CJ Online Review: Ryan, Plato’s Phaedrus

posted with permission:

Plato’s Phaedrus: A Commentary for Greek Readers. Edited by Paul Ryan. Introduction by Mary Louise Gill. Oklahoma Series in Classical Culture. Norman: University of Oklahoma Press, 2012. Pp. xxviii + 384. Paper, $29.95. ISBN 978-0-8061-4259-3.

Reviewed by Christopher Moore, Penn State University

This student edition of the Phaedrus includes a twelve-page introduction by Mary Louise Gill, an unmodified version of Burnet’s OCT text, a generous 250 pages of grammatical, textual, historical, prosopographical, and translation notes, a spare four-page bibliography, and indices of Greek and English terms and of proper names. By and large it leaves editorial history to De Vries’ A Commentary on the Phaedrus of Plato (Hakkert, 1969) and concision plus a tour-de-force overview to Yunis’ green-and-yellow commentary (Cambridge, 2011). It should replace Rowe’s useful commentary (Aris & Phillips, 1987) for visual appeal, completeness, pedagogical tone, consistent attention to variant MSS readings, and interpretative restraint, though Rowe’s includes an elegant facing-page translation. There is no vocabulary or discussion of reception.

Gill’s introduction, which includes a single page reference but augments Ryan’s “Works Cited” list, starts by announcing the strangeness of Socrates in the strangeness of the setting, and argues that an indeterminate dramatic date adds to this sense of strangeness. It claims that the Phaedrus was written in the years of the Parmenides and Theaetetus, and thus is transitional (middle-late) with respect to doctrine, but infers nothing from this about reading strategy except to ask: “in what way is Socrates’ role atypical and why?” (We should just as well also ask in what way his role is typical.) The two explicit topics in the dialogue are love and rhetoric; only slightly less explicit is the dialogue’s challenge to the reader to fit them together. Gill spends two pages talking about the “unity” of the dialogue, which section she had foreshadowed by saying that the “dialogue breaks into two dissimilar parts, three long speeches about love in the first half, discussion of their persuasiveness in the second half.” I do wonder whether students actually feel this supposed formal or topical discontinuity, and so whether adverting to a potentially factitious scholarly dispute is useful. After all, much (U.S.) education proceeds by the teacher reading aloud several exemplary passages and following them up with explication de texte or free-wheeling discussion. Many young people’s introduction to persuasive discourse in popular or high culture is in terms of amatory seduction. All the same, Gill proposes that the conversation’s variety meets the needs of Phaedrus’ variegated soul, and that Socrates wishes to turn Phaedrus toward a “more productive form of rhetoric, one in which the speaker knows the truth, though he may persuade his audience of something false.” She believes that the Palinode, which describes “a Fantasia-like parade of divine souls,” shows that Socrates knows the truth about love.

The commentary proper is loquacious but assured, comprehensive but useful. It is didactic about grammar and always characterizes the pragmatic force of the Greek particles. It has a good sense for the questions an intermediate student might ask.

A disadvantage of the book is that it does not take care to outline extended arguments, and sometimes the synopses heading sections of the commentary could mislead a reader. Here are two examples, though such infelicities are infrequent.

First, Ryan summarizes the immortality of the soul demonstration that comes early in the Palinode (245c5–246a2): “The ever-moving, [Socrates] says, is immortal, but nothing but the self-moving is ever-moving. The self-moving is, therefore, the origin or first principle of all other motion, and a first principle can neither come to be nor suffer extinction.” Ryan’s first sentence implies a connection from self-moving to immortal, which, upon linking soul to the self-moving, would be sufficient for the argument; the “therefore” of the next sentence both (i) makes it seem that being an archê follows immediately from the conclusion, which it does not, and (ii) obscures the fact that Ryan has construed the second part as a parallel argument for the same conclusion. Ryan’s ensuing analysis of an admittedly gnarled passage—and thus one needing the most judicious help—does not fully untangle it. It entertains Hackforth’s condescension that the difference between individual souls and collective soul is “not here before Plato’s mind”; it accepts without explaining Dennison’s figurative language that the repetitious phrases “flood and permeate, rather than strike, the ear”; and it rejects Philoponus’ and Burnet’s reading γῆν εἰς ἕν (245e1) because the contrast between οὐρανός and γῆ “is a rhetorical amplification that lacks point in this context,” even though if anything in the dialogue takes part in rhetorical amplification it is the Palinode.

