Commemorating Rome on the Danube

Interesting press release from the Austrian Mint:

For some five centuries the River Danube formed an essential part of ancient Rome’s northern border against the barbarian tribes of Germania. The Austrian Mint’s new silver series called “Rome on the Danube” breathes life back into the ruined remains of the towns and forts that played such prominent roles in the life of the Roman Empire in Austria.

The province of Noricum covered about two-thirds of modern day Austrian territory. It had been originally a kingdom of Celtic tribes until it was taken over by the Romans in a peaceful occu-pation under the Emperor Augustus in about 15 B.C. Thirty years later the Emperor Claudius converted Noricum into a regular Roman province and established the city of VIRUNUM as its adminis-trative capital. Military command was vested not in the governor at Virunum, but rather in the commander of the legions standing guard along the River Danube in the north. The governor was ap-pointed by the emperor in Rome. His primary responsibility was for finance and taxation as well as for the administration of Roman law and order. His capital stood on a Roman road connecting it to Aquileia in the south and to Ovilava (Wels) in the north and the Limes or string of forts and towers guarding the Danube border.

Virunum was the cultural centre of life in Noricum with the only great amphitheatre to have been discovered on Austrian territory. Built on the classical Roman system of a rectangular grid of streets with large open forums housing temples and grand basilicas, Virunum was an unfortified township like many other such settlements – a tribute to the Pax Romana (the Roman Peace). The streets were unpaved, but the city had a plentiful supply of water feeding public fountains and a good drainage system with lead piping. On an artificially built terrace above the city were a military camp and an elliptically shaped arena for animal and gladiatorial combat, as well as military exer-cises and training or parades.
The lack of walls rendered Virunum vulnerable to marauding tribes that managed to cross the Danube and raid the rich Roman province of Noricum, and in times of weakness and turmoil the city did fall prey to plundering barbarians. In the early Chris-tian era Virunum had its own bishop and church. Exactly when the city was abandoned we do not know, but abandoned it was. Its noble buildings of stone and marble became quarries for building materials, until the earth itself decently covered over the wounds of its ruins, leaving it to modern archaeologists to re-awaken Roman Virunum once more from its centuries’ long sleep.

The new 20 Euro silver coin shows a profile portrait of the Emperor Claudius, who founded Virunum (“Municipium Claudium Virunum”). In the background one sees a Roman wagon drawn by a pair of horses. It is part of a grave stone from Virunum, pres-ently affixed to the south wall of the church in neighbouring Maria-Saal. The reverse side displays an imaginary street scene. A Roman wagon drives past the portico of a temple. At the back rise the high walls and roof of a grand basilica. In the foreground to the left we find a blacksmith hammering the highly-prized Noric iron into swords for the Roman legions. The name at the base of the coin identifies the city as Virunum.
via the Austrian Mint
The new € 20 silver coin is struck in proof quality only and to maximum mintage of 50,000 worldwide. Each coin comes in an attractive box with a numbered certificate of authenticity. A collection case for the whole series of six coins may be purchased separately.

In September the second coin of the series, “VINDOBONA” (Vienna), will be issued.

This Day in Ancient History: ante diem v idus maias

Detalle do fresco cos Lares.
Image by DivesGallaecia via Flickr

ante diem v idus maias

  • Lemuria (day 2) — a private and public appeasement of the dead; the Roman paterfamilias would rise at midnight to conduct a ritual involving beans and bronze
  • rites in honour of Mania — a Roman divinity who was considered the goddess of the dead; she was also the mother of the Lares
  • 14 A.D. — Augustus’ last official census comes to an end
  • 330 — Constantine renames Byzantium and makes it his capital
  • 1988 — death of E.T. Salmon (Samnium and the Samnites)

This Day in Ancient History: ante diem vi idus maias

The Illyrian emperor Claudius II (r. 268 70), ...
Image via Wikipedia

ante diem vi idus maias

Carin Green on Tutulina, Sessia, and Messia

A vestal virgin, detail of an engraving by Sir...
Image via Wikipedia

I think this will be the last one from the Toledo series that I post today … one could kill a lot of time with these:

The Circus Maximus is generally considered a place of spectacle where emperors indulged an impotent public with displays of power and largess to ensure public complacency. Romans gave up their freedom for “bread and circuses” Juvenal famously says. It makes good copy (or Juvenal would not have said it), but it overlooks the importance of the goddesses whose place on the spina, the central spine of the Circus, put them at the heart of the drama, both in the races and in the theater, that took place there. Three goddesses, the protectress Tutulina and her companions Sessia and Messia, goddesses of Rome’s vitality and wealth, and the goddess Victory, all had shrines on the spina, which, not coincidentally, marked the sacred boundary of Rome. Rituals and ritual drama of crisis, sacrifice, and triumph, performed by the Vestal Virgins, among others, throughout the year at these shrines taught the audience about the power these goddesses had to defend Rome. The significance of the Circus as the place in which protection and safety were reified by divine power in feminine form was so much part of Roman culture that even after non-Christian rites were officially suppressed in Rome (ca. AD 380), Romans turned to it in times of crisis. Both St. Augustine and Pope Leo bitterly lament the fact that when the Goths sacked Rome in 410, and for decades after, the Romans sought the reassurance of the Circus at the times of the old rituals, rather than attending to the martyrs’ churches. Interestingly, the earliest martyrs’ churches in Rome seem to have been built in imitation of the layout of the Circus.

Carin M. C. Green is Professor and Chair of Classics at the University of Iowa. She received a B.A. in Latin from San Jose State College, an M.A. in Latin from the University of Texas, and a Ph.D. in Classics from the University of Virginia. She teaches courses in Latin composition, Augustan poetry, Roman religion, Lucan, and Greek prose. Her book, Roman Religion and the Cult of Diana at Aricia, was published by Cambridge University Press in 2007. She is currently—when not occupied with departmental administration—working on a monograph about the Roman deity Consus and the Vestal Virgins.

via Dr. Carin Green | ”Women, the Circus and the Defense of Rome” | March 20, 2010 | Toledo Museum of Art.