ante diem xvii kalendas apriles
- Festival of Mars continues (day 16)
- 37 A.D. — death of the emperor Tiberius at Misenum
- 284 A.D. — martyrdom of Hilarius and companions
- 1900 — Arthur Evans purchases the land around Knossos
quidquid bene dictum est ab ullo, meum est
ante diem xvii kalendas apriles
rogueclassicist’s note: I have long thought there was a need for some sort of ‘repository’ of information about ongoing exhibitions, with links to appropriate websites, reviews, etc. (and I’m hoping rogueclassicism readers who have visited the exhibition will want to add their own reviews in the comments). This is my first attempt at such, although the exhibition itself will soon be moving to a new venue.
Pompeii and the Roman Villa
National Gallery of Art: October 19, 2008–March 22, 2009
Los Angeles County Museum of Art: May 3–October 4, 2009
Website: Pompeii and the Roman Villa: Art and Culture around the Bay of Naples (National Gallery — an excellent exhibition page, which includes a feature on the exhibition, videos, brochures, student guides for Latin classes, podcasts, and much more — clearly setting a standard for other exhibitions of this sort to follow)
Website: Pompeii and the Roman Villa: Art and Culture around the Bay of Naples (LA County Museum — ‘upcoming’)
Reviews of the National Gallery installation:
Title: Hannibal the Annihilator
Series: Battles B.C.
Network: History Channel
Capitidicentes (epithets):
Researchers:
None credited
Official description of episode:
Hannibal’s merciless attacks on Roman soil dealt a near fatal blow to the soon-to-be Empire. Sworn by his father to a blood oath against the Romans, Hannibal of Carthage does the unthinkable… he marches 40 war elephants and a massive army over the Alps to gain an element of surprise. In three key battles–Hannibal uses terrain, intimidation and his iron will to annihilate the Roman Legions, killing every Roman soldier that he possibly can.
Summary:
The program begins in medias res with the Seige of Saguntum, then proceeds to give a good overview of the seeds of that conflict (i.e. Punic War I) and some background to Hannibal (how he came to power and that famous oath) and life in the Carthaginian army. There is a good presentation of Hannibal’s crossing of the Rhone and how Hannibal was pretty much forced to go across the Alps, elephants and all. After a digression on Gallic treachery and the ethnic makeup of Hannibal’s army, we get into the three big battles (i.e Trebia, Trasimene, Cannae).
Comments:
As this is my first review, I should explain that I usually classify television programs about the ancient world into two categories. In the one category are those programs where the producers set things up as a conflict of opinions, usually between an “author” and one or more scholars with “conventional” views. In the other category are programs where no such “conflict” is set up, but the producers try to sensationalize it by focussing on salacious details or some other way (sometimes with good effect, sometimes without). In the case of Hannibal the Annihilator, we have a program which leans toward the latter category, with good effect and very good information. In this case, the ‘sensation’ is caused by making the visuals very 300-like and the comic book influence is also clear in the fonts used on the maps which depict battle formations and the like. That is not to say that it shouldn’t be taken seriously, although more than once I guffawed at the very buff Hannibal riding/walking shirtless through the snow. Outside of that, the information is very good and could be very usefully used to give a decent introduction to Hannibal and Punic War II. There are good comments by folks who clearly know what they’re talking about on conflicts between commanders and on Hannibal’s military tactics and the graphics are combined in a useful way to explain how the battles unfolded. Definitely worth watching.
Interesting excerpt from an item at the BBC:
Standing on a balcony during his visit to Rome’s City Hall, built over the site of a long vanished temple, Benedict sympathised with the plight of modern Romans who are losing jobs and suffering from the economic downturn just like everyone else.
The “Scholar-Pope” was unable to resist the temptation of quoting a line written in Latin, not from the Bible, but by the Roman poet Ovid 2,000 years ago: “Perfer et obdura: multo graviora tulisti.”
“Endure and resist,” he urged. “In the past you have overcome much more difficult situations.”
That’s Tristia 5.11.7 for those of you keeping score at home …