Burrito Burial From Gabii

This one’s making the rounds and is in multiple copies in my mailbox … excerpts from a very interesting item at the National Geographic.

A 1,700-year-old sarcophagus found in an abandoned city near Rome could contain the body of a gladiator or a Christian dignitary, say archaeologists who are preparing to examine the coffin in the lab.Found in a cement-capped pit in the ancient metropolis of Gabii, the coffin is unusual because it\’s made of lead—only a few hundred such Roman burials are known.Even odder, the 800 pounds (362 kilograms) of lead fold over the corpse like a burrito, said Roman archaeologist Jeffrey Becker. rectangular shape with a lid, he said.

The coffin, which has been in storage since last year, is about to be moved to the American Academy in Rome for further testing.

But uncovering details about the person inside the lead coffin will be tricky. For starters, the undisturbed tomb contained no grave goods, offering few clues about the owner.

What’s more, x-ray and CT scans—the preferred methods of coffin analysis—cannot penetrate the thick lead, leaving researchers pondering other, potentially dangerous ways to examine the remains inside.

“It’s exciting as well as frustrating, because there are no known matches in the record,” said Becker, managing director of the University of Michigan’s Gabii Project.

[…]

The newfound sarcophagus was the “most surprising” discovery made in 2009 during the largest ever archaeological dig in Gabii. Becker and colleague Nicola Terrenato received funding for the ongoing project from the National Geographic Society’s Committee for Research and Exploration. (The National Geographic Society owns National Geographic News.)
[…]

Lead was a high-value metal at the time, so a full sarcophagus made out of the stuff “is a sure marker of somebody of some kind of substance,” Becker said.

Past lead burials found throughout Europe have housed soldiers, elite members of the Christian church, and even female gladiators.

In fact, many lead coffins contain high-ranking women or adolescents instead of men, said Jenny Hall, a senior curator of Roman archaeology at the Museum of London, who was not involved in the new study.

However, the newfound sarcophagus’ tentative age may make the gladiator scenario unlikely, said Bruce Hitchner, a visiting professor in classical archaeology at All Souls College at the U.K.’s University of Oxford.

The coffin dates back to the fourth or fifth centuries A.D., while the gladiator heyday was centuries earlier, said Hitchner, who was not part of the excavation team.

[…]

What intrigues team leader Becker the most is the sarcophagus’s placement—”smack dab” in the middle of a city block. A taboo against burying the dead inside city limits was deeply ingrained in the Roman religious mindset of the time, he said.

“I don’t think it’s, We’re feeling lazy today, we’re going to bury Uncle Joe in the tomato garden,” Becker said. There may have been some major event that made people bury the body downtown—a possibility he intends to investigate during the next dig.

“As we seek to understand the life of the city, it’s important for us to consider its end,” Becker pointed out.

“To see someone who is at first glance a person of high social standing associated with later layers of the city … opens a potentially new conversation about this urban twilight in central Italy.”

Foot Bone Hints at “Extraordinary Preservation”

First, however, Becker’s team hopes to find out more about the person inside the lead sarcophagus. The researchers’ only hint so far is a small foot bone protruding through a hole in one end of the coffin.

Some lead burials have allowed for “extraordinary preservation” of human tissue and hair, Becker said, though the opening in the sarcophagus may mean that air has sped up decomposition of the body.

Still, early examinations reveal that the foot bone is “exceedingly” intact, Becker said: “Worst case, there’s an exceptionally well-preserved human skeleton inside the wrapping.”

[…]

via Lead “Burrito” Sarcophagus Found Near Rome | National Geographic.

The original article includes a very nice photo, which looks more like a paper airplane than a burrito to me; the purported gladiator connection (which is being hyped in some spinoff versions of this story) seems rather tenuous. The Gabii Project’s website is always worth a look … I can’t remember if we mentioned this similar burial from Yorkshire a couple of years ago …

More coverage:

Satyr on Display

The incipit of an item in Corriere del Mezzogiorno mentions a satyr found at Santa Maria Capua Vetere two years ago, which is apparently a copy of a Praxiteles in the Capitoline Museum:

Nel foyer del teatro Garibaldi di S. Maria Capua Vetere, dal 15 aprile al 30 giugno, sarà per la prima volta esposto al pubblico il Satiro del II secolo d.C. rinvenuto a Santa Maria Capua Vetere due anni fa, durante gli scavi in via Anfiteatro. Il restauro della statua in marmo, perfetta riproduzione del Satiro di Prassitele conservato nei Musei capitolini a Roma, è durato 18 mesi da parte della della Sovrintendenza ai Beni Archeologici. L’imponente scultura, alta oltre 2 metri, è stata portata alla luce circa due anni fa, nel corso dei lavori all’interno di una proprietà privata. Il marmo, seriamente danneggiato e spezzato in più parti, era rovesciato all’interno dei resti di un ninfeo sepolto a circa tre metri dall’attuale pavimentazione. L’importanza della scoperta ha suscitato l’interesse di archeologi, studiosi e appassionati.

