Getty Gets Some Relief

From a Getty Press Release:

THe J Paul Getty Museum Logo taken from a carv...
THe J Paul Getty Museum Logo taken from a carving at the museum. Photo taken on November 24, 2006 by Brian Davis (Photo credit: Wikipedia)

The J. Paul Getty Museum today placed on view a Decree Relief with Antiochos and Herakles, the first Greek loan to arise from a 2011 framework for cultural cooperation between the Getty and the Hellenic Republic Ministry of Culture.

On loan from the National Archaeological Museum in Athens, the marble relief bears a historical decree, dated to 330 B.C., which honors Prokleides, a military officer (taxiarch) in the Athenian army. The relief will be on view at the Getty Villa for three years in a second-floor gallery devoted to Religious Offerings.

The relief takes the form of a stele, a stone slab decorated with images and text, crowned with the figures of Herakles and his son Antiochos, who was the mythical hero of the tribe Antiochis. Herakles is depicted as an athletic nude, holding a club and the pelt of the Nemean Lion he vanquished, referring to the first of the twelve labors he had to perform. Seemingly the elder, Antiochos wears a dignified mantle and holds a staff (no longer visible, but probably added in pigment). Both father and son heroes were the subject of cult worship, and are shown standing within a small temple framed by columns and a pediment.

Written in ancient Greek below the figures, an inscription describes the honors bestowed upon Prokleides by his soldiers and comrades, all members of an elite infantry corps known as the epilektoi. This is the earliest known inscription referencing the epilektoi, a group of men bound together by their military service, participation in sacrifices and theatrical performances, and membership in the Athenian Council. According to the decree, Kephisokles of the village of Alopeke proposed the resolution to praise Prokleides, who “has well and with distinction taken care of security,” and crown him with a gold diadem worth at least 1,000 drachmas (an enormous sum, considering the average worker in classical Athens could support a family of four on one drachma a day).

Soon after arriving at the Getty, the stele was photographed using a technique that captures the object numerous times with varying degrees of raking light. The resulting composed image reveals the shallow lettering with unprecedented depth and clarity and enables a more accurate reading of the inscription. A transcription of the ancient Greek text, translation, and detail photography of the historical inscription accompanies the installation.

“The Antiochos relief commemorates the affection and respect of troops for their commanding officer,” explains Claire Lyons, acting senior curator of antiquities at the Getty Villa. “We are delighted that it will be on view at the Getty Villa in time for Memorial Day, when we honor the contributions of fallen soldiers to their communities and country.”

This long-term loan results from the Framework for Cultural Cooperation signed in September 2011, which provides for joint scholarship, research projects, loans, and exhibitions between the Getty and the Hellenic Republic. “As part of this framework of cooperation between the Hellenic Republic Ministry of Culture and the Getty Museum, we are pleased to have the Antiochos relief on display at the Getty Villa,” said Maria Vlazaki-Andreadaki, director general of archaeology in Athens. “We believe that this collaboration will promote classical studies in the United States and will spread the values and the spirit of ancient Greek civilization.”

Historical Background

The relief was discovered in 1922 in the foundations of a house in the Athenian neighborhood of Dourgouti. In antiquity, the area was known as Kynosarges and was the site of a public gymnasium and a sanctuary of Herakles, the greatest of the Greek heroes. Believed to have stood in this sanctuary, where several other inscriptions mentioning the tribe Antiochis were found, the relief was a votive dedication erected in a prominent public location befitting a successful military leader.

The Antiochos relief is a primary document of democracy, and the language of its inscription shows that voting and public speech were deeply ingrained in civic life two centuries after the foundation of democratic political institutions in Athens.

The creation of the Attic tribes was the most important feature of the revolutionary reorganization of Athenian politics that followed the overthrow of the tyrants in 508 B.C. In this system, ten tribes composed of approximately 3,000 citizens and their families were created. Each tribe was assigned the name of a mythical Athenian hero: Antiochos was the eponymous hero of the tribe Antiochis.

