Roman Republic Numismatic Database Project

Saw this mentioned on the Classicists list … the folks at UWarwick are putting together something which will, no doubt, be very useful … here’s a bit from the introductory blurb:

Work on provincial coins in the Roman Empire has demonstrated their potential to be used as a source to understand local culture as well as perceptions of the emperor and Roman power. The provincial coinage of the Republican period, however, has received little attention. By examining the iconography of coins struck by Roman officials and cities outside Rome in the period 168-27 BC, this project seeks to uncover how Roman power was represented, negotiated or rejected before the creation of the principate.

Recreating Roman Pantomime

Just a week or so ago we mentioned the Practicing Pantomime Project  … the folks involved should maybe talk to this guy, or he should talk to them … from Pressconnects:

For his final project as a Binghamton University undergraduate, local theater wunderkind Santino DeAngelo has decided to re-create an art form that’s been lost for 2,000 years.

No examples of ancient Roman pantomime — a popular entertainment that incorporated music, dance and storytelling – have survived in written form to the modern day. Scholars debate the reasons for that: Some think it’s because the pantomimes were considered “low” entertainment, while others speculate that many aspects of the performances were constructed through on-the-spot directions to actors and singers that were not preserved.

“It was basically the equivalent of television,” DeAngelo said in a recent interview. “Plays were known by their writers, but these pantomimes were famous for the artists — people would go to see the performer.

“We know that several famous Roman playwrights wrote pantomimes but didn’t attach their names to them because it was considered ‘low art.’ People would go every night to see them, though.”

DeAngelo’s re-creation, “Narcissus,” pulls directly from his undergraduate studies, which include classical civilizations, mythology and performance. He believes this is the first attempt at ancient Roman pantomime in the United States (with the only other effort in England during the 1970s).

Along with a full choral score (which will be performed by community members and BU students), DeAngelo also composed solo parts for local singers Judy Giblin, Jana Kucera and Charlie Hyland. DeAngelo himself will perform all the roles using a variety of masks.

Austin Tooley, a graduate student in BU’s theater department, will direct the production, and it will be recorded at the BTV studios on campus with the hope of broadcast at a later date. (A limited number of audience seats are available.)

DeAngelo said he hopes to capture the flavor of what ancient Roman pantomime would have been to an audience of that era.

“The great thing about reconstructing it is you’re putting yourself in the position of the writer, so I find myself thinking, ‘OK, if this has to be done quickly’ — they didn’t have a lot of time to put these together — ‘then how do I cut corners?’ If I can tell my chorus to do this and this, I don’t have to write it down,” he said. “There are many questions that come up.”

Pondering Plutarch

Interesting OpEd from the Portland Daily Sun … the incipit:

Fascination with the lives of our societal leaders began centuries ago, scratching a voyeuristic itch in the reading public. Knowing a good thing, publishing houses keep churning out fresh interpretations of these profiles. While such biographies remain popular today, the seeds of this frenzy were planted several millennia ago by Plutarch.

Already the premier essayist of his time, Plutarch (A.D. 46-120) was a philosopher, teacher, and one of the high priests of the Delphic Oracle. However, he left his mark on history with an account of 50 famous Greeks and Romans, “Parallel Lives.” Breaking from the accepted biographical template of the classical period, Plutarch added three unique elements to his style which remain influential, as well as spur controversy.

First, instead of listing chronologies and events, Plutarch added the dimension of behavior and thought to his subjects. As far as scholars know, he was the first biographer to attempt this maneuver.

For example, getting inside Antony’s head to evaluate his love for Cleopatra and the context in which it existed to satisfy her political ambitions is one thing. Telling us he ruled the eastern Roman provinces, and had a fling with the queen of Egypt is quite another. While such an interpretation is problematical to modern historians given the lack of Plutarch’s primary sources, it remains visionary, and added much needed spice to an otherwise bland recipe.

Next, Plutarch used comparative analysis. At the conclusion of his 50 short biographies, he formed 18 pairs, one Greek and one Roman in each, chosen for similar time periods or official roles. He then scrutinized their similarities, differences, and related effects.
From there, he examined the psychology for why one subject chose a particular course, while the second subject chose another. This was another unheard of technique, which opened the gates to his final motive.

Plutarch always drew ethical conclusions from the behavior of famous leaders, which is consistent with his background as a priest and his other writings, such as the widely read “Moral Essays.”