I can’t remember this find ever being reported (I don’t think it is the Marsyas from last summer); anyone know about it?

What is Going On At Italian Sites???

Okay … for the past while I’ve been trying to understand a number of Italian newspaper articles about changes going on at the  Ministero per i Beni e le Attività Culturali  . It seemed that there were things going on ‘at the top’, but it took an item in English from the March edition of the Art Newspaper for them to actually make sense to me:

It is all change in Italy’s state administration of what it calls its “cultural assets”, the Ministero per i Beni e le Attività Culturali, or MIBAC for short. Not only are nine high-ranking superintendents retiring [superintendents are the officials responsible for the state museums such as the Uffizi, for buildings such as the Coliseum, for archaeology and archives and conservation institutes, not to mention the much abused Italian landscape], but its top civil servant, Giuseppe Proietti, is also leaving. In a country where cultural life is deeply politicised, where career moves in the civil service depend on government whim to an extent that is unimaginable in the UK or US, the new secretary general is a Florentine, Roberto Cecchi (b. 1949).

The reaction nonetheless has been that the right man has been appointed. Cecchi trained as a conservation architect and entered the superintendency for architecture in 1980. From 1997 to 2001 he had responsibility for the “environmental and architectural assets” of Venice, a diplomatically challenging job that he discharged with energy, subtlety and pragmatism. Thereafter he returned to the ministry in Rome to head one of its directorate-generals.

//

His priority now will be to provide new leadership for the superintendency network, currently suffering from depleted manpower, absurdly restrictive regulations, inadequate funding and a government that has repeatedly shown little respect for the cadre. He will also have to prove that he can collaborate with Mario Resca, the government’s specially appointed director-general for “valorizzazione” of the artistic treasures of Italy, a term that should mean “making the most of”, but which some Italian politicians today think means “squeeze for the maximum profit possible”.

Apparently the job is going to be tough … in the past week, it seems, there have been a couple of major embarassing incidents.  According to La Repubblica, employees at the Pantheon interrupted a concert therein because it was ‘closing time’ (i.e. 6.00 p.m.; the concert was scheduled to end at 6.15). There’s a Youtube video of the incident (go to around the five minute mark for the employee’s entrance; enjoy the concert up to that point):

cf: Pantheon, concerto interrotto Le scuse del ministro Bondi | La Repubblica

see now: Bum note as attendants end concert in the Roman Pantheon | Guardian

Then in StabiaNews (March 6) we read this incipit:

Avrebbero potuto fare di tutto, magari staccare un mosaico e portarselo a casa. Di certo sono saliti su pezzi di colonne e capitelli per farsi immortalare come antiche statue. Il monumento archeologico pi� conosciuto al mondo per due ore in bal�a dei turisti. Tutto perch� qualcuno ha �dimenticato� di chiudere i cancelli mentre era in corso – fino alle 10,30 – un’assemblea indetta dalla Cisl, Uil, Flp e Rdb. [etc. apologies for the characters there; not sure what’s going on with that]

… i.e., for two hours while a union meeting was going on, tourists basically had the run of Pompeii, because someone forgot to lock the gate.

Pompei: Scavi incustoditi, turisti si avventurano ovunque | Stabia News/Libero

… the next day, folks were downplaying the incident and noting the problems that have arisen since the site of Pompeii was connected to Naples’ jurisdiction (or something like that):

Pompei: Scavi incustoditi, ora � scontro tra i sindacati | Stabia News/Libero

And as long as we’re in the environs of Naples, we can mention the restoration (of sorts) of the stadium at Puteoli, although no one can visit it due to lack of staff:

L’antico stadio di antonino. Il restauro a metà

Clearly we are seeing situations worthy of any number of internet abbreviations … OMG, WTF, SMH, DMNDS (that’s an Ochocincoism, I think) … etc.

Tarquinian Reggia from Gabii?

This one’s working its way through the Italian press … a sixth century (B.C.) edifice which includes an image associated with the Tarquins. Also of interest is evidence of ritual foundation sacrifice and the burial of five (non-sacrificed?) children under the foundations as well.  Il Messaggero seems to have the best coverage so far:

Gli archeologi la considerano una testimonianza unica e straordinaria. In tutta Italia ne esistono forse una decina di esempi. E’ stata riportata alla luce a Gabii, venti chilometri a sud di Roma la casa del rex della città antica. I muri delle stanze sono integri, un particolare quasi senza precedenti per l’epoca, e la dimora è composta da tre stanze non comunicanti tra loro che, con tutta probabilità erano affacciate su un grande portico e che erano gli ambienti della casa destinati al culto. I muri erano intonacati e dipinti. Sotto il pavimento in pietra sono state ritrovate intatte, le fosse di sacrifici rituali fatti per inaugurare il cantiere. In cinque di queste i corpi di altrettanti bimbi nati morti. «Non si tratta di sacrifici umani», precisano concordi il sovrintendente archeologo Angelo Bottini e il professor Marco Fabbri. Indizio però che si trattava di una casa molto importante.

Gli archeologi della sovrintendenza di Roma e quelli dell’università di Tor Vergata che insieme l’hanno riportata alla luce tra settembre e dicembre 2009 sono convinti che si tratti della casa dei Tarquini a Gabii, una reggia costruita nel sesto secolo a.C., forse su un edificio preesistente. Era una reggia sfarzosa con un tetto decorato da statue e da un fregio in terracotta riconducibile alla famiglia dei Tarquini.

L’ipotesi è che vi abitasse il figlio di Tarquinio il Superbo, Sesto Tarquinio. Ma forse la residenza era della famiglia già nei decenni precedenti. «Di certo -dichiarano Fabbri e Bottini – c’è che quella casa regale ad un certo punto venne distrutta o meglio, venne smontato il tetto monumentale e gli ambienti vennero seppelliti fino a lasciare solo un tumulo di pietre. Una fortuna. Perchè proprio quel seppellimento ha consentito alla reggia di arrivare praticamente intatta fino a noi».

Costato fino ad oggi 60mila euro lo scavo deve ora continuare. Si spera di trovare il tetto e gli altri ambienti della regia. «Cercheremo di stanziare altre risorse», dichiara il sottosegretario Francesco Giro. «La speranza – conclude Bottini – è che si possa continuare a scavare. E che proprio qui, nello scenario meraviglioso di Gabi, si possa allestire un grande parco archeologico».

We’ll see if this gets any coverage in the English press …

via Gabii, svelata la reggia dei Tarquini Archeologi: testimonianza unica in Italia | Il Messaggero.

Site of the Golden Bough Found?

From the Telegraph … I may have things to add later when I have time to look into this more detail:

In Roman mythology, the bough was a tree branch with golden leaves that enabled the Trojan hero Aeneas to travel through the underworld safely.

They discovered the remains while excavating religious sanctuary built in honour of the goddess Diana near an ancient volcanic lake in the Alban Hills, 20 miles south of Rome.

They believe the enclosure protected a huge Cypress or oak tree which was sacred to the Latins, a powerful tribe which ruled the region before the rise of the Roman Empire.

The tree was central to the myth of Aeneas, who was told by a spirit to pluck a branch bearing golden leaves to protect himself when he ventured into Hades to seek counsel from his dead father.

In a second, more historically credible legend, the Latins believed it symbolised the power of their priest-king.

Anyone who broke off a branch, even a fugitive slave, could then challenge the king in a fight to the death. If the king was killed in the battle, the challenger assumed his position as the tribe’s leader.

The discovery was made near the town of Nemi by a team led by Filippo Coarelli, a recently retired professor of archaeology at Perugia University.

After months of excavations in the volcanic soil, they unearthed the remains of a stone enclosure.

Shards of pottery surrounding the site date it to the mid to late Bronze Age, between the 12th and 13th centuries BC.

“We found many, many pottery pieces of a votive or ritual nature,” said Prof Coarelli. “The location also tells us that it must have been a sacred structure. We spent months excavating, during which we had to cut into enormous blocks of lava.”

The stone enclosure is in the middle of an area which contains the ruins of an immense sanctuary dedicated to Diana, the goddess of hunting, along with the remains of terracing, fountains, cisterns and a nymphaeum.

“It’s an intriguing discovery and adds evidence to the fact that this was an extraordinarily important sanctuary,” said Prof Christopher Smith, the head of the British School at Rome, an archaeological institute.

“We know that trees were grown in containers at temple sites. The Latins gathered here to worship right up until the founding of the Roman republic in 509BC.”

The story about the golden bough and Aeneas, who is said to have journeyed from Troy to Italy to found the city of Rome, was documented by Virgil in his epic, the Aeneid.

“Virgil tells us that the sibyls told Aeneas to go to the underworld to take advice from his father but he had to take a branch of gold as a sort of key to allow him access,” said Prof Smith.

The legend inspired JMW Turner to paint a grand canvas entitled ‘Lake Avernus – The Fates and the Golden Bough’, now held by the Tate Collection.

Addenda: There’s a bit more detail in the La Repubblica coverage: In questo vaso cresceva l’ albero con il ramo d’ oro. However, I’m curious on what basis they think this enclosure housed a tree. It’s certainly very interesting that this pushes the age of the sanctuary back to the Bronze Age …