Classical Courts

In a strange bit of synchronicity, my spiders this week seem to have found several examples of the Classical World making appearances in American courtrooms. Earlier this week we mentioned a decision wherein justices decided (while citing Robert Fagles!) that  translation is not interpretation (Honored Justices, We Respectfully Disagree). Next, they brought back an abridged version of some legal paper involving Prometheus Labs, which appropriately opened thusly:

Then beneath the earth those hidden blessings for man, bronze, iron, silver and gold—who can claim to have discovered before me? No one, I am sure, who wants to speak to the purpose. In one short sentence understand it all: every art of mankind comes from Prometheus.

—Aeschylus (generally attributed) 1

On July 29, 2011, the Court of Appeals for the Federal Circuit handed down the long-awaited decision in Association of Molecular Pathology v. U.S. Patent and Trademark Office (AMP v. USPTO or Myriad I) 2 upholding the patentability of claims on isolated human genes 3 in a 2–1 decision that has provoked a petition to rehear the case en banc, 4 which was denied. 5 Subsequently, a Supreme Court petition for certiorari was filed, 6 which the high court recently granted, vacated, and remanded (GVRed) in Ass’n of Molecular Pathology v. Myriad Genetics, Inc. (Myriad II) 7 in light of their recent decision in Mayo Collaborative Services v. Prometheus Laboratories, Inc. (Prometheus). 8 […]

Then this morning, the incipit of an opinion piece in the Inquirer (not sure which one):

In every telling of Trojan War stories from Homer to Hollywood, Agamemnon is depicted as a jerk: cruel, small-minded and rude. That should have made him an inconsequential character in a saga of heroic mortals and spiteful gods but for the awesome power of his position as supreme commander of the Greek armies. It’s his hubris—plain yabang—that is a companion vice to small minds, that drives the narrative of that magnificent tale.

He takes as war prize the daughter of Apollo’s priest in Troy so the god sends a plague to his armies. He returns her to her father and takes for himself the war prize of his greatest warrior, the half-god Achilles, who then refuses to fight anymore so the Trojans keep kicking their butt in battle after battle. Even before his armies sail for Troy, he slays a sacred stag and boasts that he is a better hunter than Artemis, so the goddess withdraws the winds from the seas, disabling their thousand ships.

To appease Artemis, Agamemnon slays his own daughter in sacrifice.

It’s mind-boggling how awful the suffering can be when brought on by awesome power in the hands of a jerk. But it’s also heartwarming that such suffering can bring out the valor in mortals: in the warriors Ajax and Diomedes and Patroclus, of course, but more so, if also heartrending, in the jerk’s own daughter, Iphigenia.

She is summoned by Agamemnon on the pretext of being wed to Achilles. When she discovers the deception, she agrees to die by his hand at the altar of the goddess he has offended. To save him from the wrath of his own generals, whose quest to redeem the honor of Greece is being frustrated by his transgression. To save Achilles, whose own sense of honor compels him to protect her to the death. And for the honor of Greece: “I forbid you to shed tears. I come to bring the Greeks salvation and victory,” she says to her mother in Euripides’ scintillating play, “Iphigenia at Aulis.”

Such is the nobility of the daughter of a jerk.

A week or so ago, in the saga titled “Chief Justice on Trial,” I think I saw Iphigenia’s valor in the defendant’s daughter, Carla Corona-Castillo. Quezon City Sheriff Joseph Bisnar, a witness Corona’s lawyers presented in his defense, declared under oath that she had acquired 90-percent ownership of a corporation established by relatives on her mother’s side. In an auction conducted nine years ago, with her as the only bidder, of shares owned by the surviving heirs, her own cousins, who only learned about it from Bisnar’s testimony. Her winning bid was P28,000. At the time of the transaction, the corporation had over P34 million in cash—proceeds from the sale of a property her great grandparents had acquired and bequeathed to ALL their children. […]

Not sure why there’s been this sudden ‘outburst’ of Classicalia in the courts … maybe my spiders have just suddenly woken up to its existence?

Next Footwear Trend ~ The Greek Sandal?

