Princeton’s Latin Salutatorian

Princeton University
Princeton University (Photo credit: Wikipedia)

Earlier today we highlighted Harvard’s Latin Salutatorian (Harvard Latin Commencement Oration 2012) … Princeton is also preparing to have theirs delivered, but it’s not for a couple of weeks. Just to build up the anticipation, though, Princeton has a profile (including a common typo that makes me cringe) of the Classics major who will be delivering that one:

When Princeton University senior Elizabeth Butterworth was in middle school she immersed herself in the richly imagined world of J.R.R. Tolkien’s “Lord of the Rings.” The experience sparked her fascination for stories from other eras, along with an abiding passion for delving into texts.

“I fell in love with that book. It made me interested in mythology and epic stories,” she said.

At Princeton, Butterworth leapt at new opportunities to immerse herself intellectually. She became an exceptional student in classics and mastered Latin. In her sophomore year, she read her first book fully in Latin — poems by Catallus. Her motivation was to be able to “access the literature in its original text,” she said.

Such accomplishments as a classics major have led to Butterworth being named salutatorian for the Class of 2012. She will continue the Princeton tradition of delivering a speech in Latin at Commencement on Tuesday, June 5. Princeton’s first Commencement, held in 1748, was conducted entirely in Latin.

“Liz is an extraordinary young woman of character and purpose, whose intellectual gifts are more than matched by maturity and professionalism unusual for her age,” said Yelena Baraz, an assistant professor of classics who is Butterworth’s senior thesis adviser. “She is a brilliant reader and combines rigor with insight in a way that is quite inspiring.”

Butterworth grew up in Auburn, Mass., in a family who “loves reading and literature,” she said.

Accepted by several prestigious schools, Butterworth said attending Princeton Preview — a three-day program for accepted students sponsored by the Office of Admission — helped her decide to come to Princeton.

“Princeton seemed to take academics the most seriously,” she said, noting that Professor of Classics Joshua Katz sent her a personal email inviting her to meet with him during Princeton Preview and that President Shirley M. Tilghman spoke to the admitted high school seniors in Richardson Auditorium to kick off the event. “The other schools I looked at didn’t have that personal touch with the faculty, and I was looking for a very serious academic experience,” Butterworth said.

Butterworth’s commitment as a student is evident in the academic honors she has received. This fall she was awarded a Rhodes Scholarship, which she will use to pursue a master’s degree in comparative and international education at the University of Oxford after graduation from Princeton. A member of Phi Beta Kappa, she twice received the Shapiro Prize for Academic Excellence and also earned the classics department’s Charles A. Steele Prize for high proficiency in Greek and Latin.

“Coming to Princeton has impressed upon me the importance of being able to interact with a broad, international community of scholars and read texts in other languages. An education with a strong humanities component is very important,” Butterworth said.

For her senior thesis, Butterworth chose to write on the Roman poet and satirist Horace, inspired by classes she took with Baraz and Denis Feeney, the Giger Professor of Latin and a professor of classics.

“Horace’s satires are a delight to work with because there are so many layers of meaning,” she said. “He strikes a voice that is oftentimes colloquial and crude, but behind it all is deep knowledge of and engagement with a wide range of literary and philosophical traditions.”

Butterworth has high praise for her thesis adviser. “Professor Baraz is a wonderful, extremely accessible and encouraging professor,” she said. “I was really engaged and interested in the way that she encourages [students in her] seminars to have productive and interesting discussions about texts. That was a very transformative experience.”

Observing Butterworth in his class on Horace, Feeney said he was struck by “her remarkable Latinity, her very high critical skills and her uncanny grasp of what the key issues in studying Horace were. This kind of intuition is incredibly rare in an undergraduate.”
Going beyond the classroom

Butterworth said it was also “transformative” to pursue activities beyond the classroom. To further dig into the ancient world, she spent the summer of 2010, on Baraz’s suggestion, working on an excavation in Gabii, Italy, run by the University of Michigan. The following summer she was among a group of Princeton students who joined Nathan Arrington, an assistant professor of art and archaeology at Princeton, on an excavation in Nemea, Greece, where he is field director.

Arrington was “phenomenal to work with,” Butterworth said. “He is a fantastic teacher as well as a fantastic archaeologist, and he is so interested in making sure that we were learning from our experience.”