Drawn from villages in three distinct zones of the Athenian territory—the coast, the inland farming region, and the urban/suburban zone—the tribes represented the entire citizenry of Athens. Josiah Ober, Professor of Political Science and Classics at Stanford University, observes: “Imagine a reorganization of the United States that would require citizens from Maine, Texas, and California to work, fight, and feast together on a regular basis. The communities constituting the tribe of Antiochis included Alopeke, the philosopher Socrates’ home village—so we might even imagine that a descendant of Socrates as among the signatories to the decree.” […]

… the original press release has a smallish image of the relief (the images link doesn’t work!). Art Daily has one that’s rather better:

… which made me think of this, for some reason:

A Dozen Sets of Lorica Segmentata Found in Spain!!!

Saw this on Reddit … hopefully some of the English-speaking press reads rogueclassicism and checks into this … it is an exciting find:

La sede del CCAN, desalojada por el Ayuntamiento hace meses, escondía un auténtico ‘tesoro’ romano. Las excavaciones que se están llevando a cabo en el inmueble, que en el futuro se convertirá en aula arqueológica del León Romano, han sacado a la luz fragmentos de una veintena de corazas de soldados de la Legio VII. Una auténtica ‘mina’.

Unos hallazgos sin precedentes, según el arqueólogo municipal, Victorino García, «tanto por la cantidad como por la calidad de las armaduras que han aparecido». Y eso que apenas se ha excavado en una mínima parte en este lado del edificio, por lo que no se descartan nuevos descubrimientos en los próximos días, que convertirían a la Casona de Víctor de los Ríos en un enclave de excepcional valor.

En la parcela de 800 metros cuadrados que hay en la trasera del edificio ya aparecieron a finales de los años noventa las primeras pruebas de la existencia de la Legio VI. En aquella excavación se extrajo parte de la coraza de un legionario, que hoy puede contemplarse en una vitrina del Museo de León.

Hace un año los trabajadores de Decolesa, empresa que está restaurando el edificio de Puerta Castillo, descubrieron en el subsuelo de la Casona de Víctor de los Ríos una lucerna (lámpara de aceite) y restos de otras tres corazas romanas.

Ahora, en la parte de la Casona que ocupó durante décadas el CCAN, han aparecido importantes piezas de lorica segmentata, la armadura que utilizaban los soldados romanos.

Se trata de un tipo de coraza que supuso toda una revolución, porque se desmontaba con facilidad — soltando las hebillas y cierres, que se ajustaban con tiras de cuero—, era más cómoda de llevar, se podía guardar en un espacio más reducido y, por tanto, era más fácil de transportar, puesto que era posible separarla en cuatro secciones.

El nombre de la coraza que usaban los legionarios —lorica segmentata— hace alusión a la división en placas metálicas de la armadura que portaban las legiones en la época de máximo esplendor, ya que eran muy costosas y exigían hábiles herreros en su confección. Un hallazgo insólito

Para valorar la importancia de los hallazgos de Santa Marina hay que tener en cuenta que uno de los grandes hitos arqueológicos fue el descubrimiento, en 1964, en las excavaciones en Corbridge (Reino Unido), de fragmentos de tres loricas.

Sólo los legionarios, y a veces los pretorianos, llevaban armaduras como las halladas en la Casona de Víctor de los Ríos. Las fuerzas auxiliares, en cambio, portaban la lorica hamata (cota de malla) o la lorica squamata (armadura de escamas de metal superpuestas). Debido a su particular estructura, la construcción de la lorica segmentata era muy costosa; por ello, entre los siglos II y III, este tipo de armadura dejó de usarse.

Las obras en la futura sede del León Romano, que comenzaron hace siete años, se prolongarán hasta el 2013, después de que el Ministerio de Cultura haya habilitado una partida de 568.610 euros para el actual ejercicio y otros 654.258 euros para el próximo.