My spiders always seem to bring me back interesting things … this week, I was met with this photo (which seems to disappear a lot … if it does, there’s a couple of people at the top, and a pile of Greek-looking sandals at the bottom … visit the mentioned blogpost if you want to see it):

via My Fashion Life

… which was attached to a blogpost at myfashiontlife.com: Five minutes with…Christina Martini and Nikolas Minoglou of Ancient Greek Sandals

Further investigation tracked down the company’s webpage for the product: Ancient Greek Sandals … which I’m sure will be of interest to plenty of readers of rogueclassicism. We can only hope they become a fashion trend which supplants whatever it is that is given the name ‘gladiator sandals’ these days.

Way Cool Odysseus and Polyphemus Painting Coming to Auction

… so cool, in fact, that I made it my facebook cover page yesterday. Here’s the beginning of Art Daily’s coverage:

A masterpiece by Swiss artist Arnold Böcklin depicting a dramatic retelling of a story from Homer’s ‘Odyssey’ is to headline Sotheby’s sale of European Paintings in London on Monday, 11 June 2012. Odysseus and Polyphemus, painted in 1896, is redolent of the fin-de-siècle spirit that enveloped Europe as a new century dawned. Estimated at £800,000-1,200,000 (€970,000-1,460,000), the oil on panel comes to the market from a European Private Collection and is being offered for sale at auction for the first time. The provenance of the work can be traced back directly to the artist, and the painting has featured in numerous exhibitions and monographs on Böcklin.

Odysseus and Polyphemus depicts the climax of the story of Odysseus and Polyphemus as recounted by Homer in Book 9 of his ‘Odyssey’, when Odysseus and his men flee the enraged Cyclops they have just blinded. Böcklin’s composition creates great movement and tension between the oarsmen who put all their strength against the swell in the sea that threatens to return them within the Cyclops reach, and the towering figure of the Cyclops himself, his face deliberately obscured so as not to distract the viewer’s attention from the struggle at hand. The story had fascinated artists through the centuries, from Antiquity to the Renaissance and beyond, making Böcklin’s work part of the canon of epic renditions that vividly illustrate tales associated with the eponymous Greek hero. […]

via: Sotheby’s to sell masterpiece by Swiss artist Arnold Böcklin: Odysseus and Polyphemus (Art Daily)

… and, of course, the photo (painting) itself:

Arnold Böcklin, Odysseus and Polyphemus. Oil on panel, 66 by 150cm., 26 by 59in. Estimate: 800,000-1,200,000 GBP. Photo: Sotheby’s.

A Pandect of Gripes: Crucifixions, Earthquakes, Open Access, and Outreach

Okay … this one hit the internets yesterday and I’ve been nursing vipers in my breast ever since. It begins with an item at Discovery Newswhich begins thusly:

The front side (recto) of Papyrus 1, a New Tes...
The front side (recto) of Papyrus 1, a New Testament manuscript of the Gospel of Matthew. Most likely originated in Egypt. Also part of the Oxyrhynchus Papyri (P. oxy. 2) Currently housed in: (Photo credit: Wikipedia)

Jesus, as described in the New Testament, was most likely crucified on Friday April 3, 33 A.D.

The latest investigation, reported in the journal International Geology Review, focused on earthquake activity at the Dead Sea, located 13 miles from Jerusalem. The Gospel of Matthew, Chapter 27, mentions that an earthquake coincided with the crucifixion:

“And when Jesus had cried out again in a loud voice, he gave up his spirit. At that moment the curtain of the temple was torn in two from top to bottom. The earth shook, the rocks split and the tombs broke open.”

To analyze earthquake activity in the region, geologist Jefferson Williams of Supersonic Geophysical and colleagues Markus Schwab and Achim Brauer of the German Research Center for Geosciences studied three cores from the beach of the Ein Gedi Spa adjacent to the Dead Sea.

