Social Networks at Pompeii?

Another one from the AIA shindig/LiveScience/Stephanie Pappas … since most of our readers will be aware of Pompeii political graffiti, we’ll jump to the end of this one about the work of Eeva-Maria Viitanen from the University of Helsinki:

[…] The first find was that politicians wanted an audience. The campaign ads were almost invariably on heavily trafficked streets, Viitanen reported Friday (Jan. 4) at the annual meeting of the Archaeological Institute of America in Seattle.

The second, more surprising, discovery, was that the most popular spots for ads were private houses rather than bars or shops that would see a lot of visitors.

“Bars were probably more populated, but could their customers read and would they vote?” Viitanen said.

Some 40 percent of the ads were on prestigious houses, she said, which is notable because there were only a third as many lavish homes as there were bars, shops and more modest residences. Clearly, candidates were vying for space on the homes of the wealthy.

That discovery makes Viitanen and her colleagues think the ads reveal early social networking. It seems likely that candidates would need permission from the homeowner to paint their ads, suggesting the graffiti is something of an endorsement.

The research is preliminary and not yet published in a peer-reviewed journal, and Viitanen said there is much more work to do to map the social networks revealed on the ancient walls.

“So far, we have barely scratched the surface on this,” she said. “There are hundreds of texts and locations, and it takes a lot of time to go through them all.”

Translating Pliny’s Letters

I finally got a chance to check out Pedar Foss’ latest blog-related project … here’s an intro from his very self:

This begins a series of posts that will translate and comment upon Pliny the Younger’s two letters (6.16 and 6.20) about the eruption of Mt. Vesuvius in AD 79–the disaster that buried Pompeii, Herculaneum, and other sites. These posts are part of a book project that intends to understand the scholarly and popular reception of those letters. I am also teaching these letters in LAT 223 at DePauw this Fall term, so this is a good time to do it.

I will provide the Latin (using Mynors’ 1963 Oxford Classical Text [OCT]), and then work through it with a translation, dissection of grammatical constructions, and discussion of what the letters tell us. I will doubtless make mistakes as I proceed, and will be grateful for comments and corrections; the essence of scholarship is rectification through better evidence, arguments, or questions.

… the posts are being gathered under the Pliny category at [quem dixere chaos] … definitely worth a look

Another Wall Collapse at Pompeii

Oddly … this doesn’t seem to be getting much press attention. From the English edition of Gazzetta del Sud:

A stone wall collapsed at the Pompeii archaeological site on Friday, probably due to the wave of bad weather that is currently battering Italy. The wall was in an area of the site that had been sealed off from the public for work to make it safe. The collapse involved roughly two cubic meters of the wall, which was part of the Regio VI archeological area uncovered in the 19th century. Frescoes were not reported to be damaged. After recent collapses in the past two years, there has been growing concern about Italy’s ability to protect the 2,000-year-old site from further degradation and the impact of the local mafia, the Camorra. In April this year a wall surrounding an ancient Pompeii villa collapsed just two weeks after the Italian government launched a joint 105-million-euro project with the European Union to save the UNESCO World Heritage site. In February a yard-long piece of plaster fell off the ancient Temple of Jupiter. In late December a pillar collapsed in the garden of the House of Loreius Tiburtinus, famous for its extensive gardens and outdoor ornamentation, in particular its Euripi, fountains that feature many frescoes and statuettes. In November 2010 there was a collapse in the House of the Gladiators which drew criticism from UNESCO and the European Union. It was followed soon after by a collapse at the famed House of the Moralist, spurring further criticism from international conservation groups. In October 2010 there were another three minor cave-ins, including one at the House of Diomedes, after a fresh bout of heavy rain and an outcry when an eight-square-metre section of a wall fell near the Nola Gate. Pompeii was destroyed when a volcanic eruption from nearby Mount Vesuvius buried the city in ash in 79 AD and it now attracts more than two million visitors a year. Polemics about looting, stray dogs, structural decay and poor maintenance have dogged Pompeii in recent years.

I can’t find any photos of the collapse, for some reason. Whatever the case, what’s even more interesting is that just a scant couple of weeks ago, UPI was reporting:

Deterioration at the ancient city of Pompeii has been exaggerated by the media and efforts to protect the site are making progress, Italian officials say.

Recent collapses of structures have resulted in growing concern about Italy’s ability to protect the 2,000-year-old site from further degradation, Italy’s ANSA news agency reported.

“Problems exist at Pompeii but they have been exaggerated by negative journalists,” Teresa Elena Cinquantaquattro, Special Archaeological Superintendent for Naples and Pompeii, told ANSA. […]

Not sure if this will work, but here’s a ‘search link’ to all the instances of the word ‘collapse’ at rogueclassicism … I’ll let you decide whether we’re ‘exaggerating’ (and I have difficulties wrapping my head around the ideas of a ‘wall collapsing’ and the concept of ‘exaggeration’ … sorry).

Pompeii’s Pyroclastics Phollow-up

T’other day we had a couple of postings mentioning the final hours of Pompeii, both of which used the dreaded “lava” word in their various descriptions (which commenter Walter Muzzy pointed out: Blogosphere ~ Top 5 Representations of Pompeii (from Pop Classics) and Reconstructing the classics: from Pompeii to Athens. (Mary Beard)). It apparently also got the ‘ire’ of Dana Hunter over at Scientific American going enough to write Mary Beard:

[…] So how could Cambridge Professor Mary Beard, who had actually written books about Pompeii, get that important geological detail so very wrong? I figured I’d better ask. We had a brief conversation on Twitter, which brought to light the fact that she uses the word “lava” as a way of saying she’s not a volcanologist, and her book isn’t about the eruption but about life in Pompeii (not just the last few minutes of it). Fair enough. I asked her if she could at least use ash instead, to spare the feelings of geologists everywhere, and we ended up deciding that the Italian word “fango,” which means “mud,” must be popularized. It wasn’t mud that destroyed Pompeii, but the pyroclastic flow deposits did get reworked into lahars by water after deposition, so I’ll take it.** I’m glad Professor Beard wrote this article, and I’m even glad she made geologists the world over grind their teeth, because it’s a thought-provoking look at how we react to the people of Pompeii. It also points out that the city we see today is a lot more put together than Vesuvius left it. And her intentional use of the word “lava” makes us look harder at what really happened to Pompeii. I think a lot of us see the restored ruins and think of ash raining down, almost gently. Sure, it suffocated people and buried them, but it also lovingly preserved the buildings. Look! Even crockery is intact!

… the article goes on to give a very nice discussion of the various phases of destruction at Pompeii.

Solomon, Socrates, and Aristotle in Pompeii?

Yesterday my mailbox metaphorically ‘dinged’ and what was in it was an item from a couple of years ago which was in one of the 2008 issues of Biblical Archaeology Review. It claims that a wall painting in the House of the Physician at Pompeii depicts Solomon, Socrates, and Aristotle sitting in judgement, yadda yadda, yadda … you can read it here for yourself:

… and, of course, it is being touted (again) as the earliest depiction of a scene from the Bible. When one looks at the thing up close, however, it is a pretty sketchy claim and Dorothy King more-than-adequately shot this one down a year or so ago:

That recent papyrus thing (Another Papyrus ~ Implications for the Ancient Novel?) might also somehow be an influence here …