Theatre Masks (re)Discovered

Naples Archaeological Museum via Discovery News
Naples Archaeological Museum via Discovery News

Discovery News’ Rossella Lorenzi is reporting on the rediscovery of 15 life-size theatre masks from Pompeii which were originally excavated in 1749, then stored and forgotten in a Bourbon palace storage room. Mariarosaria Borriello, who made the rediscovery dixit:

“They ended up being totally forgotten, and indeed we do not have much information about them. We do not even know where they were unearthed in Pompeii. The 18th century dig journals only vaguely record that 15 masks were excavated … Two masks show letters in the space usually reserved to the mouth. While the meaning of one is incomprehensible, on the other we can clearly read the word ‘Buco’ … Not all of the masks belong to the fabula Atellana, but finding at least one evidence linked to it is very important. Indeed, no fragment of early Atellan farces has survived”

This Day in Ancient History: ante diem xi kalendas sextilias

ante diem xi kalendas sextilias

  • 367 B.C. (?)– dedication of a Temple of Concord (and associated rites thereafter)
  • 64 A.D. — the Great Fire of Rome (day 5)

Ludus Magnus

A Globe and Mail writer attended ‘gladiator school’ … here’s the incipit of a lengthy piece:

I am clad in a scratchy tunic and sandals, wielding a sword that weighs as much as a small child and peering through the visor of a helmet that threatens to smother me under the Hades-hot Roman sun. The mosquitoes are feasting on my ankles, but worse, somewhere out there, in the segment of my vision that is blocked by the helmet, my opponent waits to lunge. Such are the trials of a gladiator wannabe.

I am here, at Ludus Magnus – gladiator school – largely because my 14-year-old son, Ben, and I share a fascination with the ancient Romans. It began when I was looking for a way to get Ben to move beyond his continuing obsession with Harry Potter to some new reading material. I hit upon British writer Conn Iggulden’s four-book series on Julius Caesar. Ben ate it up … and so did I.

Gladiator school was intended to be a more hands-on activity for Ben, to offset the boredom of being forced to view priceless art and ancient stone piles while on a family trip to Rome.

Gladiator school is usually a day-long session, but we’ve talked Giorgio Franchetti, the school’s founder, into doing a special two-hour class for us. The big bluff Italian played at Romans v. Gauls as a kid, sparring with sticks and wooden swords. That interest in the centurions and gladiators of ancient times grew as he got older. He began to follow up on archeological digs, talk to scholars and read everything he could get his hands on about the early fighters.

There seems to be more than one ‘gladiator school’ operating in Rome, but it’s difficult to tell (maybe just the folks in charge are changing) … we reported on one last year and Tony Perrottet attended one the year before that (possibly the same one) … this one is possibly the same too ..

A Defense of Scholarship

Peter Green (emeritus, UTexas at Austin) has a lengthy review of Anthony Grafton, Worlds Made By Words and Roger H. Martin, Racing Odysseus in the Times of London. Here’s my favourite paragraph (with favourite sentence highlighted):

More immediately accessible is a vigorous (and to me very welcome) defence of humanist Latin as a still-viable scholarly lingua franca, launched as part of Grafton’s enthusiastic welcome to the initial volumes of the I Tatti Renaissance Library. As an instrument, it had to break away from the very different liturgical, legal and medical Latin of the Middle Ages; and this it triumphantly did, against considerable opposition, becoming “a revived classical language, purist and discriminating”, based on a close verbal familiarity, almost inconceivable today, with the major poets and prose writers of Republican and Augustan Rome (the Flemish philologist Justus Lipsius “offered to recite the text of Tacitus with a knife held to his throat, to be plunged in if he made a mistake”). Armed with this powerful scholarly vox generalis, Petrarch, Boccaccio and others set about retrieving the culture that had first employed it. They hunted down the manuscripts of lost texts. They practised ancient genres long forgotten: epic, history, epistolography (Maffeo Vegio added an elegantly pastiched thirteenth book, complete with happy ending, to Virgil’s Aeneid). They promoted the secular teaching of classics, encouraged the making of classical libraries, got classicists into key positions as ambassadors and administrators. Their Latin works were admired and imitated by writers from Sir Thomas Browne to Samuel Johnson.

    I’ve heard/read the Lipsius anecdote before … anyone know whence it comes? I’ve never been able to track it down …

  • Google Books or Great Books?