The gist is that archaeologists have found a dozen sets of armour of the lorica segmentata type from soldiers of the Legio VII (and maybe VI as well?) at Casona de Puerta Castillo. I can’t tell if it’s just armour they’ve found or whether there are bodies in it, but lorica segmentata was pretty darned expensive to produce in either case, so finding so many sets is a pretty major thing …

William Murray Looks at Naval Warfare in the Ancient Mediterranean

Nice feature in USF News on William Murray’s ongoing research:

Shipping and Greek culture connect University of South Florida Professor William Murray and Aristotle Onassis, a legendary titan in the shipping industry – a connection born of Murray’s lifelong love of sailing and the Onassis legacy.

More than three decades of research about some of the world’s oldest ships made Murray the perfect choice to launch a new book series sponsored by the prestigious Onassis Foundation in cooperation with Oxford University Press. The new Onassis Series in Hellenic Culture features books on topics presented in the Foundation’s highly-respected University Seminar Program, which selected Murray as a professor in 2007.

Others selected for the series include Professors Alain Bresson, University of Chicago; Simon Goldhill, University of Cambridge; Edith Hall, University of London; Mary Lefkowitz, Wellesley College; Henry Maguire, Johns Hopkins University; Claudia Rapp, UCLA; and Tim Whitmarsh from Corpus Christi College, Oxford. Each author is an eminent authority on an aspect of Hellenic or Byzantine history or culture.

In March, Murray introduced the first volume of this new series to a standing-room only audience in the Atrium of the Olympic Cultural Center in Manhattan. His groundbreaking book, The Age of the Titans: The Rise and Fall of the Great Hellenistic Navies, tells the story of the world’s first naval arms race. He explains, using fascinating new insights, how powerful kings built warships that were longer than football fields and crewed by thousands of men.

Murray, The Mary and Gus Stathis Professor of Greek History, in the Department of History at USF, always tries to marry archaeology with history, particularly as concerns the sea and maritime culture. That pursuit has led him to numerous archeological projects in Greece, Israel and Turkey, on land and underwater.

Having immersed himself in examining the artifacts and details of life from ancient Greece and Rome, Murray speaks with great authority. His love of the subject infuses his descriptions of the period with the kind of enthusiasm that makes his students feel he’s reporting from experience.

He’s particularly fascinated by the warships. Though none have survived in their entirety, shipwrecks have provided important pieces of evidence to support descriptions recorded from that era.

“We know that the largest weighed hundreds of tons and were crewed by more than a thousand men,” Murray said. “An important feature was the ship’s bow ram, a large bronze warhead of extraordinary workmanship and technical sophistication.”

He traces the roots of the naval arms race to slightly before 400 BC, when warships were first used to support siege warfare, attacking one another in prow-to-prow collisions. The game changer came in 332 BC.

“When Alexander used his navy to attack the island city of Tyre, it was as if he dropped an atomic bomb,” Murray said. “He used ships fitted with artillery and siege machinery to pound the city walls and break through the harbor defenses in ways that astounded both his friends and enemies. Thereafter, naval warfare was never the same.

“Alexander owed his success to his father Philip II, who had put together an ‘army corps of engineers’ whose R&D efforts jump-started the evolution to enormous vessels armed at the bow with ponderous bronze rams, driven by hundreds of oarsmen seated on multiple levels.”

When asked what drove such military research, Murray said, “policymakers and need. Phillip challenged his engineers to shorten his sieges of coastal cities and they responded by drawing up the plans that his son put into practice at Tyre. Alexander’s use of warships as integral parts of a new naval siege unit was revolutionary.”

Past researchers have focused their efforts on the big ships themselves – theorizing how they were rowed – but Murray wanted to know the answer to another question, namely, “what were big ships built to achieve?”

To get the answer, he combed through ancient texts and became more and more convinced that concrete strategic objectives drove the invention and development of larger than normal galleys. “The answer was so simple,” he said, “I wondered why no one else had come up with it before. The big ships were developed to attack and defend coastal cities – to literally bash through physical barriers strung across harbor mouths – and not to participate in duels with other big ships in set naval battles.”

A chance string of discoveries by others – one in 1913, another in 1980 – followed by a few “eureka” moments of his own started Murray on this line of reasoning.

While a graduate student at the American School of Classical Studies in Greece, he saw the partially excavated, overgrown weed-filled site of an ancient victory monument. It had been built by Augustus to commemorate his victory over Anthony and Cleopatra in the famous Actian War. More than 200,000 troops and 800 ships are said to have taken part in that historic fight for control of the Roman Empire.

“Overlooking the battle zone, on the side of a hill where Augustus had pitched his tent, one can still see the ghostly outlines of warship rams preserved in the stone facade of the monument,” Murray said.

When he first saw the site in 1973, he recognized its importance but was unable to explain how oddly shaped holes in the facade held bronze warheads from the enemy fleet. The key was pulled from the sea seven years later in 1980, when an intact warship ram was found near Haifa, Israel.

“At the time, I was helping to excavate Herod’s harbor at Caesarea,” Murray said, “and someone casually suggested I hop on the bus up to Haifa to see what they’d found.” Murray smiled as he recalled the moment when he first saw what is now known as the Athlit Ram. “Someone threw a switch on the light bulb in my head and I experienced the biggest eureka moment of my professional life.” Thereafter he knew how the rams were mounted in the peculiar holes on Augustus’ victory monument.

Murray was now certain that the wall displayed 37 warheads cut by the victor from the bows of Antony’s and Cleopatra’s biggest ships. “The number surely represented a tithe or 10 percent dedication from the 370 warships that Augustus captured during the war,” Murray explained.

The holes also exhibited a range of sizes, and all held much larger rams than the one from Israel, which weighed half a ton.

“Anthony and Cleopatra clearly revived the big ship phenomenon after a period when big ships were being used less and less, just as the ancient histories tell us,” Murray said. “And their defeat at Actium spelled the end of an era in naval history.”

Faced with the size, weight, and raw power these rams represented, Murray began to question old theories and formulate new answers. The ram from Israel and the enormous warheads from Actium were telling a new story and Murray wanted to piece it together.

He read all he could about ancient warships, known by different names that referred to their relative oar power – the most popular being “threes,” “fours,” and “fives,” the smallest being “ones,” the largest a “forty.” Murray gathered the evidence for their different crew sizes, the armaments they carried, and their characteristics in battle. But he wanted to know more. He began to question a lot of assumptions and presumptions historians had made up to this point.

Hints and clues would come from some of history’s most colorful leading characters: not only Alexander the Great, and his father Phillip II of Macedon, but also the generals who fought for his empire after he died in 323. These included men like Antigonus “One Eye,” Demetrius “The Besieger of Cities,” and a long line of Ptolemies, including Cleopatra VII and her Roman ally Marcus Antonius.

The precise plans of these last two have been the subject of speculation since the period of their infamous love affair and war with Augustus Caesar, then known as Octavian.

Dio Cassius, a Greek historian who lived two centuries after their defeat, wrote that the pair intended to invade Italy and oust Octavian and his men from power. Later historians thought Cassius was speculating. Murray’s conclusions about big ship navies and their uses, however, support Dio’s assertion and challenge long-held assumptions about the pair’s ultimate objectives.

“When I started the book, I did not intend to say anything new about Actium, but when I got to this point of the narrative, the big ships made no sense unless Antony and Cleopatra really planned to invade Italy. Otherwise, we must conclude they were ignorant of three centuries of naval history.”

But this was only part of the story. Murray was not entirely satisfied with historians’ other assumptions about how big ships were used in battle.

“Most everyone agrees that the smaller ships relied on their light weight and superior maneuverability to attack their enemies with ram strikes. But monstrous rams and the big ships they armed must have been used for purposes other than combat in set naval battles.”

