Careless Archaeologists?

The focus of this seems to be Gobekli Tepe, a Neolithic site in Turkey which is frequently in the news, and which is a bit outside of the purview of this blog, but the issues aren’t … from Hurriyet:

Some of the archaeologists currently working at excavation sites around Turkey are not taking their job seriously enough, Tourism and Culture Minister Ömer Çelik has said, according to daily Hürriyet.

Çelik made the comments in an interview with Der Spiegel Magazine at the Berlin International Tourism Bourse, a well-known travel trade fair.

German archeologists have been overseeing excavations at Göbekli Tepe, he said, adding that a total of 11,000 sculptures went missing from the site in 2010. “I am not accusing them of stealing, however, this is evidence that they are not giving sufficient importance to security issues.”

Noting that the archaeologists were also responsible for the security of the excavation site, Çelik said, “Germany will have to pay an insurance fine for the stolen sculptures.”

Çelik also criticized the work and the reactions of the Prussian Cultural Heritage Foundation and of its director, Herman Parzinger. Turkey has been criticized by Parzinger and the Prussian Cultural Heritage Foundation on the grounds of its allegedly aggressive campaign to reclaim cultural antiquities for the nation.

Çelik said Parzinger had accused Turkey of being chauvinist. “I expect to hear an apology from Mr. Parzinger, for he has said Turkey is chauvinist. I do know what this means but I am against the use of this wording.”

Çelik also said Turkey was demanding the return of five historical artifacts which are currently in Berlin. These include the coffin of Hacı İbrahim Veli’s tomb, the Balıkçı Sculpture (Fisherman sculpture), the mihrab (prayer niche) of Konya’s Beyhekim Mosque, and İznik tiles stolen from the Piyale Mosque.

Eleven THOUSAND sculptures? Surely that’s a misprint … I can’t figure out the German online version of Spiegel to check …

Eros Mosaic from A-A-A-A-A-dana

Interesting item from Hurriyet:

A mosaic featuring an Eros figure fishing on horse has been found in the southern province of Adana’s Yumurtalık district. The half fish-half horse Eros, which is called Hippocampus in Greek mythology, is claimed to be the one and only such mosaic in the world.

Made up of marble, glass and stone, the mosaic is estimated to date back to the late Roman or early Byzantine era.

The Adana Museum Directorate has initiated archaeological excavations in the region where the mosaic was discovered. One week ago the existence of a villa was determined in the area. The villa was thought to be owned by a top state official and the Eros mosaic was revealed when a part of the villa was excavated.

Yumurtalık Deputy Mayor Erdol Erden said the Eros mosaic was found during a one-week excavation. “We found young and adult Eros figures in the villa. Experts say that these figures were the first and only such figures in the world,” Erden said.

… as often, the original article is accompanied by a photo of the piece which is really interesting … there are a pair of Erotes fishing from the backs of hippocampi … the Erotes also look rather more mature than we’re used to (not the pudgy little kids); the one actually looks like one of the BeeGees …

Roman Bracelets from Gokyurt

Brief item from Hurriyet:

During works carried out in the Central Anatolian province of Konya, three glass bracelets from the early Roman era have been unearthed.

The excavations are being conducted in the Meram and Selçuklu districts of Konya, as well as in the Gökyurt village and the Kızılören neighborhood within the borders of the city. A number of Roman and Byzantine architectural works have been found in the excavations so far, as well as the three glass bracelets, according to officials.

The head of the excavations, Professor Ali Boran said they had found the bracelets inside a mound in Gökyurt. He said the bracelets were made of black opaque glass material and that similar examples showed that they were from 5th and 7th centuries. The bracelets have been delivered to the Konya Archaeology Museum.

… a photo of the bracelets accompanies the original article, but surely there must have been other things found?

Video: Was There a Trojan War?

I seem to have missed this UPenn video last week:

Was there a Trojan War? Assessing the Evidence from Recent Excavations at Troy
In the course of the latest campaign of excavations at Troy, in northwestern Turkey, archaeologists have uncovered a wealth of evidence that enables us to situate the site within the political and military history of the late Bronze Age (14th/13th centuries BCE). Dr. C. Brian Rose, Curator, Mediterranean Section, Penn Museum, speaks at this “Great Battles: Moments in Time that Changed History” series lecture program.

Seeking a Roman Theatre in Izmir

From Hurriyet:

The İzmir Metropolitan Municipality has started demolitions on appropriated land in order to unearth a Roman theater under shanty houses in the city’s Kadifekale district. The municipality has so far paid 8 million Turkish Liras for the confiscation of the nearly 13,000-square-meter area.

Eight of the 52 houses to be demolished in the first stage have been torn down and archaeologists have already unearthed the walls of the theater, which has a capacity of 16,000 people.

The most detailed information about the ancient theater in Kadifekale is in the research of Austrian architect Otto Berg and archaeologist Otto Walter, who examined the area in 1917 and 1918, though many researchers have concluded that the remains of the theater have features of the Roman period.

When the municipality revives the theater, it can be seen by those visiting the Konak, Akllsancak, Karşıyaka and Bornova neighborhoods of the city. Similar to the excavated Ephesus Ancient Theater, concerts and shows will be organized in the theater as well.

A book on the theater

Writer İlhan Pınar said that after the translation of Berg and Walter’s work, a book about the ancient theater will be published within a month. “The only source [of information on] this theater is their research. Their goal was to excavate the area after the war in 1917. They wanted to show that İzmir was very rich in history and this historical richness should be protected after being revealed,” he said.