While this served his era well, it has run Plutarch into trouble today. In an increasingly relativistic world defined by ethical gray areas and the constant vacillation of religion’s relevance, many postmodern scholars chided Plutarch’s judgmental approach.

Nevertheless, the ancients were concerned with identifying right from wrong, even if they didn’t always practice it. Unlike Thucydides, Plutarch didn’t consider politics and warfare as bodies of work from which to provide future governing models. “Parallel Lives” focused on the struggle of living rather than the lives themselves. Plutarch cared more for why statesmen and soldiers do what they do, so that his readers could understand their rulers — a populist rationale.

And enduring. Embattled college classics departments survived the postmodern scourge and in the last decade have experienced a renaissance. The influence of “Parallel Lives” in the great works of literature and government is legion, and provides a solid foundation for human philosophy in both creative and pragmatic endeavors.Fascination with the lives of our societal leaders began centuries ago, scratching a voyeuristic itch in the reading public. Knowing a good thing, publishing houses keep churning out fresh interpretations of these profiles. While such biographies remain popular today, the seeds of this frenzy were planted several millennia ago by Plutarch.5-3-oped-TK-plutarch
Already the premier essayist of his time, Plutarch (A.D. 46-120) was a philosopher, teacher, and one of the high priests of the Delphic Oracle. However, he left his mark on history with an account of 50 famous Greeks and Romans, “Parallel Lives.” Breaking from the accepted biographical template of the classical period, Plutarch added three unique elements to his style which remain influential, as well as spur controversy.

First, instead of listing chronologies and events, Plutarch added the dimension of behavior and thought to his subjects. As far as scholars know, he was the first biographer to attempt this maneuver.

For example, getting inside Antony’s head to evaluate his love for Cleopatra and the context in which it existed to satisfy her political ambitions is one thing. Telling us he ruled the eastern Roman provinces, and had a fling with the queen of Egypt is quite another. While such an interpretation is problematical to modern historians given the lack of Plutarch’s primary sources, it remains visionary, and added much needed spice to an otherwise bland recipe.

Next, Plutarch used comparative analysis. At the conclusion of his 50 short biographies, he formed 18 pairs, one Greek and one Roman in each, chosen for similar time periods or official roles. He then scrutinized their similarities, differences, and related effects.
From there, he examined the psychology for why one subject chose a particular course, while the second subject chose another. This was another unheard of technique, which opened the gates to his final motive.

Plutarch always drew ethical conclusions from the behavior of famous leaders, which is consistent with his background as a priest and his other writings, such as the widely read “Moral Essays.”

While this served his era well, it has run Plutarch into trouble today.

In an increasingly relativistic world defined by ethical gray areas and the constant vacillation of religion’s relevance, many postmodern scholars chided Plutarch’s judgmental approach.

Nevertheless, the ancients were concerned with identifying right from wrong, even if they didn’t always practice it. Unlike Thucydides, Plutarch didn’t consider politics and warfare as bodies of work from which to provide future governing models. “Parallel Lives” focused on the struggle of living rather than the lives themselves. Plutarch cared more for why statesmen and soldiers do what they do, so that his readers could understand their rulers — a populist rationale.

And enduring. Embattled college classics departments survived the postmodern scourge and in the last decade have experienced a renaissance. The influence of “Parallel Lives” in the great works of literature and government is legion, and provides a solid foundation for human philosophy in both creative and pragmatic endeavors. […]

Classical Words of the Day

Latinitweets:

https://twitter.com/LatinVocab/status/330237854443778049
https://twitter.com/latinlanguage/status/330110637856395264
https://twitter.com/LewisandShort/status/329982208385351680
https://twitter.com/LiddellandScott/status/329982683566444544
https://twitter.com/AncientGrammar/status/329982795629879296

This Day in Ancient History: ante diem vi nonas maias

ante diem vi nonas maias

  • ludi Florae (possible day 7) — a festival originally ordered in response to an interpretation of the Sybilline books in 238 B.C., it fell into desuetude only to be revived in 173 B.C.; it was a general festival of drinking and other merriment in honour of Flora, who presided over (of course) flowers and their blossoms
  • c. 62 A.D. — martyrdom of James the Lesser in Jerusalem
  • c. 80 A.D. — martyrdom of Philip the Apostle in Heirapolis, Phrygia
  • 115 or 116 A.D. — martyrdom of Pope Alexander I in Rome
  • c. 286 — martyrdom of Maura at Thebias (Thebais?)
  • 326 — traditional date for Helena finding the ‘True Cross’ in Jerusalem …