It was an ancient handbook that became the lynchpin of his new way of looking at things – the writings of an ancient ‘military consultant’ – Philo of Byzantium. His Compendium of Mechanics provided Murray with the “how-to” book on conducting sieges of coastal cities during the height of the big ship era. It supports Murray’s new assertion that yesterday’s navies used their bow rams not only on other ships but on harbor fortifications – a new idea at the core of Murray’s new book.

Long troubled by the fact that no other scholar came to this conclusion before, he found that Philo’s work was largely unreadable prior to 1920. As a result the document was ignored by 19th and 20th century scholars who formulated the current models of naval power. Thereafter, when a readable text of Philo was published, no one noticed his advice about using big ships to attack cities. This was true until Murray read the text in 1996 and was rewarded with a goldmine of information about the uses of big ships in siege warfare.

According to Murray, much remains to be done. In 2009, for example, he enlisted the help of USF’s Alliance for Integrated Spatial Technologies (AIST) who scanned the Actium Victory Monument with 3D laser scanners.

Working from these data, Murray and a team of computer modelers are creating “virtual rams” to fit the complex holes of the monument.

“With the scan data, we can do some ‘reverse’ engineering to recreate not only the rams, but also the timbers of each warship’s bow,” he said.

The ultimate goal? To conduct crash tests on the different sizes of ships they produce.

Murray eventually hopes to simulate battle maneuvers and thus gain a sense of the physical reality involved in ship attacks on one another – and on land fortifications. When he does, he’ll have even more to share with his fellow scholars at the Onassis Foundation and beyond. This month he’s sharing his research and details from his book during a cruise of the Aegean and will join an expedition in Sicily searching for ancient warship rams.

“When you dig into the details, you can end up rewriting history or at least furthering the discussion,” Murray said. “That, and the use of new technologies to visualize and then refine what we could only dream about as recently as 10 years ago … that’s what makes this work so exciting and so satisfying.”

Tomb of St Philip Followup

St. Philip, from Rubens' famous Apostle Series
St. Philip, from Rubens’ famous Apostle Series (Photo credit: Wikipedia)

Last summer we had some vague reports of Francesco D’Andria’s discovery of the tomb of St Philip in a Hellenistic/Roman necropolis in Hierapolis (Tomb of St Philip?) … today, Zenit has an interview with D’Andria which fleshes out some of the details … we begin our excerpt after some info on Philip’s background:

[…]

ZENIT: When did research begin on St. Philip’s tomb in Hierapolis?

D’Andria: In 1957, thanks to professor Paolo Verzone, who taught engineering at Turin’s Polytechnic and was very passionate about archaeological research. An agreement was stipulated between the Italian and Turkish Republics, which enabled our team of archaeologists to carry out searches in Hierapolis. Professor Verzone was the first director of that mission. He began immediately, of course, to look for the Apostle Philip’s tomb. He concentrated the excavations on a monument that was already visible in part and known as the church of St. Philip, and he discovered an extraordinary octagonal church, a genuine masterpiece of Byzantine architecture of the fifth century, with wonderful arches in travertine stone.

All this complex of constructions made with so much care and detail made one think that it was a great church of pilgrimage, a very important shrine, and Professor Verzone identified it as the Martyrion, namely the martyrial church of St. Philip. And therefore he thought that it was built on the saint’s tomb. Hence he had several excavations carried out in the area of the main altar, but he never found anything that made one think of a tomb.

I myself thought the tomb was in the area of the church, but in 2000, when I became director of the Italian archaeological mission of Hierapolis, by concession of the Ministry of Culture of Turkey, I changed my opinion.

ZENIT: Why?

D’Andria: All the excavations carried out over so many years had no result. I also carried out research through geo-physical explorations, that is, special explorations of the subsoil, and not obtaining anything, I was convinced we had to look elsewhere, still in the same area but in another direction.

ZENIT: And towards what did you direct your research?

