CFP: History, Tragedy, Philosophy (Tampa)

Seen on the Classicists list:

HISTORY, PHILOSOPHY, TRAGEDY, a conference sponsored by University of South Florida Interdisciplinary Center for Hellenic Studies, February 24, 2012, Tampa, Florida

Before history, tragedy, and philosophy were treated as cultural universals, and before they were defined as—or in opposition to—literary genres, historie, tragoidia, and philosophia were chapters in the history of Greek paideia. The history of Greek paideia is a history of public speech, and of changes in its character and performance and authority in Greek society. For Herodotus, authority comes from historie, investigating the past through questioning. Historie has an inherently dialogic nature as it engages in a comparison between Greek nomos and ethos and the laws and customs of non-Greeks. With the rise of the democratic polis, public speech becomes political—of or related to the polis—as social life becomes the object of inquiry, debate, and reflection. Tragedy and comedy assume a central political role in fifth century Athens, a setting in which Athenian problems could be examined through the dialogue of their dramatis personae, and an occasion for commenting on public issues under debate in the assembly and the courts. Philosophy, too, became a way of inquiring into Athenian normative practices, as well as the very notion of inquiry itself. The Platonic dialogue dramatize the actual terms, as well as the consequences of engaging in public debate, as they articulate the normative structure of classical Athenian forms of life. Plato’s Sokratikoi Logoi preserve the performative and contextual elements of speech at the same time as it demands explanations of, and arguments for—or against—the principles that are invoked in urging and justifying actions, as well as the notion of justification itself.

This conference will explore how historie, tragoidia, and philosophia were in fact, ways of extending—or contesting—the public debate that constituted Greek paideia in the fifth and fourth centuries. Justina Gregory, Sophia Smith Professor of Classical Languages and Literature at Smith College, will deliver the keynote address, “Tragedy as a Mode of Inquiry. Prof. Gregory, internationally recognized for her contributions to the study of Classical Antiquity, is the author of Euripides and the Instruction of the Athenians, and Euripides, Hecuba: Introduction, Text, and Commentary, and the editor of the Blackwell Companion to Greek Tragedy.

If you are interested in presenting a paper at this conference, please submit an abstract by October 15, 2011. Each paper will be allocated 20 minutes for presentation. Notification regarding acceptance will be sent on December 1, 2011.


Contact USF ICHS (813-974-4450) or e-mail Dr. Joanne Waugh jwaugh AT

CONF: Poetics in the Greco-Roman World

Seen on the Classicists list:

Poetics in the Greco-Roman World

4-9 October 2011
University of Belgrade/University College London/Institute of Classical Studies

The University of Belgrade, in collaboration with University College London
and the Institute of Classical Studies, is hosting an international
conference on Greek and Roman poetics, which will take place in Belgrade
from 4 to 9 October 2011. This conference will bring together a
distinguished international array of speakers on a wide variety of aspects
of Greek and Roman poetics. The conference will include papers both on
larger themes such as origins, evolution, competing/contesting/contrasting
models and also more specific papers on topics such as style and genre(s),
as well as reception both within antiquity and from antiquity to the modern
era and comparisons and contrasts between Greek poetics and the poetics of
other cultures and periods.

Details, including programme and booking form, at

Classical Ink VI (I think)

We haven’t had an installment of Classical Ink for a while, but Angelika Franz (who sports her own Classical Ink), spotted some Horace-inspired body art on a lifeguard and got his permission to post the photos:

As always, feel free to send along your own photos of Classically-inspired body art … if they are, er, appropriate we’ll help you show them off to the world!

Idiots Damage Roman Monuments

Not sure if the headline which accompanies most versions of this is a remember-455-pun, but here`s the BBC version:

Three historic monuments have been attacked by vandals in the Italian capital, Rome.

In the first attack, a man was caught on security cameras chipping two pieces off a marble statue on a fountain in the Piazza Navona.

Hours later tourists watched as a man threw a rock at the famous Trevi Fountain in the centre of the city.

Police then said they caught an American student scaling a wall of the Colosseum to chip off pieces of marble.

The fountain in the Piazza Navona is a 19th Century reproduction of a much earlier group of statues – now in a museum for safekeeping. It was not seriously damaged.

Police say the attacker could be the same individual who threw the rock at the Trevi monument – of Three Coins in the Fountain movie fame.

He missed, but his image was also captured on a security camera.

Police said the American student caught scaling the wall of the ancient Roman amphitheatre had been trying to chip away pieces of travertine marble to take home as souvenirs.

Rome’s fragile art heritage is under attack by a new army of vandals – the name originally given to the invaders who first sacked the city and destroyed many of its monuments 15 centuries ago.

Part of an Egyptian obelisk brought to Rome 2,000 years ago has just been covered in graffiti.

Despite the installation of 1,200 security cameras in central Rome and more frequent police patrols, protecting the Italian capital’s artistic treasures is proving an increasingly difficult task in an age of mass tourism and government budget cuts.

We won`t get into a discussion of how much/little damage the Vandals did back in 455, but, taking this to an entirely different level, if native Italians are involved, I wonder if a certain politician`s recent statements have finally caused some of them to be totally ashamed of their heritage …