Circumundique ~ 10/21/11

A couple days’ worth … some appear to have disappeared amidst computer problems at school and IOS5 installation nuttiness:

CONF: Animating Antiquity – Harryhausen and the Classical Tradition

Seen on the Classicists list:

ANIMATING ANTIQUITY: HARRYHAUSEN AND THE CLASSICAL TRADITION

Wednesday 9th November 2011, 10 a.m. – 6 p.m.

National Media Museum, Bradford, BD1 1NQ

Co-organised by Steve Green and Penny Goodman (Leeds)

The conference takes a ‘Janus-like’ approach to the relationship between Ray Harryhausen’s films and the classical world of myth by exploring not only the influence of the ancient world on Harryhausen but also the ways in which Harryhausen in his turn has shaped popular imaginings of the classical world in more recent times and media.

Further details about the event, in terms of speakers, paper abstracts and conference schedule, are available from a dedicated website: http://enduringcreatures.blogspot.com/.

We are now inviting delegates to book a place at this conference by using the University of Leeds online payment service. You can access this by going to store.leeds.ac.uk and then choosing ‘Product Catalogue’, followed by ‘Faculty of Arts’ and then ‘Classics Harryhausen Conference’. The direct link seems to be:
http://store.leeds.ac.uk/browse/extra_info.asp?compid=1&catid=345&modid=1&prodid=2438&deptid=26&prodvarid=0

If anyone has any further questions, please feel free to contact either Steve Green (s.j.green AT leeds.ac.uk) or Penny Goodman (p.j.goodman AT leeds.ac.uk)

CFP: Masks, Echoes, Shadows colloquium

Seen on the Classicists list:

CALL FOR PAPERS
Masks, Echoes, Shadows: Locating Classical Receptions in the Cinema
29 May 2012, Institute of Classical Studies, London

Cinema’s fascination with the classical past can take many forms. In recent years, scholarly and popular attention has mostly been directed at films that recreate and reconstruct the narratives of ancient history and mythology, such as Gladiator and Clash of the Titans. Alongside these high-profile titles, though, are a wide range of other films whose relationship to antiquity may be much more intangible and ephemeral. Whether identifying Homeric references in O Brother, Where art Thou? or Mike Leigh’s Naked, assessing Star Wars’ debt to Roman history, or examining the recurrence of the Oedipus story in the cinema, there are a multitude of ways in which shadows of the past can be detected, classical motifs can be masked and unmasked, and echoes of ancient texts or events can reverberate. Recent publications by scholars such as Martin Winkler and Simon Goldhill have advanced this area of classical reception studies, but the underlying theoretical issues require further attention.

For example:

· What is at stake in making such connections? How far can we go in claiming a relationship between a film and a classical text, or idea?

· Whose reading bears the most authority, and how far can the relationship between ancient and modern be stretched before it becomes implausible or irrelevant?

· How do such propositions intersect with existing frameworks for classical reception study?

This one-day colloquium therefore aims to bring together scholars and students of classics and film in order to discuss new research in this area. We welcome proposals for 20-minute papers on classical connections (broadly conceived) in any films which are, by and large, not set in antiquity (whether a historical or mythical ancient world) and which are not readily understood as adaptations of ancient texts (although a key area of debate will be the questioning of what constitutes an adaptation); we would expect all contributors to engage with the theoretical implications of their chosen case studies.

300 word abstracts should be submitted to both colloquium organisers by Friday December 16, 2011.

Organisers:

Anastasia Bakogianni, Open University (a.bakogianni AT open.ac.uk)

and

Joanna Paul, Open University (Joanna.Paul AT open.ac.uk)

CFP: APA Panel on ‘Campanian Cultures’, Jan 2013

Seen on the Classicists list:

APA 144th Annual Meeting: 3-6 January 2013, Seattle, WA
Campanian Cultures: Poetics, Location and Identity
Panel Organizers: Ian Fielding (Warwick); Carole Newlands (UC-Boulder)

The region of Campania was an important point of intersection between the cultures of antiquity. As the center of the Greek colonial presence in mainland Italy, Campania later became a focus for Roman interest in Hellenistic culture. For educated individuals like Cicero, Seneca and Pliny the Younger, the region was associated with artistic and intellectual pursuits, but also with the pursuit of luxury and excess. The history of Campania’s relationship with Rome has been traced in e.g. D’Arms 1970, Frederiksen 1984, Lomas 1993 and Leiwo 1994. The purpose of this panel is to prompt new inquiries into Campania’s distinctive multicultural identity.

With the wealth of textual and material evidence from ancient Campania, this panel will allow specialists from across a broad disciplinary spectrum to examine the interaction of different forms of cultural practice in the development of local identity. Papers might seek (1) to situate literary representations of Campania within their social and historical contexts, or (2) to consider how those representations were themselves influential in cultivating the region’s identity.

Significant issues to be considered include, for (1): how distinct were the individual towns and cities within Campania, and what kind of relationships existed between them? For instance, the strong sense of Greekness maintained in Naples has been shown to have an important bearing on the poetry of Statius, a native of the city. But is it possible to account for cultural variations between texts from Naples and texts from the surrounding area? For (2): how can the literary representations of specific loci within Campania be seen to figure the local and trans-local (Greek, Roman, Oscan) aspects of the region’s identity? Virgil, for example, depicts places such as Cumae and Lake Avernus in terms of the Greek literary tradition, and his association with the Bay of Naples continued to attract poetic imitators, such as Silius Italicus.

Contributors are invited to consider not only Campania’s development before and during the Roman period, but also its reception in later traditions of antiquity. In the Middle Ages and the Renaissance, long after the decline of its material resources, the area around Baiae retained much of the cultural significance it had held in the classical period. Through an examination of Campania’s varied cultural legacy, this panel aims to further our appreciation of its importance for the history of classical literature.

Abstracts must be received in the APA office by February 1, 2012. Please send an anonymous abstract as a PDF attachment to apameetings AT sas.upenn.edu. Be sure to mention the title of the panel and provide complete contact information and any AV requests in the body of your email. All submissions will be reviewed anonymously. You will be notified of our decision by March 1, 2012.

CFP: Tyrannical Government and the People

Seen on the Classicists list:

CALL FOR PAPERS: TYRANNICAL GOVERNMENT AND THE PEOPLE

A panel to be held at the Seventh Celtic Classics Conference, with, and at,
L’Université de Bordeaux III and the Ausonius Institute, Bordeaux, 5th-8th
September 2012.

Confirmed speakers include: James McGlew (Rutgers), Ivan Jordovic
(University of Novi Sad), Greg Anderson (Ohio State University), Claudia de
Oliveira-Gomes (Université François-Rabelais, Tours), Efrem Zambon (Venice).

Cruel oppressors or popular heroes? Distant figureheads or approachable
rulers? Exploitative regimes or protectors of the masses? The relationship
between tyrannical rulers and the people has been a topic of contention
among ancient and modern historians alike. This panel will consider rulers
and regimes from archaic Greece to imperial Rome, and across the
Mediterranean, to explore the interdependence between tyrannical and
autocratic rulers and the people, and the ways in which their interactions
influenced political forms and institutions.

Please submit proposals for 40-minute papers, including a title and an
abstract of no more than 250 words, by 15th January 2012; submissions from
postgraduate students are also welcome. The languages of the conference are
English and French, and submissions are invited in either language.

Proposals (and all queries) should be sent to Dr Sian Lewis
(sl50 AT st-andrews.ac.uk), School of Classics, University of St Andrews, St
Andrews, Fife, United Kingdom, KY16 9AL.