D’Andria: My collaborators and I studied a series of satellite photos of the area carefully, and the observations of a group of brave topographers of the CNR-IBAM, directed by Giuseppe Scardozzi, and we understood that the Martyrion, the octagonal church was the center of a large and well-developed devotional complex. We identified a great processional street that took the pilgrims of the city to the octagonal church, the Martyrion at the top of the hill, the remains of a bridge that enabled pilgrims to go across a valley through which a torrent flowed; we say that at the foot of the hill there were stairs in travertine stone, with wide ascending steps that led to the summit.

At the bottom of the stairs we identified another octagonal building that could not be seen from the surface but only on satellite photos. We excavated around that building and realized it was a thermal complex.

This was an enlightening discovery that made us understand that the whole hill was part of a course of pilgrimage with several stages. Continuing our excavations, we found another flight of steps that led directly to the Martyrion, and on the Square, next to the Martyrion, there was a fountain where pilgrims did their ablutions with water, and near there a small plain, in front of the Martyrion, where there were vestiges of buildings. Professor Verzone had not dared to carry out an excavation in that area because it was an immense heap of stones. In 2010, we began to do some cleaning and elements of extreme importance came to light.

ZENIT: Of what sort?

D’Andria: A marble architrave of a ciborium with a monogram on which the name Theodosius could be read. I thought it was the name of the emperor and so that architrave made it possible to date the martyrial church between the fourth and fifth centuries. Then, little by little we found vestiges of an apse. Excavating and cleaning the floor, a great church came to light. Whereas the floor of the Martyrion was octagonal, this floor was that of a basilica, with three naves. A stupendous church with marble capitals refined decorations, crosses, friezes, plant branches, stylized palms in the niches and a central pavement with marble tesserae with colored geometrical motifs: all referable to the fifth century, namely, the age of the other church, the Martyrion. However, at the center of this wonderful construction what enthused and moved us was something disconcerting that left us breathless.

ZENIT: And it was?

D’Andria: A typical Roman tomb that went back to the first century after Christ. In a certain sense, its presence could be justified by the fact that in that area, before Christians built the proto-Byzantine shrine, there was a Roman necropolis. However, examining its position carefully, we realized that that Roman tomb was at the center of the church. Hence, in the fifth century the church had been built precisely around that pagan Roman tomb, to protect it, because, evidently, that tomb was extremely important. And immediately we thought that perhaps that could be the tomb where the body of St. Philip was placed after his death.

ZENIT: And did you find confirmations of this supposition?

D’Andria: Indeed. In the summer of 2011, we carried out extensive excavation in the area of this church with the coordination of Piera Caggia, research archaeologist of the IBAM-CNR, and extraordinary elements emerged that confirmed are suppositions fully. The tomb was included in a structure in which there is a platform that is reached by a marble staircase. Pilgrims, entering in the narthex, went up to the higher part of the tomb, where there was a place for prayer and they went down on the opposite side. And we saw that the marble surface of the steps was completely consumed by the steps of thousands upon thousands of people. Hence, the tomb received an extraordinary tribute of veneration.

On the façade of the tomb, near the entrance, there are nail holes which undoubtedly served to support an applied metallic locking device. Moreover, there are grooves in the pavement that make one think of an additional wooden door: all precautions that indicate that in that tomb there was an inestimable treasure, namely, the apostle’s body.

And on the façade, on the walls there are numerous graffiti with crosses, which in some way have consecrated the pagan tomb.

Excavating next to the tomb we found water baths for individual immersions, which undoubtedly served for healings. After venerating the tomb, sick pilgrims were submerged in the baths exactly as happens in Lourdes.

However, the main — I would say mathematical — confirmation which attests, without a shadow of a doubt, that that construction is really St. Philip’s tomb comes from a small object that is in the Museum of Richmond in the United States. An object in which there are images that up to now could not be fully deciphered, whereas now they have an obvious significance.

ZENIT: What object is it?

D’Andria: it is a bronze seal about 10 centimeters (four inches) in diameter, which served to authenticate St. Philip’s bread to be distributed to pilgrims. Icons have been found that represent St. Philip with a large loaf in his hand. And, to be distinguished from ordinary bread, this bread was marked with the seal so that pilgrims would know that it was a special bread, to be kept with devotion.