Second, Ryan summarizes the argument at 261e5–262c4, about the sort of knowledge successful deception requires: “In order to deceive efficiently, the antilogician must work from the truth to its opposite by small increments, from which it follows that he must know the truth.” Ryan’s “efficiently” must refer to τεχνικός, but its sense in the argument is “reliably” rather than “not slowly or haphazardly.” Socrates is ambivalent whether deception starts from the truth (262a3 vs. b2). More importantly, the argument is about “know[ing] the truth,” but the question is about the truth of what. Within the discussion, it would have been welcome for Ryan, analyzing the very rare ἀλλά γε δή, to have explained the logical difference between his two options, “further” and “again.”

I should stress, however, that Ryan’s commentary otherwise excels in informativeness, clarity, and usefulness, and I would recommend it to any new readers of the Phaedrus.

Bryn Mawr Classical Reviews

 

  • 2013.02.29:  Sarah Nooter, When Heroes Sing: Sophocles and the Shifting Soundscape of Tragedy. bmcr2
  • 2013.02.28:  Maurizio Bettini, The Ears of Hermes: Communication, Images, and Identity in the Classical World.
  • 2013.02.27:  Tyler Jo Smith, Dimitris Plantzos, A Companion to Greek Art (2 vols.). Blackwell companions to the ancient world. Literature and culture.
  • 2013.02.26:  Francesco de Angelis, Spaces of Justice in the Roman World. Columbia studies in the classical tradition 35.
  • 2013.02.25:  Søren Dietz, Maria Stavropoulou-Gatsi, Kalydon in Aitolia: Danish/Greek field work 2001-2005 (2 vols.). Monographs of the Danish Institute at Athens, 12.1-2.
  • 2013.02.24:  Sara Forsdyke, Slaves Tell Tales: and Other Episodes in the Politics of Popular Culture in Ancient Greece.
  • 2013.02.23:  R. V. Young, Justus Lipsius’ Concerning Constancy. Medieval and Renaissance texts and studies 389.
  • 2013.02.22:  Martijn Icks, The Crimes of Elagabalus: the Life and Legacy of Rome’s Decadent Boy Emperor.
  • 2013.02.21:  Heinz Barta, Graeca non leguntur? Zu den Ursprüngen des europäischen Rechts im antiken Griechenland. Band II/2: Archaische Grundlagen Teil 2.
    Heinz Barta, Graeca non leguntur? Zu den Ursprüngen des europäischen Rechts im antiken Griechenland. Band II/1: Archaische Grundlagen Teil 1.

CJ Online Review: Fisher, et al., Ancient Nubia

posted with permission:

Ancient Nubia: African Kingdoms on the Nile. Edited by Marjorie Fisher, Peter Lacovara, Sue D’Auria, and Salma Ikram, with photographs by Chester Higgins, Jr. Cairo and New York: The American University in Cairo Press, 2012. Distributed by Oxford University Press. Pp. xx + 452. Hardcover, $59.95. ISBN 978-977-416-478-1.

