Getty Gets Some Relief

From a Getty Press Release:

THe J Paul Getty Museum Logo taken from a carv...
THe J Paul Getty Museum Logo taken from a carving at the museum. Photo taken on November 24, 2006 by Brian Davis (Photo credit: Wikipedia)

The J. Paul Getty Museum today placed on view a Decree Relief with Antiochos and Herakles, the first Greek loan to arise from a 2011 framework for cultural cooperation between the Getty and the Hellenic Republic Ministry of Culture.

On loan from the National Archaeological Museum in Athens, the marble relief bears a historical decree, dated to 330 B.C., which honors Prokleides, a military officer (taxiarch) in the Athenian army. The relief will be on view at the Getty Villa for three years in a second-floor gallery devoted to Religious Offerings.

The relief takes the form of a stele, a stone slab decorated with images and text, crowned with the figures of Herakles and his son Antiochos, who was the mythical hero of the tribe Antiochis. Herakles is depicted as an athletic nude, holding a club and the pelt of the Nemean Lion he vanquished, referring to the first of the twelve labors he had to perform. Seemingly the elder, Antiochos wears a dignified mantle and holds a staff (no longer visible, but probably added in pigment). Both father and son heroes were the subject of cult worship, and are shown standing within a small temple framed by columns and a pediment.

Written in ancient Greek below the figures, an inscription describes the honors bestowed upon Prokleides by his soldiers and comrades, all members of an elite infantry corps known as the epilektoi. This is the earliest known inscription referencing the epilektoi, a group of men bound together by their military service, participation in sacrifices and theatrical performances, and membership in the Athenian Council. According to the decree, Kephisokles of the village of Alopeke proposed the resolution to praise Prokleides, who “has well and with distinction taken care of security,” and crown him with a gold diadem worth at least 1,000 drachmas (an enormous sum, considering the average worker in classical Athens could support a family of four on one drachma a day).

Soon after arriving at the Getty, the stele was photographed using a technique that captures the object numerous times with varying degrees of raking light. The resulting composed image reveals the shallow lettering with unprecedented depth and clarity and enables a more accurate reading of the inscription. A transcription of the ancient Greek text, translation, and detail photography of the historical inscription accompanies the installation.

“The Antiochos relief commemorates the affection and respect of troops for their commanding officer,” explains Claire Lyons, acting senior curator of antiquities at the Getty Villa. “We are delighted that it will be on view at the Getty Villa in time for Memorial Day, when we honor the contributions of fallen soldiers to their communities and country.”

This long-term loan results from the Framework for Cultural Cooperation signed in September 2011, which provides for joint scholarship, research projects, loans, and exhibitions between the Getty and the Hellenic Republic. “As part of this framework of cooperation between the Hellenic Republic Ministry of Culture and the Getty Museum, we are pleased to have the Antiochos relief on display at the Getty Villa,” said Maria Vlazaki-Andreadaki, director general of archaeology in Athens. “We believe that this collaboration will promote classical studies in the United States and will spread the values and the spirit of ancient Greek civilization.”

Historical Background

The relief was discovered in 1922 in the foundations of a house in the Athenian neighborhood of Dourgouti. In antiquity, the area was known as Kynosarges and was the site of a public gymnasium and a sanctuary of Herakles, the greatest of the Greek heroes. Believed to have stood in this sanctuary, where several other inscriptions mentioning the tribe Antiochis were found, the relief was a votive dedication erected in a prominent public location befitting a successful military leader.

The Antiochos relief is a primary document of democracy, and the language of its inscription shows that voting and public speech were deeply ingrained in civic life two centuries after the foundation of democratic political institutions in Athens.

The creation of the Attic tribes was the most important feature of the revolutionary reorganization of Athenian politics that followed the overthrow of the tyrants in 508 B.C. In this system, ten tribes composed of approximately 3,000 citizens and their families were created. Each tribe was assigned the name of a mythical Athenian hero: Antiochos was the eponymous hero of the tribe Antiochis.

