Medusa from Caesarea

A unique archaeological exhibition has opened in Caesarea harbor: for the first time the general public can see an extraordinary 1,700 year old sarcophagus cover that is one of the most impressive ever discovered in Caesarea.

The cover, which weighs more than 4 tons, is decorated with snake-haired medusa heads and joyful and sad-faced masks. These were taken from the world of the ancient theater where two kinds of plays were customarily presented: comedy and tragedy. The meaning of the Greek word medusa is “guard or sentry”; whoever looked directly at the mythological medusa would be turned to stone immediately. In antiquity they used to produce medusa reliefs on, among other things, tombs and various shields, in the hope that this would ward off the threat.

Interment in large stone coffins (sarcophagi) was widespread in the Mediterranean basin in the second to fifth centuries CE. This funerary custom was first practiced among pagans and was later also adopted by Jews, Christians and Samaritans. The word sarcophagus is Greek in origin, meaning “flesh-eating”. The sarcophagus has two parts: a rectangular chest-like receptacle in which the deceased was placed and a lid. The sarcophagi were interred inside burial structures (mausoleum; pl. mausolea) or in rock-hewn burial caves. The residents of ancient Caesarea were buried in cemeteries that were located in regions outside the built-up area of the city.

The impressive sarcophagus cover, which was probably used in the burial of one of Caesarea’s wealthiest denizens in the Roman period, is one of an assortment of unique stone items that were exposed in archaeological excavations and by other means in Caesarea. The items constitute living and tangible evidence of the lives of the rich in Caesarea, at a time when the city was a vibrant Roman provincial capital.

More:  Medusas in Caesarea Harbor. (likely won’t last long; some photos in a zip file available there too)

New at the Getty

More news on the benefits the Getty is receiving from its agreement with Italy … the incipit of a brief item from Reuters:

California’s Getty Museum, one of the world’s richest art institutions, has received the first two artworks from Italy under a deal that settled a 2006 dispute over looted antiquities.

Getty officials said on Wednesday that two life-size ancient bronze statues discovered in the volcano-destroyed Italian city of Pompeii and owned by the National Archeological Museum in Naples will undergo restoration by Getty conservation experts.

The priceless statues, known as Ephebe as a lampbearer and Apollo as an archer, also will be on display for two years at the Getty Villa, a reconstruction of a Pompeii villa that is dedicated to the study of Roman and Greek antiquities, in the beach city of Malibu.

They are two of only about 30 surviving bronze statues from the period. The Getty will use the expertise it has gained in quake-prone California to strengthen the statues before their return to Italy, which also has a history of devastating earthquakes.

“As part of the collaboration agreement between Italy and the Getty, we wanted to contribute to the conservation of these artifacts,” said Karol Wight, senior curator of antiquities at the Getty. “Our staff are very good in this area.”

Breviaria

Cleaning out the rest of the inbox …

A new roof for Newport Roman Villa:

Coverage of Richard Seaford’s thoughts about Greek money at the Classical Association:

Coverage of the “Subversive Classics” session at Princeton:

Latin in a Nottingham primary school:

Ancient Greek in a Lexington grade school (!):

Coverage of the Caesar: the man, the deeds, the myth exhibition (I haven’t found much more on the web yet for this exhibition, which is almost over!):

Another exhibition with a bit of ClassCon is Afghanistan: Hidden Treasures from the National Museum:

New at Project Muse:

Interesting article by Amelia Sparavigna:

Larry Hurtado in Slate:

Brief feature on the tunnel of Eupalinos on Samos:

The Classics Online Gateway is a UK outreach effort that looks emulatable …

DSS Exhibition Tempest Brewing?

Somewhat tangential to our purview, but dealing with an  exhibition I”m likely to go to (the Dead Sea Scrolls at the Royal Ontario Museum), we are just starting to hear rumblings of this … an excerpt from the Toronto Star:

The Conservative government is staying mum on a letter from senior Palestinian officials opposing a planned exhibit of the Dead Sea Scrolls at the Royal Ontario Museum.

A spokesperson for Foreign Affairs Minister Lawrence Cannon declined to comment yesterday on accusations that the six-month exhibit, set to begin in June and organized in co-operation with the Israel Antiquities Authority, violates at least four international conventions or protocols on the treatment of cultural goods that were illegally obtained.

Both Canada and Israel are signatories to all of the agreements, the Palestinians say.

In letters to Prime Minister Stephen Harper and top executives at the ROM, senior Palestinian officials argue the scrolls – widely regarded as among the great archaeological discoveries of the 20th century – were acquired illegally by Israel when the Jewish state annexed East Jerusalem in 1967.

The letter of protest sent this week to Harper was signed by Salam Fayyad, prime minister of the Palestinian Authority. The letter to the ROM bore the signature of Khouloud Daibes, minister of tourism and antiquities.

I personally doubt anything will come of this, but it’s an interesting bit of fallout from all the repatriations going on of late; one wonders why we haven’t seen a demand from Palestinian authorities to repatriate the scrolls … (one isn’t surprised that the Star is setting this one up as a vehicle to bash the government) …

Skull-a-Day Ad for Pompeii?

One of the nice things about these four-day weekends is that I have time to check out things that are of interest to me. In this case, an item in the LA Times blog notes (inter alia):

Chalk it up to an over-eager marketing team at the Los Angeles County Museum of Art.

On Wednesday, Roman-style advertisements for the museum’s upcoming exhibition “Pompeii and the Roman Villa” were spotted on sidewalks throughout the city. The sightings were first reported by our friends over at the Curbed LA blog.

Turns out the ads were chalk drawings, some of which depicted the profile of a Roman youth along with the words “Pompeii” and “LACMA.” The museum had stenciled 20 such drawings at four locations throughout L.A.

… and here’s a photo of the ad:

From the LA Times blog
From the LA Times blog

… which I found interesting because I’m a skull guy (at school I’m surrounded by thirty or forty skulls of various types; heck, I’m wearing a t-shirt with a skull on it right now). Perhaps not surprisingly, one of the non-Classics blogs I follow is called Skull-a-day and this stencilled ad from LA struck me as somewhat familiar. Perhaps it’s just a coincidence, but it seems to me the folks are making use of/inspired by a stencil provided from Skull-a-day quite a while ago … here’s a representative image of the stencil on a tshirt:

from Skull-a-day
from Skull-a-day