Reviewed by Giovanni Ruffini, Fairfield University

The editors have compiled a beautiful work on ancient Nubia. Its purpose is to “document some of what has recently been discovered” and show “Nubia’s vast beauty, as well as the current state of research into its culture” (1). The book is divided into two parts, the first on specific subjects in history and culture, and the second on specific Nubian sites. Several of the subject chapters are exceptionally good. Lacovara’s chapter on the history of Nubian archaeology is entertaining and clearly written. Morkot’s chapter on Nubian kingship challenges assumptions on matrilineage in Nubia, and critiques reliance on comparative anthropology and external Greek observers. Yellin’s chapter on Nubian religion untangles the interconnections between Egyptian-influenced “elite” temple-based religion and indigenous “non-elite” religion, with its emphasis on worship at natural settings and pilgrimage to sacred places. Haynes and Santini-Ritt’s chapter on Nubian women is quite rich. To their observation (172) that the “king had to be born to a woman who had the title Sister of a King,” we should add that the same succession scheme seems to have held in medieval Nubia.

The book is rich in maps and photographs. But sometimes these photographs come to us in a vacuum. The beautiful blue glass chalice from Sedeinga (116) appears with a caption translating the inscription (“Drink and you shall be alive!”). But the surrounding article says nothing about the chalice or Sedeinga more generally. The reader has no way of knowing that the language of the inscription (Greek) suggests considerable cultural interchange between Nubia and the Mediterranean. A similarly taciturn approach to Hellenism appears elsewhere: the appearance of the Hellenistic sun god Helios at “the southernmost Meroitic monument” indeed “illustrates the cosmopolitan nature” of Nubia (229) but it also does much more. The chapter on Naqa is comparably tightlipped in its treatment of the Roman architectural features of the “Kiosk” now dated to the first century ad. The chapter on Meroe refers to Greco-Roman grave goods (267), but we learn nothing about the economic processes bringing them to Nubia’s capital. Complex Mediterranean/African exchanges are at work here, but receive little attention.

This brings us to the nature of Nubia itself, and the challenge of how to take Nubia on its own terms and separate it from its interactions with Egypt. This volume starts off on the wrong foot, with Zahi Hawass, Egypt’s former minister of state for antiquities, whose Foreword casts the story of Nubia as a story of pharaonic Egypt’s involvement in it. The problem recurs in Hawass’ chapter on salvage archaeology, which is more preoccupied with the pharaonic Egyptian than the indigenous Sudanese half of the story. Hawass is not alone in this approach. The chapter on Abu Simbel, for instance, is not really about Nubia at all, but about an Egyptian site that happens to be in Nubia.

The problem is present in more subtle ways and highlights editorial discontinuity. Marjorie Fisher and Peter Lacovara are the first two editors of the four listed on the cover. Fisher’s chapter on “The History of Nubia” speaks of the “rapid Egyptianization” (17) of Nubia’s C-Group, the name given to a people whose material culture appears throughout Nubia from circa 2300 bc. Here she appears to mean only that Egyptian goods began to appear in Nubian graves. Much of the rest of the chapter narrates Nubian history solely through Egyptian involvement. Fisher thinks (84) that Nubia “was clearly influenced artistically by Egypt” during the New Kingdom. When she claims (106) that Nubian influence is also seen on Egyptian iconography, she does not develop the point.

But Lacovara seems more willing to take Nubia on its own terms. He stresses (47) that Reisner was wrong to think of the Kerma culture—an independent Nubian kingdom rivaling Egypt in the Nile valley in the third and second millennia bc—as an Egyptian accomplishment degraded through Nubianization. He also notes (78) that Nubians “were fundamentally more experimental and adventurous” artistically than their northern neighbors, and indeed, highly influential on New Kingdom Egyptian art (83). His best discussion of this theme comes in his chapter on Kushite art and architecture, in which he outlines the artistic innovations of the Nubian rulers of the Twenty-Fifth Dynasty.

Elsewhere in the volume, the chapter on Kerma stresses that site’s local traditions and specificities. Local specificities matter throughout Nubia. Yellin argues that the “Egyptian gods adopted by Nubians underwent a ‘Nubianization’” (126) and that the elements of Egyptian religion surviving the longest in Nubia “survived because they resonated with aspects of indigenous religion” (143). The chapter on ceramics reports (205) but does not endorse or reject claims that the “resilience of C-Group material culture during the Egyptian occupation was a form of cultural resistance in the face of overwhelming Egyptian military and political might.” This volume cannot solve these questions of Nubia’s relationship with Egypt. Internal conceptual tensions on the issue highlight how much work on Nubia remains. The editors have in the meantime compiled a thorough and aesthetically enticing introduction to the subject.

