Vidfest: We’re all Spartacus

I thought of tying this to the Times piece (below) but it seems sufficiently different to warrant its own little chunk of rogueclassicism. The incipit of a column in the Post … where possible, I’ve interspersed bits from Youtub of the clip in question:

1. In the Stanley Kubrick epic “Spartacus,” the Romans offer slaves leniency if they’ll turn in the title character, played by Kirk Douglas. But when Spartacus rises to identify himself, Tony Curtis’ Antoninus screams “I’m Spartacus!” So does another man, then another, and by scene’s end, the infamous “No Snitching” movement is born.

And so, too, is an iconic movie moment, as “I’m Spartacus” became a legendary movie line in league with “You talkin’ to me?” “I coulda been a contender,” and “Don’t call me Shirley.”

As such, the line has generated more parodies and offshoots in pop culture than the “Single Ladies” video has on YouTube. On the occasion of the film’s 50th anniversary Blu-Ray release this Tuesday, here are some of our favorites.

MONTY PYTHON’S “LIFE OF BRIAN” (1979) As the Romans seek Brian (Graham Chapman) in order to release him from his crucifixion, they ask him to identify himself. Caught unaware, as he’s cursing out John Cleese’s People’s Front of Judea, the also-crucified Eric Idle sneaks in with, “I’m Brian of Nazareth.” When the real Brian screams “I’m Brian,” so does another man on a cross; then another, and another, until it becomes a chorus — including one man who announces, “I’m Brian, and so’s my wife.” The gesture of generosity from “Spartacus” is flipped into a cowardly act of self-preservation.

“MALCOLM X” (1992) Spike Lee ends his biopic of the civil rights icon with a depiction of Malcolm’s assassination, followed by footage of the actual murder. Then real African and African-American children declare, in the same spirit of unity as Spartacus’ fellow slaves, “I am Malcolm X.” [the bit comes towards the end of this long clip; some nice oratory by Nelson Mandela follows]

“MONK” (2002) The episode “Mr. Monk Meets the Red-headed Stranger” finds Willie Nelson, playing himself, suspected of killing his road manager after a financial dispute. When the police come to arrest him, his band members loyally step up, intoning “I’m Willie Nelson” one by one. The real Willie wisely surmises, “I don’t think they’re goin’ for it, boys.” [sorry … can’t find one for this]

“SOUTH PARK” (2005) In the episode “Two Days Before the Day After Tomorrow,” which aired two months after Hurricane Katrina, Cartman and Stan accidentally breach a local beaver dam. This leads to Katrina-level flooding, and a parody of the hysteria and whirlwind of blame surrounding that tragedy that includes the mantra, “George Bush doesn’t care about beavers.” At episode’s end, after Stan confesses, the townspeople misconstrue his guilt for altruism and declare “I broke the dam” one after the other, Spartacus-style, as the music swells, with Stan screaming the details of his crime aloud to no avail. [can’t find this one either, although I suspect it’s there somewhere]

PEPSI COMMERCIAL (2005) Incorporating clips from the film, here the Romans simply want to return a lost lunch bag with the name “Spartacus” written on the back, and a can of Pepsi inside, to its rightful owner. As a Roman holds the can aloft and screams “Is there a Spartacus here to claim this?” Douglas and Curtis rise, Curtis screams his line, and the noble scene is transformed into a greedy grab for a can of soda as Douglas looks on, forlorn. In the end, the Roman declares that he is Spartacus, and takes the can for himself.

via Agenda: We’re all Spartacus – NYPOST.com.

… and as long as we’re doing things Spartacan, I came across this little vid thing of the Mediaeval Baebes singing Salva Nos, with images from the 2004 tv version of Spartacus:

Romans Just Like Us (on screen anyway)

From Natalie Haynes in the Times’ entertainment pages (this one is filling my box and Facebook notification thingy; tip o’ the pileus to quite a few folks) … a good excerpt:

Spartacus reflects so many of our current obsessions: the actors are uniformly gorgeous, toned and buff, like models. It’s never questioned. These are gladiators — they spend all day working out. Well, maybe, but think what the Romans and Greeks used to look like on TV: Peter Ustinov was no John Hannah. And it’s even more obvious when you look at Perseus in the original Clash of the Titans movie and this year’s remake. Harry Hamlin was very pretty, but he would have needed a year in the gym to look like Sam Worthington.

So while it’s tempting to believe that we are like the Romans that we see on TV — the sex, the violence, the swearing, the beautiful naked ladies and the hot, naked guys — the truth is that we are simply constructing a vision of the Romans that shows us as we would like to see ourselves. Which raises the question of how much historical accuracy matters in entertainment.

via Why the Romans on screen are just like us – Times Online.

Hollywood and the Classics Redux

A very good piece from the BBC … with the usual observation on the effect of movies on Classics enrollment in universities.  And yet, we hear Classics is in a state of semi-crisis in the UK … How does that compute?

Fifty years ago, the story of Clash of the Titans – now a 3D movie starring Avatar’s Sam Worthington – would have been familiar to many school pupils.

Classics – the study of the languages, society and history of ancient Greece and Rome – was part of the grammar school curriculum.

Now only a minority of children study this in any depth – but the resurgence of the “sword and sandals” epic on screen has seen a corresponding rise in the number of applicants to study the subject at university.

“It all started with Gladiator 10 years ago,” says Dr Carl Buckland, part of the Classical Studies department at Nottingham University.

“We saw a spike in applications then, and that happened too with Troy and 300. This year we’re expecting another rise.”

There are indeed a slew of these kind of films on release in 2010 – from tales of Greek mythology, like Clash of the Titans and Percy Jackson and the Lightning Thief, to Roman history in Centurion and Eagle of the Ninth.

For those in search of something slightly more highbrow, Rachel Weisz stars in Agora, the true story of a female Roman philosopher, Hypatia of Alexandria.

“They’re about themes we can all relate to,” says actor Sam Worthington, when asked why 3000-year-old stories were still in vogue.

“I see the story of Perseus in Clash of the Titans as a story about family, a man’s search for connecting with his father (in this case, the god Zeus) and standing against a common enemy.

“That’s why we can still understand these stories, because they’re about things which are still important to us today, but the ancient setting illuminates them a bit better.”

“They’re accounts of events at pivotal moments of history,” explains TV historian Lucy Moore.

“These are often happenings which are as epic and monumental as say, World War II seems to us. And so much of classical history has shaped the society, language and politics of modern life.”

‘Gory stories’

When classical studies are now all but ignored on school timetables, it’s often down to films and video games, to generate interest in the subject.

Some movies, like the Percy Jackson series (based on the best-selling books) are specifically aimed at children, and see Percy battling classical figures like Medusa and Poseidon in downtown New York.

Others are more violent – especially in the gaming world. Popular titles like God of War and Dante’s Inferno, which are rooted in classical literature, have an 18 rating.

Yet according to experts, they may not be too far removed from the truth about war in the ancient world.

“They are obviously going to pick out the most gory stories, the ones that appeal to teenagers, but we have to remember that war in that era was done with swords and spears,” comments Carl Buckland.

“It was very bloody, very slow and very unpleasant. The Romans, as we know, loved to watch gladiators and animals fighting each other. They had a certain enjoyment of violence and we still have that as a society, even if it tends to be just on screen now.”

“These games can take you to the Napoleonic wars, ancient China and feudal Japan,” adds Lucy Moore. “It’s just a different way of learning history these days.”

Hollywood bosses clearly think the genre has the Midas touch – but the story sometimes suffers in the quest for special effects. There are plenty of inaccuracies in Clash of the Titans alone.

Modern metaphor

The monster Perseus battles is known as the Cetus in Greek antiquity; here it’s the Kraken – a Norse beastie who also pops up in Pirates of the Caribbean.

Medusa, the Gorgon who could turn men to stone, did have hair made of serpents – this movie gives her a gigantic tail too. And in mythology, Perseus married a princess, Andromeda. In the movie, he seems keener on Gemma Arterton’s character, Io, a nymph.

“I personally think any kind of access people have to these stories is great,” says Dr Buckland.

“I don’t see any kind of problem in starting off with something fairly simplistic if that sparks their interest.

“It would be great if people could start to understand how remarkably similar the ancient world was to ours today.

“For instance, in 2004’s Troy, the director Wolfgang Peterson set out deliberately to make the story of the Iliad a metaphor for the American war in Iraq in 2003.

“You are hard put to separate the good guys from the bad guys, but you do see the Greeks (the Americans) as more aggressive and the Trojans (the Iraqis) thrust in a situation that’s not of their making.”

Most universities will now accept students with no prior knowledge of ancient Greek or Latin in order to study Classics.

The languages may be all but dead – at least modern entertainment is ensuring these ancient tales live on.

What we need is someone to do an in-depth study of enrollments in Classics courses before and after things like Clash of the Titans and see how much ‘spinoff revenue’ these movies make for universities which offer Classics programs. It would be interesting to also see if there are more folks going into degree programs in the wake of such things …
via BBC News – Hollywood’s love affair with the Classics.

Movie Gossip: ‘Cleo might be gone’

The musical with Catherine Zeta-Jones seems to be having difficulties (not sure if that’s a bad thing):