played out in later imitations of Greek
and Roman literature (e.g. Racine’s Phèdre)? What are the issues
facing contemporary women writers (such as Margaret Atwood or Anne
Carson) who deal with classical topics? Our conference hopes to
explore these questions, as well as more broadly theoretical issues.

Potential topics could include, but are not limited to:
• Intertextual heroines in antiquity
• The reception of female authors in the ancient world
• The use of a “female voice” by male authors
• The interaction of historical and literary female characters
• Women and the history of classical scholarship
• Women and the acquisition of Classical education in the 19th and
early 20th centuries
• Gender and the contemporary reception of the classics

We welcome submissions from students of all areas of classical
studies, as well as students from other disciplines, including art
history, history, archaeology, philosophy, comparative literature,
religious studies, women’s and gender studies, drama, and politics.

A conference website will be set up shortly, and interested students
are invited to join the conference’s Facebook group:
http://www.facebook.com/group.php?gid=112388917878

This is a preliminary notice. A call for papers and a submission
deadline will be circulated in the fall. Queries and indications of
interest should be directed to the conference coordinators:
Cillian O’Hogan, cillian.ohogan AT utoronto.ca
Melanie Racette-Campbell, melanie.racette.campbell AT utoronto.ca

CFP: 2010 AIA Annual Meeting

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The second submission deadline for the AIA’s 111th Annual Meeting, to be held in Orange County, California, January 6-9, 2010, is today. The schedule for submission of sessions and papers has been revised from past years. Please note that no new Colloquia may be submitted at this time.

Deadline for Submission
The schedule for submission of sessions and papers has been revised from past years. There are now two deadlines. The first deadline was in March for all colloquia (including joint AIA/APA sessions) and any workshop- or open-session presenters who required an early decision. This will allow all accepted presenters adequate time to apply for funding and for any non-U.S. Resident to apply for a visa. The second deadline is in August and is for all other open session paper and poster submissions and resubmission of provisionally accepted colloquia. We have also implemented a two-week grace period for both deadlines. Submissions will still be accepted for two weeks following each deadline but with an administrative fee of $25.

The second deadlines are Monday, August 3, 2009 and Monday, August 17 (Grace Period Ends) This deadline is applicable for all workshops, open session paper and posters submissions, and any provisionally accepted colloquia that are resubmitting.

The submission system will be open through August 17, 2009. If you expect to be in the field without internet access you may submit your abstracts early, but you will not be notified of the PAMC’s decision until late September.

The full Call for Papers and submission instructions are available on the AIA website (www.archaeological.org/annualmeeting). Please be sure to review these instructions prior to submitting your abstract or session. All submissions must be made by means of online submission via the AIA website. All submissions, of course, must pass the PAMC’s vetting process to be put onto the program. As with past meetings, all submissions must be made electronically. The online submission forms and supporting documents are available on the AIA website.

* View the 2010 Call for Papers – http://www.archaeological.org/webinfo.php?page=10453

* Online Submission Forms – http://www.archaeological.org/webinfo.php?page=10193