Bryn Mawr Classical Reviews

  • 2013.02.20:  Jesús Hernández Lobato, Vel Apolline muto: estética y poética de la Antigüedad tardía.
  • 2013.02.19:  Pietro Bortone, Greek Prepositions From Antiquity to the Present.bmcr2
  • 2013.02.18:  Kristina Sessa, The Formation of Papal Authority in Late Antique Italy: Roman Bishops and the Domestic Sphere.
  • 2013.02.17:  Drew Arlen Mannetter, I Came, I Saw, I Translated: an Accelerated Method for Learning Classical Latin in the 21st Century.
  • 2013.02.16:  Mark Vessey, A Companion to Augustine. Blackwell companions to the ancient world. Ancient history.
  • 2013.02.15:  Lutz Popko, Nadine Quenouille, Michaela Rücker, Von Sklaven, Pächtern und Politikern: Beiträge zum Alltag in Ägypten, Griechenland und Rom. Δουλικὰ ἔργα zu Ehren von Reinhold Scholl. Archiv für Papyrusforschung und verwandte Gebiete – Beihefte, 33.
  • 2013.02.14:  Kai Broderson, Censorinus: Über den Geburtstag. Edition Antike.
  • 2013.02.13:  Philip Hardie, Rumour and Renown: Representations of ‘Fama’ in Western Literature. Cambridge Classical Studies.
  • 2013.02.12:  Markus Schauer, Tragicorum Romanorum Fragmenta, Vol. 1: Livius Andronicus; Naevius; Tragici minores; Fragmenta adespota.
  • 2013.02.11:  Peter Van Deun, Caroline Macé, Encyclopedic Trends in Byzantium? Proceedings of the International Conference held in Leuven, 6-8 May 2009. Orientalia Lovaniensia analecta, 212.
  • 2013.02.10:  Chris Entwistle, Noël Adams, ‘Gems of Heaven:’ Recent Research on Engraved Gemstones in Late Antiquity c. AD 200-600. British Museum Research Publication 177.
  • 2013.02.09:  Marilia P. Futre Pinheiro, Stephen J. Harrison, Fictional Traces : Receptions of the Ancient Novel. Volume 2. Ancient Narrative Supplementum 14. 2.
    Marilia P. Futre Pinheiro, Stephen J. Harrison, Fictional Traces : Receptions of the Ancient Novel. Volume 1. Ancient Narrative Supplementum 14.1.
  • 2013.02.08:  Mariam F. Ayad, Coptic Culture: Past, Present and Future.
  • 2013.02.07:  Peter G. Walsh, Christopher Husch, One Hundred Latin Hymns: Ambrose to Aquinas. Dumbarton Oaks medieval library, 18.
  • 2013.02.06:  Bernard Eck, La mort rouge: homicide, guerre et souillure en Grèce ancienne. Collection d’Études anciennes. Série greque, 145​.
  • 2013.02.05:  John Noël Dillon, The Justice of Constantine: Law, Communication, and Control. Law and society in the ancient world.
  • 2013.02.04:  Silvia Ferrara, Cypro-Minoan inscriptions. Volume 1: Analysis.
  • 2013.02.03:  Lukas Thommen, An Environmental History of Ancient Greece and Rome (first published 2009; revised edition).
  • 2013.02.02:  Claudia Giontella, «… Nullus enim fons non sacer…». Culti idrici di epoca preromana e romana (Regiones VI-VII).

CJ Online Review: Welch, Magnus Pius

posted with permission:

Magnus Pius: Sextus Pompeius and the Transformation of the Roman Republic. By Kathryn Welch. Swansea and London : Classical Press of Wales, 2012. Pp. 350. Hardcover, £50.00/$100.00. ISBN 978-1-905-12544-9.