Arrington commended Butterworth’s engaged approach to the work. “Liz is an outstanding archaeologist,” he said. “Perhaps more important for the excavation than her sharp intellect was her ever-present cheerful and patient disposition. She masterfully managed one of the excavation trenches, leading by example.”

Butterworth’s hands-on approach to various endeavors also is expressed in her commitment to public service.

Taking a year’s leave of absence in 2009, she returned to Massachusetts and volunteered at a weekly general enrichment after-school program at All Saints Episcopal Church in Worcester. There Butterworth, who had studied piano since age 6 and taught piano lessons in high school, founded a program called Afternoon Tunes, which offers free private and group music instruction. She still manages the program from campus.

During her four years at Princeton, Butterworth has tutored schoolchildren in reading in Trenton, N.J., through the Student Volunteers Council’s GetSET and imPACT programs, where she experienced firsthand the power of literature to turn around students’ apathy toward learning.

Last winter, after being awarded the Rhodes Scholarship, she established a peer-mentoring program for Princeton students interested in pursuing academic fellowships in the United Kingdom by giving them the chance to meet recent recipients in an informal setting. She is currently a peer academic tutor for Latin and a Whitman College peer adviser. She also has served as a stage manager for theater productions on campus.

Butterworth plans to pursue a career shaping educational policy, with a particular goal of increasing arts education and classical education at the primary- and secondary-school levels, and working hands-on with school systems.

“There is no cause more important to the country’s future than public education, and it is very heartening to see someone of Liz’s intellectual gifts and personal character committing herself to the mission of improving educational opportunities for underprivileged students,” Feeney said.

Hopefully it makes it to youtube as well …

Next Footwear Trend ~ The Greek Sandal?

My spiders always seem to bring me back interesting things … this week, I was met with this photo (which seems to disappear a lot … if it does, there’s a couple of people at the top, and a pile of Greek-looking sandals at the bottom … visit the mentioned blogpost if you want to see it):

via My Fashion Life

… which was attached to a blogpost at Five minutes with…Christina Martini and Nikolas Minoglou of Ancient Greek Sandals

Further investigation tracked down the company’s webpage for the product: Ancient Greek Sandals … which I’m sure will be of interest to plenty of readers of rogueclassicism. We can only hope they become a fashion trend which supplants whatever it is that is given the name ‘gladiator sandals’ these days.

Way Cool Odysseus and Polyphemus Painting Coming to Auction

… so cool, in fact, that I made it my facebook cover page yesterday. Here’s the beginning of Art Daily’s coverage:

A masterpiece by Swiss artist Arnold Böcklin depicting a dramatic retelling of a story from Homer’s ‘Odyssey’ is to headline Sotheby’s sale of European Paintings in London on Monday, 11 June 2012. Odysseus and Polyphemus, painted in 1896, is redolent of the fin-de-siècle spirit that enveloped Europe as a new century dawned. Estimated at £800,000-1,200,000 (€970,000-1,460,000), the oil on panel comes to the market from a European Private Collection and is being offered for sale at auction for the first time. The provenance of the work can be traced back directly to the artist, and the painting has featured in numerous exhibitions and monographs on Böcklin.

Odysseus and Polyphemus depicts the climax of the story of Odysseus and Polyphemus as recounted by Homer in Book 9 of his ‘Odyssey’, when Odysseus and his men flee the enraged Cyclops they have just blinded. Böcklin’s composition creates great movement and tension between the oarsmen who put all their strength against the swell in the sea that threatens to return them within the Cyclops reach, and the towering figure of the Cyclops himself, his face deliberately obscured so as not to distract the viewer’s attention from the struggle at hand. The story had fascinated artists through the centuries, from Antiquity to the Renaissance and beyond, making Böcklin’s work part of the canon of epic renditions that vividly illustrate tales associated with the eponymous Greek hero. […]

via: Sotheby’s to sell masterpiece by Swiss artist Arnold Böcklin: Odysseus and Polyphemus (Art Daily)

… and, of course, the photo (painting) itself:

Arnold Böcklin, Odysseus and Polyphemus. Oil on panel, 66 by 150cm., 26 by 59in. Estimate: 800,000-1,200,000 GBP. Photo: Sotheby’s.

