CJ~Online Review: Mattern, The Prince of Medicine

posted with permission:

The Prince of Medicine: Galen in the Roman Empire. By Susan P. Mattern. Oxford: Oxford University Press, 2013. Pp. xx + 334. Hardcover, $29.95. ISBN 978-0-19-976767-0.

Reviewed by Svetla Slaveva-Griffin, Florida State University

It has been a while since I have read a scholarly book from cover to cover in almost one shot. Yet, Susan Mattern’s The Prince of Medicine engulfed me with its subject-which for a name like Galen’s is a given-and its enviable merits. Mattern’s talent weaves a historical biography of one of the most reputed and controversial intellectual minds of antiquity into a grabbing full-life story of the real Galen, uncensored and demystified.

Scholars for centuries have painstakingly slaved to disentangle the Renaissance-like profile of the man whose narcissistic and clashing personality, so truthfully portrayed in his own writings, tends to cast a long shadow over his genius as a physician, polymath, philosopher, an opinionated member of the intelligentsia of the late antique world, devoted citizen to his native Pergamum and avid follower of Asclepius and his art. Galen was a man of superlatives in his medical career and in his private life -more often disparaging than eulogistic-which he did not mind sharing with the public.

The same can be said about his writings the sheer number of which (appr. 150 titles) is as overwhelming as their thematic diversity. Oftentimes when introducing his prolific output, we remind ourselves that his corpus (22 vols. in C. G. Kühn, Claudii Galeni Opera Omnia [Hildesheim: Olms, 1964-65] and counting, with the recent discovery of his De indolentia) represents one eighth of all extent ancient Greek literature.[1] Galen’s works and Galen’s life are an empire of their own as large as the Empire he lived and worked in.

In her summary on the front flip of the dustjacket, Mattern states that "The Prince of Medicine offers the first authoritative biography in English of this brilliant, audacious, and profoundly influential figure." Given its subject, this is, in its own turn, an audacious, or at least ambitious claim to make and the final product has met its tall order in two main respects: scholarly erudition and general public appeal. There is much ‘food for thought’ between the covers of the volume for everyone, from the seasoned expert, familiar with the latest research trends in Galen’s multifarious heritage, to the incidental browser of the bookstore shelves, curious to learn something new and unexpected just for the sake of learning.

The book consists of a prologue, eight chapters, and an epilogue, which diachronically follow the course of Galen’s life, without the monotony of an accomplished curriculum vitae but dynamically, with highlights on revealing episodes of this life. For economy of space, I will not list here the subjects of the individual chapters. They cover all expected topics: childhood and upbringing in Pergamum, medical studies in Alexandria, beginning career as a gladiatorial surgeon in Pergamum, his high medical career as a court physician to Marcus Aurelius in Rome, his enigmatic behavior during the Antonine Plague, the loss of his library and medical instruments in the fire of 192 ce.

The biggest achievement of the book is piecing together the myriad facts of Galen’s life and work in a consecutive storyline. The book does not expand our understanding of Galen beyond what we already know but it improves it by artfully stitching together historical facts and Galen’s loud autobiographical voice. Taking advantage of this unique opportunity, Mattern has made Galen an engaging narrator, in the role of a "live witness" to her academic narrative. (Just to give one example, Galen’s first-person account of tending to a severe case of tonsillitis begins chapter three, 81). But Mattern has not let Galen speak for himself without a judicious evaluation of the facts in their context. Her narrative is meticulously documented throughout with primary and secondary sources. Still, the reader will not find an argument in the book, but a story, told with academic aplomb.

The above observation is not a critique, considering Mattern’s goal to compose an "authoritative biography." Although she does not identify what kind of readership she envisions for her account, it is obvious that she has also aimed at the general public who has seen Dr. House and Gladiator, but she has done so without ‘dumbing down’ the intellectual complexity of the material. Neither the academic specialist nor the connoisseur of the historical novel à la Marguerite Yourcenar or Mary Renault will be disappointed in this book.

CONF: International Conference on Orality and Greek Literature in the Roman Empire

Seen on the Classicists list:

International Conference on Orality and Greek Literature in the Roman Empire
Full details and booking information: http://www.ruiz-montero.com/WEBSITE/IMAGES/EVENTOS/EVENTOS_EN.html

Organizer: Consuelo Ruiz Montero (Dpto. de Filología Clásica de la Universidad de Murcia)
Place: Museo del Teatro Romano de Cartagena (Murcia), Spain
Date: 29-31 May 2014

Speakers:
M. Andreassi (Univ. di Bari, Italia): “Le barzellette tra oralità e scrittura: il caso del Philogelos».
E. L. Bowie (Corpus Christi College, Oxford, United Kingdom): “Poetic and prose oral performance in the Greek world of the Roman empire: the evidence of epigraphy”.
A. Chaniotis (All Souls College, Oxford, United Kingdom): “The oral transmission of memory in the Greek cities of the Imperial period”.
J. A. Fernández Delgado (Univ. de Salamanca, Spain): “Literaturiedad y oralidad en la obra de Plutarco”.
P. Gómez Cardó (Univ. de Barcelona, Spain): “Relato oral, ficción y construcción narrativa: a propósito del Tóxaris de Luciano”.
E. Hall ((King´s College, London, United Kingdom): “Pantomime, multilingualism and orality under the Roman Empire’.
L. Kim (Trinity Univ., U.S.A.): “Oral performance, storytelling, and transmission in Dio Chrysostom”.
I. Konstantakos (Univ. of Athens, Greece): “The Alexander Romance and the archaelogy of folk narratives”.
F. Mestre (Univ. de Barcelona, Spain): “La palabra hablada o el prestigio de la oralidad en Luciano”.
J. A. Molina (Univ. de Murcia):”Presencia de la oralidad en la Historia Secreta de Procopio”.
J. Nollé (Kommission für Alte Geschichte und Epigraphik, Munich, Germany): «Implanting stories in the collective consciousness. The role of the so called Greek Imperials in memorising Greek literature and oral traditions».
L. Núñez (Univ. de Lausanne, Suisse): “Embedded orality in Apuleius’ Metamorphoses and Florida”.
C. Ruiz-Montero (Univ. de Murcia, Spain): “Relatos orales en textos narrativos griegos del Imperio”.
I. C. Rutherford (Univ. of Reading, United Kindom): “From Egyptian to Greek Literature: Oral or Written Transmission?”.
H. Schwarz (Univ. of Munich, Germany): “Biologoi – Storytellers in Ancient Greek Cities”.
M. Squire (King´s College, London, United Kingdom): “Telling tales on Mithras: The oral art of the story on “Mithraic Reliefs”.
A. Stramaglia (Univ. di Cassino, Italia): “Libri ‘a fumetti’ nel mondo greco-romano”.

Recent Finds from Sardis

From a UWisconsin-Madison press release:

A ritual deposit, found intact beneath a first century Roman house in Sardis. The deposit, found inside two bowls, includes a number of small implements, a unique coin and an egg. The hole in the egg was made in antiquity.

By any measure, the ancient city of Sardis — home of the fabled King Croesus, a name synonymous with gold and vast wealth, and the city where coinage was invented — is an archaeological wonder.

The ruins of Sardis, in what is now Turkey, have been a rich source of knowledge about classical antiquity from the 7th century B.C., when the city was the capital of Lydia, through later Greek and Roman occupations.

Scholars digging at Sardis, the capital of ancient Lydia later occupied by Greeks and Romans. Sardis, in modern Turkey, was the fabled home of King Croesus, the richest man of his day, according to lore.

Now, however, Sardis has given up another treasure in the form of two enigmatic ritual deposits, which are proving more difficult to fathom than the coins for which the city was famous.

“The two deposits each consist of a small pot with a lid, a coin, a group of sharp metal implements and an egg, one of which is intact except for a hole carefully punched in it in antiquity,” explains Will Bruce, a classics graduate student a the University of Wisconsin-Madison who has been digging at Sardis for the past six years. Bruce made the finds last summer.

The dig at Sardis is overseen by Nicholas Cahill , a UW-Madison professor of art history . Cahill has directed field research at Sardis for decades. Both ritual deposits, says Cahill, date from the Roman era of Sardis, about A.D. 70 or 80.

An inverted bowl, covering another bowl with a ritual deposit, emerges from the earth. The bowls contained a ritual deposit of a coin, small metal implements and an egg.

Bruce and his team were excavating below the floor of a first century room, built over the ruins of an earlier building, which had probably been destroyed in a massive earthquake in A.D. 17.

Digging beneath the floor, Bruce and his colleagues first uncovered a thin-walled, nearly intact jug and, nearby, an assemblage of mostly unbroken pottery. “It looked like we were reaching a more intact deposit instead of fill,” says Bruce.

Within that assemblage, Bruce began to carefully uncover an inverted bowl, which turned out to be sitting on top of another bowl. The bowls, still filled with dirt, were carefully removed and immediately turned over to conservators who cleaned and dissembled them to find a set of small pointed instruments, a coin with a lion and portrait of Nero, and the intact egg.

Graduate student Will Bruce excavates a coin horde at Sardis, which was the home of King Croesus, a name synonymous in myth and history with gold and wealth.

“The ritual offerings were dug into pits in the floor, after the room was constructed,” says Cahill. “We know they were renovating the room periodically, because in another part of the space there was a dump of painted wall plaster buried under the floor, presumably in a renovation.”

“The meaning of these deposits is still quite open to interpretation,” notes Cahill, “but burying votive deposits below ground or in a wall was a fairly common practice,” perhaps as a ritual offering to protect the house. Roman literary sources suggest eggs were used in particular rituals.

For the archaeologists, part of the intrigue is that similar groups of bowls, needles, coins and eggs were discovered at Sardis more than 100 years ago when the temple of Artemis was excavated by Princeton University archaeologists. “It is an exact parallel to what they found in the early 20th century,” according to Cahill.

A gold coin found at Sardis. Another coin, bearing the likeness of Emporer Nero, was also found.

The coin was also unique. Sardis is famous as the place where coinage was invented in the Western world, first using electrum, an alloy of silver and gold, and later of pure gold and silver. Nearby sources of gold made ancient Lydia, and King Croesus, fabulously wealthy. While these Lydian coins are very rare, coins and coin hoards from later Greek and Roman occupiers of Sardis are routinely found.

But the coin found with the egg, says Cahill, seems to be special.

“The coin has a portrait of Nero on the front. The original reverse was hammered flat, and the image of a lion engraved in its place, which is very odd.” Expert numismatists have never seen anything like it. “The image of the lion is important because it is emblematic of the Lydian kings and of their native mother goddess Cybele,” Cahill says.

The discovery is unusual, Cahill notes, because finding ritualistic objects intact and in place after thousands of years is no everyday discovery, even in a rich archaeological context such as Sardis. “Ancient ritual was important to people. It is most unusual to find such fragile things so perfectly preserved.”

… the original article has several good photos.