Varves, which are annual layers of deposition in the sediments, reveal that at least two major earthquakes affected the core: a widespread earthquake in 31 B.C. and an early first century seismic event that happened sometime between 26 A.D. and 36 A.D. […]

… I won’t bother getting into my abject disappointment that Discovery News could not even think of the obvious major difficulties of assigning an exact date to an otherwise unspecifically-dated ancient earthquake (although we will note that April 3 is one of the calculated dates for the crucifixion which we annually mention in our This Day in Ancient History feature; it is mentioned in Wikipedia as well). I also won’t bother commenting on all the various text-critical difficulties with the claim, which seems more the realm of our Biblioblogger colleagues and has been more-than-adequately dealt with by Mark Goodacre and Tom Verenna.

What actually bothered me the most about this was that it was yet another article with an ancient history sort of bent published in a high end journal outside of our field. They way I figure it, the publisher (Taylor and Francis) must have sent the article out as a way to promote the current issue of the journal — I really have a hard time believing that journalists sit around and suddenly think, “Hmmm … seems to be a slow day … think I’ll wander to the library and see what’s happening in the latest International Geology Review … I can’t wait to see the followup to that middle Cenozoic ignimbrite flareup thing I was reading about a while ago.” So it seems obvious that the publisher sent it out.

As such,  if some roguescholar wants to see if the journalist is passing on sufficient information for the author of the article not to be ridiculed and happens to check it out, he/she will come across a nice abstract:

This article examines a report in the 27th chapter of the Gospel of Matthew in the New Testament that an earthquake was felt in Jerusalem on the day of the crucifixion of Jesus of Nazareth. We have tabulated a varved chronology from a core from Ein Gedi on the western shore of the Dead Sea between deformed sediments due to a widespread earthquake in 31 BC and deformed sediments due to an early first-century earthquake. The early first-century seismic event has been tentatively assigned a date of 31 AD with an accuracy of ±5 years. Plausible candidates include the earthquake reported in the Gospel of Matthew, an earthquake that occurred sometime before or after the crucifixion and was in effect ‘borrowed’ by the author of the Gospel of Matthew, and a local earthquake between 26 and 36 AD that was sufficiently energetic to deform the sediments at Ein Gedi but not energetic enough to produce a still extant and extra-biblical historical record. If the last possibility is true, this would mean that the report of an earthquake in the Gospel of Matthew is a type of allegory.

… which seems to suggest that there might indeed be some disconnect between the Discovery News article and the original journal article. Of course, if further perusal is wanted by the likes of myself), he/she will have to shell out $43.00!!!! (I really need to figure out how to put interrobangs in my posts). If not, one would have to hope to have access to an institution which was willing to fork out over two grand for an annual subscription (I don’t think regular folks can even subscribe)! Personally, if I were a scholar and some journal was promoting my article to get attention for their journal, I’d be doing all I could to ensure that the people to whom the article was being promoted — i.e. the general public — could access the article so I didn’t come across looking silly, unless I don’t know any better.

What’s even more annoying is the viral nature of the internet news cycle. The Discovery News coverage has already been picked up/is being rewritten by a number of other outlets (e.g. the Daily Mail and Huffington Post) Whatever the case, all this silliness merely emphasizes/underscores/insert-the-synonym-of-your-choice what I was suggesting earlier this week about the need for organizations like the APA and CAC to  forge direct ties with journalists to promote conferences (Something That’s Been Bugging Me: Outreach II ~ The Conference).  Give the journalist something to write about and they’ll run with it.

Woohoo! More Roman Numerals in the NFL!

This is great! After years and years of listening to NFL commentators whine every year about the difficulties of having to deal with Roman numerals every time some major NFC AFC final comes around, we read today that one of our Latin-loving-recent-draft-picks will be the first to sport Roman numerals on the back of his jersey:

… a bit more detail on why this is a big thing (on the NFL side of things):

Of course, it’s a pretty simple set (Griffin III, just like he had at Baylor). The real triumph, of course, would be if he could have a big X on his jersey, rather than the fabrically-inefficient 10.

On RGIII’s Latin skillset:

Whatever the case, I’ll now happily refer to him as RGIII rather than RG3 and for those sports commentators (and others) who struggle with Roman numerals, there is a Dictionary of Roman Numerals available. Now if I can only figure out what the significance of MCLXIX might be (some English/Irish thing?)