Drawn from villages in three distinct zones of the Athenian territory—the coast, the inland farming region, and the urban/suburban zone—the tribes represented the entire citizenry of Athens. Josiah Ober, Professor of Political Science and Classics at Stanford University, observes: “Imagine a reorganization of the United States that would require citizens from Maine, Texas, and California to work, fight, and feast together on a regular basis. The communities constituting the tribe of Antiochis included Alopeke, the philosopher Socrates’ home village—so we might even imagine that a descendant of Socrates as among the signatories to the decree.” […]

… the original press release has a smallish image of the relief (the images link doesn’t work!). Art Daily has one that’s rather better:

… which made me think of this, for some reason:

Elgin! Elgin! Elgin! Oy! Oy! Oy!

With all the crises going on in Greece, it’s probably not surprising we haven’t heard much about the campaign to get the Elgin/Parthenon Marbles back for quite a while, but interestingly, over the past few weeks there’s doings afoot in Australia, of all places. First I read of an impending legal challenge in an article in the Australian Greek Reporter:

For years political and populist attempts to induce the British Museum and the British government to return the Parthenon marbles to Greece have been rebuffed and rudely ignored. The British may rely on a threadbare claim of legality because of a supposed sale or contractual transaction but with whom? The Ottoman bey of Athens at the time? Certainly there was no Greek national representative as there was no Greek nation to protest the ravishment of porticos and frescoes from the outer decorations of this, the most revered building in Western civilization. For too long, supporters of the return of the Parthenon marbles have seen a legal challenge in the English High Court to be too daunting and unlikely to achieve the desired result. But a new initiative coming from the AHEPA organization in Sydney Australia may be able to construct a respectable argument to put before the English courts in such a claim – to release the marbles to the representatives of the Greek government for a return to their home and origin Athens. The two Decisions one legal the other administrative are of Interest Mabo Mabo v Queensland (No 2) (commonly known a Mabo) was a landmark Australian court case which was decided by the High Court of Australia on June 3, 1992. The effective result of the judgement was to make irrelevant the declaration of terra nullius, or “land belonging to no-one” which had been taken to occur from the commencement British colonisation in 1788, and to recognise a form of native title. It is argued by some historians[who?] that the Royal Proclamation of 1763 was seen to apply to Australia at the time of settlement, and therefore governed unceded territories. Although Mabo was litigated within the legal context of property law, the decisions clearly had much wider implications which have still to be determined.