Hebrew Inscription from Lusitanian/Roman Villa

From a Friedrich-Schiller-University Jena press release:

Archaeologists of the Friedrich-Schiller-University Jena found one of the oldest archaeological evidence so far of Jewish Culture on the Iberian Peninsula at an excavation site in the south of Portugal, close to the city of Silves (Algarve). On a marble plate, measuring 40 by 60 centimetres, the name “Yehiel” can be read, followed by further letters which have not yet been deciphered. The Jena Archaeologists believe that the new discovery might be a tomb slab. Antlers, which were found very close to the tomb slab in the rubble gave a clue to the age determination. “The organic material of the antlers could be dated by radiocarbon analysis with certainty to about 390 AD,” excavation leader Dr. Dennis Graen of the Jena University explains. “Therefore we have a so-called ‘terminus ante quem’ for the inscription, as it must have been created before it got mixed in with the rubble with the antlers.”

The earliest archaeological evidence of Jewish inhabitants in the region of modern-day Portugal has so far also been a tomb slab with a Latin inscription and an image of a menorah – a seven-armed chandelier – from 482 AD. The earliest Hebrew inscriptions known until now date from the 6th or 7th Century AD.

From Jena to Jerusalem

For three years the team of the University Jena has been excavating a Roman villa in Portugal, discovered some years ago by Jorge Correia, archaeologist of the Silves council, during an archaeological survey near the village of São Bartolomeu de Messines (Silves). The project was aiming at finding out how and what the inhabitants of the hinterland of the Roman province of Lusitania lived off. While the Portuguese coast region has been explored very well, there is very little knowledge about those regions. The new discovery poses further conundrums.

“We were actually hoping for a Latin inscription when we turned round the excavated tomb slab,” Henning Wabersich, a member of the excavation reports. After all, no inscriptions have been found so far and nothing was known about the identity of the inhabitants of the enclosure. Only after long research the Jena Archaeologists found out which language they were exactly dealing with, as the inscription was not cut with particular care. “While we were looking for experts who could help with deciphering the inscription between Jena and Jerusalem, the crucial clue came from Spain”, Dennis Graen says. “Jordi Casanovas Miró from the Museu Nacional d’Art de Catalunya in Barcelona – a well-known expert for Hebrew inscriptions on the Iberian Peninsula – is sure that the Jewish name “Yehiel” can be read, – a name that is already mentioned in the Bible.”

Hebrew unusual in Roman villa

Not only is the early date exceptional in this case, but also the place of the discovery: Never before have Jewish discoveries been made in a Roman villa, the Jena Archaelogist explains. In the Roman Empire at that time Jews usually wrote in Latin, as they feared oppressive measures. Hebrew, as on the re-discovered marble plate, only came back into use after the decline of the Roman supremacy, respectively in the following time of migration of peoples from the 6th or 7th century AD. “We were also most surprised that we found traces of Romans – romanised Lusitanians in this case – and Jews living together in a rural area of all things,” Dennis Graen says. “We assumed that something like this would have been much more likely in a city.”

Information about the Jewish population in the region in general was mostly passed down by scriptures. “During the ecclesiastical council in the Spanish town Elvira about 300 AD rules of conduct between Jews and Christians were issued. This indicates that at this time there must have been a relatively large number of Jews on the Iberian Peninsula already”, Dennis Graen explains – but archaeological evidence had been missing so far. “We knew that there was a Jewish community in the Middle Ages not far from our excavation site in the town of Silves. It existed until the expulsion of the Jews in the year 1497.”

In the summer the Jena Archaeologists will take up their work again. Until now they have excavated 160 square metres of the villa, but after checking out the ground it already became clear that the greater part of the enclosure is still covered in soil. “We eventually want to find out more about the people who lived here,” Graen explains the venture. “And of course we want to solve the questions the Hebrew inscription has posed us.”

The PhysOrg rewrite of the piece includes this photo:

Getty Gets Some Relief

From a Getty Press Release:

THe J Paul Getty Museum Logo taken from a carv...
THe J Paul Getty Museum Logo taken from a carving at the museum. Photo taken on November 24, 2006 by Brian Davis (Photo credit: Wikipedia)

The J. Paul Getty Museum today placed on view a Decree Relief with Antiochos and Herakles, the first Greek loan to arise from a 2011 framework for cultural cooperation between the Getty and the Hellenic Republic Ministry of Culture.

