Paul Christesen on Matters Gymnasial

Greek society was not much more accepting of public nudity than modern societies are today, Paul Christesen said.

The Dartmouth College classics associate professor said this may come as a surprise because of the numerous depictions of nudes in Greek art and the ancient Greek practice of participating nude in sports competitions.

But in his lecture “Competition, Violence and Nudity: Sport in Ancient Greek Society,” Christesen explained why nudity in sports competition was the exception that proved the rule. The lecture was presented Monday by the History Honor Society and the Barksdale Lecture Series in collaboration with the Classics Club and the Honors College.

He said the practice of exercising and competing in the nude was one method of keeping working-class men, who because of democracy could not be excluded by law, from competing with upperclassmen. Instead of bullying the working-class men, the upper-class men chose to embarrass them.

The upperclassmen were able to devote more time to their private training in the gymnasiums, where they were free to be nude outside without fear of public display thanks to high enclosure walls. By being able to exercise nude in the sun, they were able to tan evenly, unlike the working-class men, who had what is commonly called farmer’s tans.

This uneven tanning was a point of deep embarrassment for the working-class men, who were referred to by the upperclassmen as “white-rumps.”

Alumnus Jim Perry said he enjoyed the topic.

“The premise was interesting and the evidence given was well supported,” he said. “It was interesting that even the Greeks thought farmer’s tans were funny.”

Christesen said before the earliest stages of democracy, the city-states of Greece were run by aristocratic families, and people not born into these bloodlines were excluded from politics completely.

History senior Karra O’Connell helped organize the event.

“I think it’s important for people to understand different aspects of history,” she said. “We do a wide range of talks because it’s good for students to have an extra intellectual stimulant.”

Before democracy was instituted, only about 5 percent of men were able to compete in sports. That number rose to between 35 and 40 percent when democracy was introduced. In the political and sports arenas, it became necessary for people to learn to deal with the changes.

“Societies need to find a balance between order, which is insisting that people obey the rules, and autonomy, allowing the people certain freedoms,” Christesen said.

He made the point that sports was and remains a solid means of helping people learn to obey the rules, function in groups, and deal with losing as well as winning. Christesen said all the schools that were cutting their sports programs might unknowingly be contributing to future societal problems.

“It was pertinent that he emphasized the budget cuts on sports right now and how they could effect our society on a greater scale than we think,” nursing senior Erin Santos said.

via Lecture focuses on reasoning behind nudity in ancient Greek sports | The Shorthorn.

Carandini Concerned for Hadrian’s Villa

In the wake of the collapse at the Domus Aurea a week or so ago, Andrea Carandini has voiced his concerns that something similar/worse lies in store for Hadrian’s Villa … here’s the incipit of a piece at Il Messaggero:

«Temo che quello che è accaduto martedì alla Domus Aurea possa capitare anche a Villa Adriana». Sono le parole di Andrea Carandini, presidente del Consiglio superiore dei Beni Culturali, dopo il crollo che ha interessato ieri parte del soffitto dell’edificio. «A Villa Adriana per non arrivare al disastro – ha detto Carandini – sarebbe fondamentale operare un monitoraggio continuo, ma l’idea prevalente è che se cade un muro lo si può sempre ricostruire. Invece quella struttura, con il crollo, non ci sarà più e sarà sostituita solo da un surrogato. Anche Villa Adriana rientra nell’allarme già lanciato. Dopo l’attenzione generata dal crollo alla Domus Aurea, bisogna evitare il ritorno alla sonnolenza. La prevenzione non è entrata bene nel nostro modo di pensare ma è una strada che costa meno dei restauri».

The article goes on to mention one of the folks in charge of safety at the Domus Aurea suggesting it will take more than a year and a half to restore the collapsed portion and make it safe again. There is also some criticism (by  (former minister of culture?)  Giovanna Melandri) of budgetary cuts to archaeological protection of close to 15% compared to last year. In contrast, another voice praises the minister Bondi for his willingness to listen to and cooperate with archaeologists. I still can’t figure out heritage issues in Italy …

via Crollo Domus Aurea, Carandini: «Si teme anche per Villa Adriana» – Il Messaggero.

Helping to save Italy’s Archaeological Heritage

Seen on various lists and Facebook groups (please send any responses to the folks mentioned in the quoted text, not to rogueclassicism!):

Dear List Members,

I’m writing as the Vice-President of Professional Responsibilities for
the Archaeological Institute of America and asking you to join me in
protecting Italy’s archaeological heritage. As most on this list will
know, looting continues to threaten Italian sites and you can help
ensure that the United States has effective tools to stop the import
of undocumented Greek, Roman, and Etruscan antiquities from that
country.

On May 6th the Cultural Property Advisory Committee (CPAC) of the US
State Dept. will review the Memorandum of Understanding (MoU) between
the US and Italy that governs the trade in antiquities between the two
countries. The committee has asked for public comments, with a
deadline of April 22nd. Your input is extremely important in this
process.

For those already inclined to write, attachments can be sent to
culprop AT state.gov . The AIA has set up a web page at:

http://www.archaeological.org/cpac .

This page has templates with the e-mail address as well as a fax
number. There is also further information for those who want to know
more about CPAC and the MoU process.

It is extremely important that members of the public, educators and
students write letters in support of this agreement. Looting in Italy
remains a pervasive problem and a one page letter from you will help
ensure that the MoU is extended, which is not a certain outcome.

While many US museums have recently adopted more reasonable
acquisition policies, those of us interested in preserving
archaeological resources for both public enjoyment and for research
face a well-funded opposition with clear commercial interests in the
matter and with paid legal representation. Letters to CPAC make a huge
difference in offsetting the misunderstandings they push.

With many thanks for your time,

Sebastian Heath, Ph.D.
Vice-President for Professional Responsibilities,
Archaeological Institute of America.

p.s. When you write, do *not* send your letter by regular mail.
Security procedures mean that it will not get to CPAC by the 22nd.

Hollywood and the Classics Redux

A very good piece from the BBC … with the usual observation on the effect of movies on Classics enrollment in universities.  And yet, we hear Classics is in a state of semi-crisis in the UK … How does that compute?

Fifty years ago, the story of Clash of the Titans – now a 3D movie starring Avatar’s Sam Worthington – would have been familiar to many school pupils.

Classics – the study of the languages, society and history of ancient Greece and Rome – was part of the grammar school curriculum.

Now only a minority of children study this in any depth – but the resurgence of the “sword and sandals” epic on screen has seen a corresponding rise in the number of applicants to study the subject at university.

“It all started with Gladiator 10 years ago,” says Dr Carl Buckland, part of the Classical Studies department at Nottingham University.

“We saw a spike in applications then, and that happened too with Troy and 300. This year we’re expecting another rise.”

There are indeed a slew of these kind of films on release in 2010 – from tales of Greek mythology, like Clash of the Titans and Percy Jackson and the Lightning Thief, to Roman history in Centurion and Eagle of the Ninth.

For those in search of something slightly more highbrow, Rachel Weisz stars in Agora, the true story of a female Roman philosopher, Hypatia of Alexandria.

“They’re about themes we can all relate to,” says actor Sam Worthington, when asked why 3000-year-old stories were still in vogue.

“I see the story of Perseus in Clash of the Titans as a story about family, a man’s search for connecting with his father (in this case, the god Zeus) and standing against a common enemy.

“That’s why we can still understand these stories, because they’re about things which are still important to us today, but the ancient setting illuminates them a bit better.”

“They’re accounts of events at pivotal moments of history,” explains TV historian Lucy Moore.

“These are often happenings which are as epic and monumental as say, World War II seems to us. And so much of classical history has shaped the society, language and politics of modern life.”

‘Gory stories’

When classical studies are now all but ignored on school timetables, it’s often down to films and video games, to generate interest in the subject.

Some movies, like the Percy Jackson series (based on the best-selling books) are specifically aimed at children, and see Percy battling classical figures like Medusa and Poseidon in downtown New York.

Others are more violent – especially in the gaming world. Popular titles like God of War and Dante’s Inferno, which are rooted in classical literature, have an 18 rating.

Yet according to experts, they may not be too far removed from the truth about war in the ancient world.

“They are obviously going to pick out the most gory stories, the ones that appeal to teenagers, but we have to remember that war in that era was done with swords and spears,” comments Carl Buckland.

“It was very bloody, very slow and very unpleasant. The Romans, as we know, loved to watch gladiators and animals fighting each other. They had a certain enjoyment of violence and we still have that as a society, even if it tends to be just on screen now.”

“These games can take you to the Napoleonic wars, ancient China and feudal Japan,” adds Lucy Moore. “It’s just a different way of learning history these days.”

Hollywood bosses clearly think the genre has the Midas touch – but the story sometimes suffers in the quest for special effects. There are plenty of inaccuracies in Clash of the Titans alone.

Modern metaphor

The monster Perseus battles is known as the Cetus in Greek antiquity; here it’s the Kraken – a Norse beastie who also pops up in Pirates of the Caribbean.

Medusa, the Gorgon who could turn men to stone, did have hair made of serpents – this movie gives her a gigantic tail too. And in mythology, Perseus married a princess, Andromeda. In the movie, he seems keener on Gemma Arterton’s character, Io, a nymph.

“I personally think any kind of access people have to these stories is great,” says Dr Buckland.

“I don’t see any kind of problem in starting off with something fairly simplistic if that sparks their interest.

“It would be great if people could start to understand how remarkably similar the ancient world was to ours today.

“For instance, in 2004’s Troy, the director Wolfgang Peterson set out deliberately to make the story of the Iliad a metaphor for the American war in Iraq in 2003.

“You are hard put to separate the good guys from the bad guys, but you do see the Greeks (the Americans) as more aggressive and the Trojans (the Iraqis) thrust in a situation that’s not of their making.”

Most universities will now accept students with no prior knowledge of ancient Greek or Latin in order to study Classics.

The languages may be all but dead – at least modern entertainment is ensuring these ancient tales live on.

What we need is someone to do an in-depth study of enrollments in Classics courses before and after things like Clash of the Titans and see how much ‘spinoff revenue’ these movies make for universities which offer Classics programs. It would be interesting to also see if there are more folks going into degree programs in the wake of such things …
via BBC News – Hollywood’s love affair with the Classics.