Over the past couple of weeks, we’ve learned of a couple of bits of statuary folks might want to check out if they’re ‘in the neighbourhood’ … first is the so-called Fauno Rosso at the Nelson-Atkins MoA . Here’s a bit from their page:
He is an unkempt creature of the wild, with shaggy hair and goat-like characteristics–pointed ears, a short tail and dewlaps–and he is delighted to raise high a cluster of freshly picked grapes. The red–marble Fauno rosso, a spectacular example of ancient Roman sculpture, will be on view for the first time ever in America, thanks to a new relationship between the city of Rome and the Nelson-Atkins. Through September 30, visitors to The Nelson-Atkins Museum of Art can view the sculpture in Kirkwood Hall, which has been transformed into a classic Roman palazzo.
The loan is part of a program of exchanges and cultural events that was launched with the support of the Embassy of Italy in 2011, called The Dream of Rome, a collaboration between the Capitoline Museums in Rome, Enel Green Power and the Knights of Columbus. Through The Dream of Rome, some of Rome’s masterpieces will be on display in Washington, D.C., San Francisco, New York, Los Angeles, Boston and Kansas City.
… in case it isn’t familiar:
- via: Fauno rosso
Also of note is that seated boxer at the Met which is only around for another week or so. From their official page:
The bronze statue Boxer at Rest was excavated in Rome in 1885 on the south slope of the Quirinal Hill near the ancient Baths of Constantine, where it is thought to have been displayed. The statue was intentionally buried in late antiquity, possibly to preserve it against the barbarian invasions that ravaged Rome in the fifth century A.D. The broad-shouldered, lanky pugilist is depicted just after a match sitting on a boulder to rest after the unnerving tension of the fight. Something catches his eye and makes him turn his head: perhaps the applause of the spectators or the entrance of his next opponent?
In his athletic nakedness, he wears only boxing gloves and a sort of athletic suspender (kynodèsme) that was both protective and an element of decorum. The many wounds to his head, the primary target in ancient Greek boxing matches, make clear that he has just completed a match. Blood, represented by inlaid copper, drips from cuts on his forehead, cheeks, and cauliflower ears. His right eye is swollen and bruised. His nose is broken, and he breathes through his mouth, probably because his nostrils are blocked by blood. His inwardly drawn lips are scarred, likely indicating that his teeth have been pushed in or knocked out. Despite his exhaustion, the muscles in his arms and legs are still tense, as if the battered champion were ready to spring up and face a new combatant. […]
Even if you can’t get to it, you definitely should check out the article at Now at the Met: The Boxer: An Ancient Masterpiece Comes to the Met, which, inter alia, includes this great photo of its find spot on the Quirinal back in 1885:
… which could possibly inspire some Classical memes?