On loan from the National Archaeological Museum in Athens, the marble relief bears a historical decree, dated to 330 B.C., which honors Prokleides, a military officer (taxiarch) in the Athenian army. The relief will be on view at the Getty Villa for three years in a second-floor gallery devoted to Religious Offerings.

The relief takes the form of a stele, a stone slab decorated with images and text, crowned with the figures of Herakles and his son Antiochos, who was the mythical hero of the tribe Antiochis. Herakles is depicted as an athletic nude, holding a club and the pelt of the Nemean Lion he vanquished, referring to the first of the twelve labors he had to perform. Seemingly the elder, Antiochos wears a dignified mantle and holds a staff (no longer visible, but probably added in pigment). Both father and son heroes were the subject of cult worship, and are shown standing within a small temple framed by columns and a pediment.

Written in ancient Greek below the figures, an inscription describes the honors bestowed upon Prokleides by his soldiers and comrades, all members of an elite infantry corps known as the epilektoi. This is the earliest known inscription referencing the epilektoi, a group of men bound together by their military service, participation in sacrifices and theatrical performances, and membership in the Athenian Council. According to the decree, Kephisokles of the village of Alopeke proposed the resolution to praise Prokleides, who “has well and with distinction taken care of security,” and crown him with a gold diadem worth at least 1,000 drachmas (an enormous sum, considering the average worker in classical Athens could support a family of four on one drachma a day).

Soon after arriving at the Getty, the stele was photographed using a technique that captures the object numerous times with varying degrees of raking light. The resulting composed image reveals the shallow lettering with unprecedented depth and clarity and enables a more accurate reading of the inscription. A transcription of the ancient Greek text, translation, and detail photography of the historical inscription accompanies the installation.

“The Antiochos relief commemorates the affection and respect of troops for their commanding officer,” explains Claire Lyons, acting senior curator of antiquities at the Getty Villa. “We are delighted that it will be on view at the Getty Villa in time for Memorial Day, when we honor the contributions of fallen soldiers to their communities and country.”

This long-term loan results from the Framework for Cultural Cooperation signed in September 2011, which provides for joint scholarship, research projects, loans, and exhibitions between the Getty and the Hellenic Republic. “As part of this framework of cooperation between the Hellenic Republic Ministry of Culture and the Getty Museum, we are pleased to have the Antiochos relief on display at the Getty Villa,” said Maria Vlazaki-Andreadaki, director general of archaeology in Athens. “We believe that this collaboration will promote classical studies in the United States and will spread the values and the spirit of ancient Greek civilization.”

Historical Background

The relief was discovered in 1922 in the foundations of a house in the Athenian neighborhood of Dourgouti. In antiquity, the area was known as Kynosarges and was the site of a public gymnasium and a sanctuary of Herakles, the greatest of the Greek heroes. Believed to have stood in this sanctuary, where several other inscriptions mentioning the tribe Antiochis were found, the relief was a votive dedication erected in a prominent public location befitting a successful military leader.

The Antiochos relief is a primary document of democracy, and the language of its inscription shows that voting and public speech were deeply ingrained in civic life two centuries after the foundation of democratic political institutions in Athens.

The creation of the Attic tribes was the most important feature of the revolutionary reorganization of Athenian politics that followed the overthrow of the tyrants in 508 B.C. In this system, ten tribes composed of approximately 3,000 citizens and their families were created. Each tribe was assigned the name of a mythical Athenian hero: Antiochos was the eponymous hero of the tribe Antiochis.

Drawn from villages in three distinct zones of the Athenian territory—the coast, the inland farming region, and the urban/suburban zone—the tribes represented the entire citizenry of Athens. Josiah Ober, Professor of Political Science and Classics at Stanford University, observes: “Imagine a reorganization of the United States that would require citizens from Maine, Texas, and California to work, fight, and feast together on a regular basis. The communities constituting the tribe of Antiochis included Alopeke, the philosopher Socrates’ home village—so we might even imagine that a descendant of Socrates as among the signatories to the decree.” […]

… the original press release has a smallish image of the relief (the images link doesn’t work!). Art Daily has one that’s rather better:

… which made me think of this, for some reason: