CJ Online Review: Gowers, Horace Satires Book I

posted with permission

Horace: Satires Book I. Edited by Emily Gowers. Cambridge and New York: Cambridge University Press, 2012. Pp. xi + 370. Hardcover, £60.00/$99.00. ISBN 978-0-521-45220-5. Paper, £23.99/$40.00. ISBN 978-0-521-45851-1.

Reviewed by Amy Richlin, University of California, Los Angeles

Richly abundant as the lanx satura, Gowers’ long-awaited commentary serves up Horace’s first book of Satires, bursting with two decades’ thought. Gowers began publishing on Horace in 1993, the year in which she brought out The Loaded Table, and that long span of work informs this current product.[[1]] Hallelujah, for the cryptic Satires I needed a good commentary to make some sense of it all.

Making sense of the book as a whole is just what Gowers sets out to do; in a neat ring-composition, she explains on page 1 that “the full reinstatement of Satires I is in progress [as] a ten-poem pre-Augustan poetry book,” and concludes the notes to 1.10 on p. 338 with, “H.’s loose chartae … have finally been pulled together into a self-respecting poetry book.” In making her case, Gowers treats the state of the question as a team effort, the combined thoughts of many scholars. Unusually for a commentator, she presents a complete reading of her text across the notes and separate introductions: the poems are autobiographical but deliberately un-pin-down-able; in 1.9, for example, “he takes the part of a satirist to suit the times, inoffensive, reticent and passive-aggressive,” teasing his reader (281). At the same time, Gowers presents all sides of disputed points and a generous helping of others’ ideas, with a superb bibliography. Her main interlocutors here are Kirk Freudenburg and John Henderson, but no dogma dominates.

The most loving attention is devoted to detail, including meter. Likewise excellent are the notes on Roman culture (for example, on barbershops ad 1.7.3) and the dramatis personae (for example, on Hermogenes Tigellius ad 1.2.3, or the literary cliques in 1.10). Yet Gowers wears her learning lightly, with never an unkind word. Her particular strengths in the Bakhtinian side of satire show well in her treatment of 1.2, 1.5, 1.7, and 1.8, several of which have suffered from scholarly neglect due to their subject matter; here they are treated as respect-worthy parts of that self-respecting poetry book. Her own style is entirely suited to the Sermones—chatty, witty: so on Forum Appi, “a well-known dump of a town” (ad 1.5.3); on one leg of the trip to Brundisium, “a rare line of latitude in a longitudinal poem” (ad 1.5.26); on “the chutzpah of [Horace’s] freedman father” (214—a rare sighting of Yiddish in a Cambridge green-and-yellow); the battle between Persius and Rex, “a seedy courtroom aristeia” (ad 1.7.1-4).

The book is hugely welcome to the teacher of satire, previously dependent on P. Michael Brown’s necessarily much more concise version in the Aris & Phillips series (1993), Kiessling–Heinze (7th ed., 1957), and the shelves of old school texts whose communis opinio goes back at least to the seventeenth century, some of it still quietly persisting here (though Gowers is very good about divulging the lineage of ideas with long ones).[[2]] The book is still not without issues. As commonly in the green-and-yellows, there is no apparatus criticus, although the notes do discuss points Gowers considers crucial. The general index is sketchy, and a book this dense needs an index locorum; buried within lies a parallel between the text of Horace and that of ps.-Sulpicia (imitator of the satirist), and without me you would not know to look for it ad 5.53–4.[[3]] I would have liked a list of the places where Gowers draws connections between Satires I and the Epodes, and especially all the ties to Persius and Juvenal, of whom I would have liked to see more; so also Ennius is well represented in the notes, Plautus hardly at all, although Lucilius receives full and first-rate attention. As does Bion, who plays a large part in Gowers’ reading of the philosophical aspects of the sermonizing satires, helping the reader to stay awake through Satires 1.1 and 1.3. I would have liked to see more on the reception of a book that served as a school text, with Persius and Juvenal, almost continuously from antiquity to the 1800s. Greedy to ask for more when so much is given; indeed, the book has the faults of its virtues (est brevitate opus, 1.10.9), often repetitive, sometimes too generous in the attention given to far-fetched observations, usually others’—sort-of palindromes, quasi-rhymes, “unspoken puns” that “float in the air” (251). In stretches, there is too much glossing for ideal classroom use, especially ad 1.6, 1.9.52–78, and 1.10.2–35. This is not immediately noticeable since the glosses are separated by vast stretches of commentary; those students who most need help will be the least inclined to dig through the lemmata in search of help on vocabulary and grammar, which, however, is handsomely provided. Almost never did I think a reading was just wrong (but see ad 1.8.39, 47). The book well serves the advanced students and their instructors who constitute this series’ readership.

As for today’s usual problem, I read every word and found a total of five typographical errors in the commentary, all in punctuation but one (318, line 4, for “H.’s” read “His”—Cicero’s, not Horace’s). There is, oddly, a typo in the Latin text at 5.31 (optimus has slipped in before atque, echoing line 27), and assisto at 6.114 is mysteriously italicized. In short, a miracle of accuracy in the current deplorable state of book production.

Morris Zapp’s monumental work on Jane Austen, he hoped, would put an end to all further writing on the subject.[[4]] After reading this commentary, it is hard to think what could be left to say about Horace Satires I; whatever it is will certainly be much better-informed than before Gowers.


[[1]] Emily Gowers, The Loaded Table: Representations of Food in Roman Literature (Oxford, 1993). Articles appeared on S. 1.5 (1993), 1.7 (2002), 1.4 (2009), and 1.6 (2009), along with several general articles.

[[2]] P. Michael Brown, ed., Horace Satires I (Warminster, 1993, 1995): with a short bibliography and introduction, facing translation in English, and brief notes, useful but keyed to the translation. Brown’s observation on S. 1.7, “perhaps included as a make-weight,” marks his distance from Gowers’ approach.

[[3]] Density: Compare Elaine Fantham’s exemplary Lucan De Bello Civili Book II, also in the green-and-yellow series (1992): 23 pages of text, 147 pages of commentary; Gowers has 26 pages of text, 281 pages of commentary. The pages in Fantham’s Lucan are also much smaller, the paper much better, and the ink, for reasons best known to the press, much blacker.

[[4]] David Lodge, Changing Places (London, 1975) 35.

Arsinoe’s Tomb Redux? Really?

I note that Hilke Thur seems to be still giving talks on the Arsinoe thing (e.g. Archaeologist says bones found in Turkey are probably those of Cleopatra’s half-sister in the Charlotte Observer), so we’ll take this opportunity to gather in one place all the relevant posts:

  • From Sword to Asp (futher thoughts … we’ll probably be referring to this post in a few days when we post another review)

Jenny Strauss Clay et al, “Mapping the Catalog of Ships”

The Digital Classicist people are definitely in the forefront of putting conferences online … over the next few days we’ll post their latest efforts (the conference was in December 2012), beginning with this one, which includes the abstract to the talk, a video of the talk, and video of the discussion afterwards:

Bryn Mawr Classical Reviews

  • 2013.02.46:  Burkhard Fehr, Becoming Good Democrats and Wives: Civil Education and Female Socialization on the Parthenon Frieze. Hephaistos. Kritische Zeitschrift zu Theorie und Praxis der Archäologie und angrenzender Gebiete / New approaches to classical archaeology and related fields.bmcr2
  • 2013.02.45:  Jennifer Ebbeler, Disciplining Christians: Correction and Community in Augustine’s Letters. Oxford studies in late antiquity.
  • 2013.02.44:  Michaela Stark, Göttliche Kinder: Ikonographische Untersuchung zu den Darstellungskonzeptionen von Gott und Kind bzw. Gott und Mensch in der griechischen Kunst. Potsdamer Altertumswissenschaftliche Beiträge, Bd. 39.
  • 2013.02.43:  Benjamin Acosta-Hughes, Susan A. Stephens, Callimachus in Context: From Plato to the Augustan Poets.
  • 2013.02.42:  Jaime Alvar, Los cultos egipcios en Hispania. Institut des sciences et techniques de l’Antiquité.
  • 2013.02.41:  Walter Gauß, Michael Lindblom, R. Angus K. Smith, James C. Wright, Our Cups Are Full: Pottery and Society in the Aegean Bronze Age. Papers Presented to Jeremy B. Rutter on the Occasion of his 65th Birthday.
  • 2013.02.40:  Peter Van Nuffelen, Rethinking the Gods: Philosophical Readings of Religion in the Post-Hellenistic period. Greek culture in the Roman world
  • 2013.02.39:  Bjørn Lovén, Mette Schaldemose, The Ancient Harbours of the Piraeus: the Zea Shipsheds and Slipways (2 vols.). Monographs of the Danish Institute at Athens, 15.1-2.
  • 2013.02.38:  Heinz-Günther Nesselrath, Libanios: Zeuge einer schwindenden Welt. Standorte in Antike und Christentum, 4.
  • 2013.02.37:  Holger Essler, Glückselig und unsterblich: epikureische Theologie bei Cicero und Philodem (mit einer Edition von Pherc. 152/157, Kol. 8-10). Schwabe Epicurea, 2.
  • 2013.02.36:  Friedemann Drews, Menschliche Willensfreiheit und göttliche Vorsehung bei Augustinus, Proklos, Apuleius und John Milton (2 vols.). Topics in ancient philosophy / Themen der antiken Philosophie, Bd 3.
  • 2013.02.35:  Peter Brown, Through the Eye of a Needle: Wealth, the Fall of Rome, and the Making of Christianity in the West, 350-550 AD.
  • 2013.02.34:  Sewell on Jolivet on Sewell, The Formation of Roman Urbanism.
    Response by Jamie Sewell.
  • 2013.02.33:  M. F. Burnyeat, Explorations in Ancient and Modern Philosophy. (2 vols.).
  • 2013.02.32:  Michael Squire, The Iliad in a Nutshell: Visualizing Epic on the Tabulae Iliacae.
  • 2013.02.31:  Louis Callebat, Priapées. Collection des universités de France. Série latine, 402.
  • 2013.02.30:  Jeffrey A. Becker, Nicola Terrenato, Roman Republican Villas. Architecture, Context, and Ideology.

Eros Mosaic from A-A-A-A-A-dana

Interesting item from Hurriyet:

A mosaic featuring an Eros figure fishing on horse has been found in the southern province of Adana’s Yumurtalık district. The half fish-half horse Eros, which is called Hippocampus in Greek mythology, is claimed to be the one and only such mosaic in the world.

Made up of marble, glass and stone, the mosaic is estimated to date back to the late Roman or early Byzantine era.

The Adana Museum Directorate has initiated archaeological excavations in the region where the mosaic was discovered. One week ago the existence of a villa was determined in the area. The villa was thought to be owned by a top state official and the Eros mosaic was revealed when a part of the villa was excavated.

Yumurtalık Deputy Mayor Erdol Erden said the Eros mosaic was found during a one-week excavation. “We found young and adult Eros figures in the villa. Experts say that these figures were the first and only such figures in the world,” Erden said.

… as often, the original article is accompanied by a photo of the piece which is really interesting … there are a pair of Erotes fishing from the backs of hippocampi … the Erotes also look rather more mature than we’re used to (not the pudgy little kids); the one actually looks like one of the BeeGees …