Thus in 1992 the Australian High Court made a historical determination to release land back to the “original owners” Aborigines of the northern Australian islands, As with all Australia the first English colonists had claimed land in the name of the King of England by ignoring the fact that people were already living there by declaring it as “terra nullius” – i.e. nobody’s land. Eddie Mabo took on the state of Queensland and with help from support groups won the day overturning what had been established custom and law. The result was that the Australian government was forced to admit that his island and large swags of the Northern Territory and Queensland came under the same heading and should be returned to their original owners. It was conditional that the original owners had never left which in most cases it applied to was true. Land that had passed into private hands as settled property affecting the lives of white Australians and in the cities was excluded from the court’s ruling. The historical decision is simply known as “Mabo” Mabo dealt with land rights but a later development has occurred which sets a precedent which could be even more relevant. Bringing Them Home Then some years ago indigenous people of Australia again made a claim this time supported by the Australian government for the return of human remains such as bones, skulls and teeth. Tasmanian aborigines who demanded the return of bones, skulls and body remains of their ancestors which had been taken away to England during the 19th. and early 20th century for anthropological investigation. The claims were based on religious and cultural grounds and that the taking was unauthorised by the descendants of the deceased whose body parts were scattered in universities and museums in England. In 1996 and again 1999 the British government conceded the claim and the desired items were returned to the lineal descendants of the long dead aborigines. These two significant circumstances could well give rise to the thread of an argument for a claim to be brought in an English court of law by applying Mabo as a persuasive precedent from the highest Australian court and the human remains ruling of the British government. The Parthenon Marbles The marbles were extracted crudely and wantonly between 1801 to 1812 from the Parthenon and sustained significant damage in the process. Whatever claim to some purchase or contract that could be relied on by supporters of Elgin, the fact remains that the Greek peoples were a conquered race, there was no nation, the Ottomans ruled as part of their empire then but in the way of history and other empires only held sway in Athens for a few years after the looting. The marbles were not removed either to protect them or to glorify them in England. Elgin simply had them installed in his private gardens along with the garden gnomes. The British Museum later acquired them by purchase from Elgin or his representatives to meet his debts. Were they “stolen” in the sense of English law or not is one question that would rise in any claim. If found to be stolen no title passes to a third party and that what would be part of the claim. No Greek Representative or authority or even lay person sanctioned the original looting of the marbles. They were certainly not Ottoman Turkish property other than being part of the captured territory. That they have deep cultural significance and meaning to the Greek peoples cannot be denied. They are integral to the linings of the most famous building in Europe when Greek learning and art laid the basis for western civilization and set standards of beauty and grace apparent to this day in the great museums of Europe and America. Other magnificent remnants of that time, Niki of Samothrace and Venus de Milo in the Louvre are stand alone statues. But the Parthenon marbles are integral adornments to an existing building and belong if not in position at least in the dignity of the new Athens Acropolis Museum in the hands of the people who are the lineal descendants of the age of Pericles, Phideas, Iktinos and Kallikratis and like the ruling in re Mabo as to continuity of residence, never left the site of Athens. Contacts have been made with other concerned people such as George Bizos a senior counsel in South Africa and other organizations and it is important that the best brains get together to coalesce money and intellectual input and to bring the arguments to a sharp point using the best legal people for the actual hearing. The Australian branch of the world wide Ahepa organization though its Marbles representative Manuel Comino OA and legal advisor Victor Bizannes believe that the time has come for an international fund to be set up to finance an action in the English High Court using these two significant cases as part of the argument for the return of Hellenic property to its original owners- the Hellenic peoples. (Victor Bizannes Sydney – June 2010)

Interesting argument; I’m really not sure it applies … if one were to use DNA to prove ‘lineal descendants’, I’m sure most of Western Europe and a good chunk of North America might qualify. I also don’t think there are religious and/or anthropological reasons that can be seriously attached to the marbles at this point in their history; any repatriation would clearly be for financial reasons. We’ll see if this goes anywhere. In any event, a few weeks later we read (in the same source) of a parliamentarian getting in on the action:

The State Minister for Culture Mrs. Virginia Jung (photo) supported to the state parliament of New South Wales that “according to the Code of ethics for museums by the International Council of Museums, the possession of cultural objects because of agreements with occupational forces is illegal and immoral”.

Among others, the Ministry underlined also the following:
«I have known the case of Parthenon Marbles for a lot of years and I was obliged to meet not only my political and cultural beliefs but also the cultural worries and sensitivities of the whole Greek-Australian community. A lot of members of this community told me to mention this issue as they felt that there is little mobility in a political level for the marbles return.” she said.

Among the audience of the parliament was also Mr. David Hill, President of the International Committee for the Parthenon Marbles return who stated that was impressed by the speech of the Minister.

“The speech of the Minister was impressive and completely different from other speeches as apart from the usual arguments, she asked the British Museum to remember “what a museum is” and which the responsibilities of a museum towards the people are”.

When the Minister ended her speech, Mr. Hill congratulated her and asked her permission in order to use her speech.

The Australian Minister also added: “Parthenon, one of the most important pieces of architecture, was built in order for the Goddess Athena to be honoured by the people of a city that even 2500 years later still retains her name. This is a historical continuity that few people in the world can evoke. Lord Elgin sold the sculptures to the British museum when he lost his money. The sale was illegal and invalid as he never took permission from the Greek people to remove them. The only permission he took was from the Turkish that were the occupational power! So, if we agree with the Code of Ethics for museums by the International Council of museums, then the possession of cultural objects because of agreements with occupational forces is illegal and immoral!

So, I am asking the British Museum to act as a museum and return back to Greece half of the Parthenon to complete the other half. Otherwise, it is something like having Mona Lisa in the Louvre of Paris and her smile to the National Portrait Gallery of London”.

The Minister also recited a poem of Lord Byron which reflects the cruelty of Elgin.

Finally, we read of the same sort of thing in the Australian Daily Telegraph, which includes some name variations (and gives you an indication why I’ve never cited the Greek Reporter before):

Arts Minister Virginia Judge and Local Government Minister Barbara Perry have decided to dabble in foreign affairs by demanding the return of the Elgin Marbles.

The marbles are sculptures and panels that were removed from the ancient Parthenon, in Athens, by Thomas Bruce, the seventh earl of Elgin, in 1801.

Bruce sold them to the British government and Greece has long demanded that the “Parthenon Marbles” – as it prefers to call them – be returned from the British Museum in London, where they now reside.

Ms Judge accused the museum of acting like “some colonial power” and called on Britain to return the sculptures.

Ms Perry also waded in and said: “I hope the message from this Parliament will be heard in Britain.”

But in the two weeks since they spoke in Parliament, Britain appears not to have heard their plea.

An international campaign to have Britain return the marbles has been waged for years and both ministers said they had raised the issue on behalf of their thousands of Greek constituents.

“I do not ask the British Museum to return a vase or some statue with a missing limb. I ask it to return half the Parthenon, return it to Greece so it may be reunited with the rest of itself,” Ms Judge told parliament.

“It would be like having the Mona Lisa displayed in the Louvre, in Paris, while her smile is displayed in the National Portrait Gallery in London.”

Ms Judge’s office said support for the return of the sculptures had also been raised in Federal Parliament by a Liberal MP.

A spokeswoman said 3000 Greeks lived in Ms Judge’s electorate of Strathfield and many had asked her to raise their plight in parliament.

“The president of the International Committee for the Parthenon Marbles, David Hills, also asked the Minister to raise the issue and was in Parliament when she made her speech,” she said.

Ms Perry added: “NSW has a very large Greek-Australian population, a lot of whom live in my electorate of Auburn. Many in the local Greek population are rightly concerned about this ongoing international issue. I simply put forward their views.”

So something seems to be going on down under/up over (depending on where you live) … we’ll see if it goes beyond Australia’s shores …

The Oracle at Rantidi!

I always like when really ‘obscure’ stuff shows up in the news … here’s the incipit of an item in the Pacific Northwest Inlander:

There’s a rock off the southwestern tip of Cyprus that juts out of the sea. You can get there on the B6, a windy coastal road hewn out of rock in the age of dynamite and tourism.

Before the B6, though, at the dawn of myth — back when the gods of the Greek pantheon had just barely started sleeping together and stabbing each other in the back — the goddess whom Greeks would call Aphrodite was birthed out of the sea at that rock.

It’s the scene you see in Sandro Botticelli’s “The Birth of Venus” (another of Aphrodite’s many names): the Paltrow-esque beauty, nude, rising from a clamshell.

Just a few kilometers north — back across the road, past Aphrodite Hills (a mega-resort named “Best Spa in Europe” in 2008) and up the rocky, asp-infested tumble of Rantidi Forest — sits the oracular sanctuary of Aphrodite’s young lover, Adonis.

Ancient accounts of the Oracle at Rantidi put its importance on a par with the Oracle at Delphi — the oracle that predicted the destruction of Lydia and sent Socrates on his quest for knowledge.

Rantidi was a big deal to the ancients, but it was lost to the modern world until 1910, when it was discovered and partially excavated, then lost again.

The next person to find it was EWU’s Georgia Bonnie Bazemore.

via The Oracle at Cheney.

The item goes on to talk about the talk, which focussed more on efforts by EWU to establish a campus in Cyprus. Whatever the case, the oracle at Rantidi is probably unknown to a lot of the learned readers of this blog, so I decided to see what I could find on the Interwebs and I was plenty surprised to find a link to a pdf from the New York Times of February 12, 1911 reporting on “The God’s Clubhouse Has Been Found in Cyprus” (if that link doesn’t work, try starting from here), which tells of the various shrines which had been found there at the beginning of the previous century. Other than that, though, I wasn’t too surprised to find that most of what’s on the web (that seems reliable) about Rantidi comes from the efforts of the aforementioned Professor Bazemore at the Rantidi Forest page of the Ancient Cyprus Web, which links to other pages documenting EWU’s efforts there.