There are images on the seal. There is the figure of a saint with a pilgrims’ cloak and an inscription that says “Saint Philip.” On the border is a phrase in Greek, an ancient phrase of praise to God: Agios o Theos, agios ischyros, agios athanatos, eleison imas (Holy God, strong Holy One, immortal Holy One, have mercy on us). All the specialists of Byzantine history who know that seal have always said that it came from Hierapolis. However, what is most extraordinary is the fact that the figure of the saint is presented between two buildings: the one on the left is covered by a cupola, and it is understood that it represents the octagonal Martyrion; the one on the right of the saint, has a roof like the one of the church of three naves which we have now discovered. The two buildings are at the top of a stairway. It seems that it was an image of the complex then existing around St. Philip’s tomb. A photograph made in the sixth century. Moreover, in the image of the seal there is an emblematic element: a lamp hanging at the entrance, typical signs that served to indicate a saint’s sepulcher. Hence, already indicated in that seal is that the tomb was in the basilica church and not in the Martyrion.

ZENIT: You have made all these discoveries in recent times.

D’Andria: I would say very recent times. We did so between 2010 and 2011. Above all 2011 was the year of the greatest emotions for us: we discovered the second church and Philip’s tomb. We concluded a work begun 55 years ago. The news has gone around the world. And it has attracted scholars and the curious to Hierapolis. Among others, at the end of last August, hundreds of Chinese arrived, as well as numerous Koreans and journalists of several nationalities.

Last Nov. 24, I had the honor of presenting the discovery, at the Pontifical Archaeological Academy of Rome, to scholars and Vatican representatives. Also Bartholomew the patriarch of Constantinople, primate of the Orthodox Church, wished to receive me to know the details of the discovery, and on Nov. 14, feast of St. Philip in the Orthodox Church, he celebrated Mass precisely on the tomb found in Hierapolis. And I was present, 1,000 thousand years, the chants of the Greek liturgy resounded among the ruins of the church.

In the forthcoming months, we will take up the works again and I am certain that other important surprises await us.

… still not sure whether they’ve actually looked inside the tomb or not, however …

Roman Temple in Bonn

Tip o’ the pileus to Adrian Murdoch for alerting us to this health and safety issue (trip hazard, apparently) at a major temple find in Bonn:

Archaeology students got a taste of the real thing during a digging lesson, when they stumbled upon what was this week confirmed to be a Roman temple – in an area not previously thought to have been populated.

Lecturers at Bonn University had set up a mock archaeological dig at a building site on campus to teach hopeful historians digging techniques. What they did not expect to find were the 2,000-year-old foundations of a building, nestled into the dense, clayish mud.

While the initial discovery was made in March, it was only in the past fortnight that the team realised the foundations were from a temple from the Roman era, the floor of which was scattered with broken pottery dating as far back as 800 BC.

The building, which could have been part of a wealthy country estate, was 6.75 metres wide and 7.5 metres long. It was probably made from wood or clay, but roof tiles and iron nails that matched other second century Roman buildings were fished out of the rubble.

Only one similar temple – a room surrounded by an enclosed walkway – has been found in that part of North Rhine-Westphalia. Builders uncovered a larger version while constructing the Bonn World Congress Centre in 2006.

Historians had previously thought that the only settlement in that area from the time was near the Rhine. But Dr Frank Rumscheid, archaeology professor at the university, said that the temple suggests people lived away from the lush river banks, in what is now the Poppelsdorf campus area, some kilometres back from the water.

Work is set to continue on the dig site, but when the excavation is complete and everything worth inspecting has been taken to the university laboratories, the site will be filled in and building work will continue.

“There’s not enough there to completely lift the foundations out and create a replica,” said Rumscheid. But he added that further archaeological investigation of the Poppelsdorf site could turn up more interesting finds.

… check out Adrian Murdoch’s blog for links to German press coverage. The original press release is there with some photos which don’t seem to want to open up here at school.