Reviewed by Andrew Lintott, Worcester College Oxford

The triumviral period necessarily figures in grand narratives, but is less popular as a subject for research, in spite of the fact that there is plenty of source-material, even if little is contemporary. The danger is that we see the Principate as the inevitable consequence of Julius Caesar’s murder and his testamentary arrangements. The Muse of History, of course, tends to be hard on losers: a minor humiliation is that they rarely appear in exam questions and, even when they do, they are ignored by candidates. As the introductory chapter, “The Lost Republic,” makes clear, this book is a protest against this neglect, where it joins recent contributions to the period by Josiah Osgood’s Caesar’s Legacy (2006) and Annie Allély’s Lepide le triumvir (2004).

The problem with the subject is simple: we know little about Sextus Pompeius, except for the time between the battle of Philippi and his death, and what we are told is mediated by sources which, whether sympathetic to Caesar Octavianus or Antonius, would have reason to downplay his importance. If for Augustus Livy was a “Pompeianus,” this support does not seem to have been extended to his younger son (p. 21). Welch’s solution is to extend the topic so as to be a study of the Pompeian cause from the civil war of 49 bc onwards. After the introduction, chapters are devoted to the Pompeian naval strategy and Pompeian naval power, the pursuit of this policy by his sons after his death, and the attempt to resuscitate the Republic after Caesar’s murder. Chapter 5, entitled “A Republican Triumvirate?,” sets Sextus Pompeius beside Brutus and Cassius as the opposition to the triumvirs. In Chapter 6 Sextus comes at last fully into view in the struggles between Philippi and the treaty at Misenum; Chapter 7 follows Sextus down to his death. The last chapter discusses how Sextus’ exploitation of pietas, as slogan and value, may be regarded as a precedent for its exploitation by Augustus later.

Welch succeeds in restoring Sextus’ importance, if not in making us believe in his Republicanism. Her stress on the significance of naval power in the civil wars is a helpful corrective to any over-emphasis on the Caesarian legions. There is also much useful discussion on the in-and-outs of diplomacy and campaigning. Important questions, however, remain unanswered and perhaps unanswerable. The members of the elite who fled from the Triumvirate to Sicily were of necessity anti-Caesarian, but were they genuinely Republican? How far did Sextus’ more junior officers and men have political sentiments, apart from personal loyalty to him? What was the attitude of leading Romans with property in Sicily? Here we may suspect that many actively supported Sextus and paid for it, to judge from Agrippa’s possession of major estates there (see Horace, Ep. 1.12). Above all, where did his money (generously illustrated in a number of plates) come from? Did he still have access to Spanish metal, when in Sicily? His funding no doubt relied a great deal on the diversion of provincial revenues, as did that of Brutus and Cassius, but he was probably also a plunderer by necessity, while his enemies used extremes of taxation.

Some further issues may be noted by the way. Decimus Brutus’ legions were, surely, already in Cisalpina when he went out in 44 (p. 129). Calenus’ speech in Dio Cassius (p. 128) is poor evidence for anything except the anti-Ciceronian rhetoric of the period, both before and after the latter’s death, and Dio’s ability to stage a Demosthenic debate. Hence we should not assume that the argument in the senate in the first days of January 43 (p. 145) was essentially between Calenus and Cicero. The consular called first might have been Servilius Isauricus or Lucius Piso; Lucius Caesar certainly spoke after Cicero (Phil. 5.5–6). Historians, misled by Antonius’ rhetoric and the survival of Cicero’s speeches, ascribe to him a greater influence in the senate in this year than the Caesarians surrounding him had. Note for example that it was a motion of Cassius’ relative, Servilius Isauricus, that finally granted him the official command in Syria with the injunction to attack Dolabella (Ad. Brut. 15.3), not one of Cicero’s (p. 163).

Nevertheless, Welch has provided us with a good read, which succeeds in conveying the excitement of the period to those who can now watch the gladiatorial contest from safe seats.