‘Forgotten’ Mithras Site ‘Reopens’

I wonder how many other sites are in similar circumstances …

An ancient sanctuary of the Roman god Mithras, located in the Rodopi Mountains border region between Greece and Bulgaria, was shown for the first time since its discovery in 1915.

The archaeological site is located 6 kilometres into Greece from the Greek-Bulgarian border, near the Greek town of Thermes. Discovered in 1915 by Bulgarian archaeologist Bogdan Filov, no archaeological research of the site was carried out since and knowledge of it was based only on his writings. Archaeologists suspect that at the foot of the rock complex, there is a large temple dating to Late Antiquity, but excavations will have to confirm this.

The Iron Curtain made it unthinkable for Bulgarian archaeologists to access the site, while their Greek counterparts showed no interest in it, so it was left forgotten for decades.

After the recent opening of the new border control point between Greece and Bulgaria and the road between the Bulgarian town of Zlatograd and the Greek Thermes, the rock sanctuary became accessible to visitors.

Being located in the forest near Thermes, the site until a month ago was concealed by trees and bushes. But then, according to Bulgarian media, enthusiasts from Zlatograd had local Greeks clean up the terrain, making Mithras’s bas-relief and the holy water spring visible and the site accessible.

Until the fourth century, Mithras was the most venerated god in the Roman Empire, archaeologists explained, before he was replaced by Christianity as the official religion. The bas-relief at the site, like all other images of Mithras in his temples, shows the god offering a bull as a sacrifice.

“This is the only sanctuary of Mithras, known thus far to exist in the Rodopi Mountains. Considering the fact that [what is apparent] is a veneration of the rock, we can see that the complex is a rock complex, and we can only connect the cult of Mithras, which dates to the third and fourth centuries, to earlier cults of the Thracians to the rocks,” Bulgarian archaeologist Professor Nikolay Ovcharov told media when the complex was presented.

“We hardly know anything about this region south of the border,” Professor Ovcharov said. “This area needs to be jointly researched together with Greek archaeologists,” he added.

In addition to joint excavations, the Mithras sanctuary will be included in a joint tourist route between the two countries.

The god Mithras, who became popular among the military in the Roman Empire from the first to the fourth centuries, was the center of a mystery religion known as the Mithraic Mysteries, information on which is based on surviving monuments. Besides showing Mithras as being born from a rock and sacrificing a bull, little else is known for certain.

via Greece and Bulgaria: Archaeologists Excavate Previously Inaccessible Site in Border Region | Balkan Travellers.

The Daily Aztec – SPOTLIGHT: Olympic historian digs up ancient arena

Not a Classicist or Classical Archaeologist per se, but an important find at Alexandria Troas … here’s the incipit:

He stood there, unnerved by the thickets and nasty spiders surrounding him. The temperature was more than 100 degrees, but he didn’t care; he had finally found the sphendone. Last summer San Diego State exercise and nutritional sciences professor Robert Mechikoff made this remarkable find.

“It was one of those ‘A-ha!’ moments, and I started yelling and screaming,” he said. “I thought, ‘this is amazing.’”

On the second to last day of fieldwork in Alexandria Troas, Turkey, Mechikoff discovered a sphendone on the stadium he and his colleagues were excavating. The stadium was previously considered to be of Roman origin; however, the finding of the sphendone proved otherwise. A sphendone is a large, curved wall used to separate areas in ancient athletic venues. It is regarded as a unique attribute, only found in Greek structures.

Mechikoff’s discovery confirmed the venue was unquestionably Greek, which was a new and intriguing thought that rocked the historical and archaeological worlds. Mechikoff and his peers were the first people to excavate the site at Alexandria Troas, but with an extensive background in sports antiquity and Olympic history, it’s hardly the first of his impressive accomplishments.
[…]

via Olympic historian digs up ancient arena |The Daily Aztec.

A related feature: