Beneath the Baths of Caracalla

Rome Reports has a nice video of the restoration:

… they don’t seem to mention the Mithraeum that was hyped a couple of months ago (Mithraeum Reopening to the Public)

Head of Julia (Yep … *That* Julia) Found

The APA folks posted this one on their facebook page last night (tip o’ the pileus accruing), but I was hoping there’d be some English coverage by this a.m.. Alas, there isn’t any (yet), so here’s the story of a genuinely remarkable find of some sculputural remains which are tentatively being identified as Julia at Fiumicino, as told by La Repubblica:

Il volto è leggermente inclinato verso sinistra ad evocare una posa aristocratica, il profilo è delicato con la linea perfetta del naso. Gli occhi hanno le palpebre a rilievo e le orecchie mostrano ancora piccoli fori per gli orecchini in metallo, forse oro o argento. Ma è la raffinata acconciatura a confermare l’origine imperiale della testa (nella foto) ritratto in marmo, databile all’età augustea, rinvenuta pochi giorni fa a Fiumicino, in località Aranova, in una monumentale villa romana riaffiorata a dicembre durante i lavori di scavo preventivi per un progetto edilizio.

Potrebbe essere Giulia maggiore, figlia di Augusto, l’unica naturale avuta dalla prima moglie Scribonia. Ne è quasi sicura la Soprintendente per l’Etruria meridionale, Alfonsina Russo Tagliente, che ora sta studiando nei laboratori di restauro del Museo Etrusco di Villa Giulia il reperto scoperto dalla sua equipe di archeologi diretta da Daniela Rizzo. “Lo stile dell’acconciatura richiama modelli di personaggi illustri della famiglia GiulioClaudia – racconta la Russo Tagliente – Sulla fronte due ciocche scendono in grandi onde morbide lungo le tempie, mentre sulla nuca i capelli appaiono in bande lisce divise da una riga in mezzo e raccolte in fitte trecce racchiuse in una crocchia bassa. Inoltre, una tenia, ossia un nastro a doppio giro intrecciato ai capelli, si annoda sul capo con un effetto diadema”.

La testa, a grandezza naturale, era nascosta in una zolla di terra, ritrovata in un grande ambiente della villa che fungeva da magazzino di conservazione per il cibo. Della villa, infatti, databile tra I sec. a. C. e II d. C., è stata individuata tutta la “pars rustica”, ossia gli ambienti domestici e di servizio. “La villa, che si doveva articolare a terrazze sulla collina, era monumentale – racconta l’archeologa Daniela Rizzo – i muri d’età repubblica hanno, infatti, poderosi blocchi di opera quadrata. E’ la prima testimonianza di una residenza imperiale sul litorale”. La scoperta sarà presentata in anteprima domani, a Villa Giulia, nel corso della tavola rotonda “I traffici illeciti e il patrimonio ritrovato: risultati e prospettive” promossa dalla Soprintendenza a conclusione della mostra “I predatori dell’Arte”.

The source also has a nice slideshow of images … the identification is based, apparently, on the hairstyle which is definitely Julio Claudian. The article says “early” Julio-Claudian but I’m not sure how they can be so specific at this point, other than having a desire to get some press attention. If you want a quick English summary that’s better than mine and which has all the photos in one place, check out Dorothy King’s coverage (New Head of Julia Found).

Roman Toilet Paper/Game Piece Revisionism?

More on the game piece side, actually , although I’ll admit to not knowing about the other personal hygiene method mentioned in this item (tip o’ the pileus to Sarah Bond for setting me on to this one and to Dan Diffendale for tracking down the original article). Here’s how the Daily Mail covers it:

Ancient artefacts thought to be early gaming pieces will have to be reclassified after new research which claims they were actually used to wipe bottoms.

The flat, disc-shaped Roman relics have been in the collection at Fishbourne Roman Palace in Chichester, West Sussex, since the Sixties.

Up until now museum experts thought the items were used for early games like draughts, but an article in the British Medical Journal has now proposed that they have a very different function.

It is well publicised that Romans used sponges mounted on sticks and dipped in vinegar as an alternative to toilet paper.

Yet the idea these ceramic discs might also have been used for such personal hygiene is a revelation.

The broken pieces – known as ‘pessoi’, meaning pebbles – range in size from 1in to 4in in diameter and were excavated near to the museum in 1960.

It had been thought that they were chips used to play an ancient game, also known as ‘pessoi’, but research published last month in the BMJ drew from classical sources to present evidence that they were also used to clean up after going to the toilet.

Noting the ancient Greek proverb ‘three stones are enough to wipe one’s a***’, Philippe Charlier, assistant professor in forensic medicine at the Raymond Poincaré University Hospital in Paris, points to archaeological excavations which have uncovered pessoi inside the pits of Greek and Roman latrines across the Mediterranean.

In one such dig in Athens, American archaeologists found a range of such pessoi 1.2-4in in diameter and 0.2-0.8in thick which, Professor Charlier wrote, were ‘re-cut from old broken ceramics to give smooth angles that would minimise anal trauma’.

Other evidence from the classical world has been passed down to us in the form of ceramics painted with representations of figures using pessoi to clean their buttocks.

According to Professor Charlier’s article, the Greeks and Romans even inscribed some of their pessoi with the names of their enemies or others they didn’t like.

Thus everytime they went to the toilet they would literally be wiping their faecal matter on the names of hated individuals.

Examples of such stones have been found by archaeologists bearing the names of such noted historical figures as Socrates, Themisthocles and Pericles, Professor Charlier reported.

Museum curator Dr Rob Symmons said: ‘When pottery like this is excavated it is someone’s job to wash it clean.

‘So, some poor and unsuspecting archaeologist has probably had the delight of scrubbing some Roman waste off of these pieces.

‘It is not beyond the realms of possibility that we could still find some further signs of waste or residue.

‘However, these pottery pieces have no monetary value because we are essentially talking about items once used as toilet roll.

‘The pieces had always been catalogued as as broken gaming pieces but I was never particularly happy with that explanation.

‘But when the article produced the theory they were used to wipe people’s bums I thought it was hilarious and it just appealed to me.

‘I love the idea we’ve had these in the museum for 50 years being largely ignored and now they are suddenly engaging items you can relate to.’

Dr Charlier’s research indicates that the use of such stones would have probably been rather hard on the rear ends of the ancients, and could have caused a variety of medical issues.

He suggests the abrasive texture of the pessoi could have led to skin irritation, mucosal damage, or complications of external haemorrhoids.

He wrote: ‘Maybe this crude and satiric description by Horace in his 8th epode (1st century BC) — “an a*** at the centre of dry and old buttocks mimicking that of a defecating cow”— refers to complications arising from such anal irritation.’

Dr Symmons, who has been at the Fishbourne Roman Palace museum for seven years, added: ‘We will obviously have to think about re-classifying these objects on our catalogue.

‘But we hope the pieces will make people smile when they learn what they were used for.

‘They would have probably been quite scratchy to use and I doubt they would be as comfortable as using toilet roll.

‘But in the Roman era it was that or very little else.’

… plenty of photos at the Daily Mail page, which will give you an idea of the (uncomfortable, it seems to me) size of these things.

As mentioned in the article, this all stems from an item in the British Medical Journal by Philippe Charlier et al (Toilet hygiene in the classical era). I was initially skeptical (primarily due to the size of the things) but there does appear to be archaeological, literary, and forensic (not sure if that’s the right word) support  for all this. An excerpt from the article (footnotes can be tracked down in the original):

Many pessoi have been found within the faecal filling of Greek and Roman latrines all around the Mediterranean world (fig 1).6 Pessoi found during the American excavation on the Athens’ agora, for example, are described as 3-10.5 cm in diameter and 0.6-2.2 cm thick and having been re-cut from old broken ceramics to give smooth angles that would minimise anal trauma.4 Use of a pessos can still be seen on a Greek cylix (wine cup) conserved in the Museum of Fine Arts in Boston, US. The cup, dating from 6th century BC, was found in Orvieto, Italy, and shows a man, semi-squatting with his clothing raised. The man is maintaining his balance with a cane in his right hand and is clearly wiping his buttocks using a pessos with his left hand.

Some scholars suggest that ostraka, small pieces of broken ceramic inscribed with names that the Greeks used to vote to ostracise their enemies, could also have been used as pessoi, literally putting faecal matter on the name of hated individuals. (Examples of ostraka with the names of Socrates, Themisthocles, and Pericles have been found in Athens and Piraeus).

The two pessoi in figure 1 belong to a private collection. Their precise archaeological origin (discovered in the filling of latrines close to deposits of excrement) and their morphology (rounded form with the edges recut) clearly indicate their use for anal cleaning. Solidified and partially mineralised excrement can still be seen on the non-cleaned and lateral surfaces, which has been confirmed by microscopy (fig 2).

… I’m still somewhat skeptical now, however, because all the evidence adduced (including a bit from Aristophanes that I skipped) comes from the Greek world. Then again, Graecia capta asperum victorem cepit, and perhaps that, er, assault extended to the latrines (the Wheelock gloss on Horace’s original seems punnishly appropriate here)? Or perhaps this gives us an idea of what Romans did in the latrines while waiting? Whatever the case, it’s another interesting detail to add to the arsenal …

Other coverage:

Erotic Fresco (and Graffiti) From the Colosseum

Kind of surprised this isn’t getting more coverage … via AFP:

Italian archaeologists have found brightly coloured fragments of frescoes depicting heroic and erotic scenes inside a corridor of the Colosseum in Rome, along with samples of ancient graffiti.

“We have found traces of decorations in blue, red and green,” Rossella Rea, director of the 2,000-year-old amphitheatre, told AFP.

The fragments “seem to depict the glory of the gladiator world, with laurels, arrows, victory wreaths and even erotic scenes,” the Repubblica newspaper said.

The frescoes were found in a corridor currently closed to the public while archaeologists were working to restore an area between the second and third floor of the Colosseum, which has fallen into disrepair in recent years.

“We have also found writing dating back to the 17th century as well as the signatures of spectators and foreign visitors” who had come to watch the Colosseum’s famed gladiatorial contests and mock sea battles, Rea said.

“We hope to be able to find other traces in this corridor but that depends on the funds available to continue with the restoration,” she added.

The frescoes are located in an area covering several square feet in a corridor which is around sixty metres long, and should be open to the public by summer 2014, Rea said.

The Colosseum, which was completed in 80 AD by the Roman emperor Titus and is now one of the most visited sites in the world, is in a pitiful state.

Bits of stone, blackened by pollution, have fallen off in previous years, and some experts have voiced concern that the foundations are sinking, giving the amphitheatre a lean.

The number of visitors to the Colosseum, which measures 188 metres (620 feet) by 156 metres and is 48.5 metres high, has increased from a million to around six million a year over the past decade thanks mainly to the blockbuster film “Gladiator”.

… no photos yet … then again, there really isn’t much coverage of this one yet. One would suspect the fresco was to ‘encourage’ the gladiators in regards to what success might bring?

The coverage finally arrived:

“Ovid’s” Niobe Statues Found

Tip o’ the pileus to Martin Conde, who alerted us to a story in la Reppublica relating the discovery of the villa of Marcus Valerius Messala Corvinus — Ovid’s patron — and statuary from the Niobe story which is being connected to Ovid. I managed to track down an English summary in Gazzetta del Sud:

Archaeologists say they’ve uncovered an “exceptional” group of sculptures dating to the 1st century BC in a villa in Rome’s suburb of Ciampino. The sculptures, found in an ancient villa owned by Roman general Marcus Valerius Messalla Corvinus, a patron of the poet Ovid, tell the myth of Niobe, the proud daughter of Tantalus who lost all her 14 children after boasting to the mother of Apollo and Artemis, Leto, about her fertility. Niobe, regarded as a classic example of the retribution caused by the sin of pride or hubris, was turned to stone. Excavations at the villa have also revealed a thermal bath area with fragments of artistic mosaics and a swimming pool as long as 20 meters with walls painted blue. Inside the bath area were found seven sculptures dating to the Augustan age, as well as a complete series of fragments that experts say can be reassembled. The group tells the story of Niobe, which figured in Ovid’s epic poem of transformation, the Metamorphoses, published in AD 8. La Repubblica newspaper said Tuesday a team of archaeologists made the valuable discovery last summer. “Statues of Niobe have been found in the past, but in the case of Ciampino, we have a good part of the group,” of statues, said Elena Calandra, superintendent of archaeological heritage. According to their reconstruction of the bath area, experts say the statues were carved on all four sides of the swimming pool, which may have been buried by an earthquake in the 2nd century AD.

It’s worth checking out Martin Conde’s flickr page of the La Reppublica coverage, which includes photos and a somewhat different spin on the story (which seems to be yet another major conservation kerfuffle in Italy): ROMA / LAZIO ARCHEOLOGIA: Roma, ecco le statue che Ovidio cantò nelle Metamorfosi Scoperta la villa di Messalla, LA REPUBBLICA (08/01/2013), pp. 1 & 23. If you need a quick refresher on the story of Niobe, here’s a translation of the relevant section of the Metamorphoses (6.146 ff) …

ADDENDUM (a couple hours later): See also Dorothy King’s post for further coverage and a whack of photos: New Niobids – New Light on a Old Group

Other coverage: