CSI Ancient Greece?

Interesting item from New Scientist which is making the rounds of Slashdot (and I just saw it float past on a couple of Twitter entries too). Here’s the incipit:

You might call it “CSI Ancient Greece”. A computer technique can tell the difference between ancient inscriptions created by different artisans, a feat that ordinarily consumes years of human scholarship.

“This is the first time anything like this had been done on a computer,” says Stephen Tracy, a Greek scholar and epigrapher at the Institute for Advanced Study in Princeton, New Jersey, who challenged a team of computer scientists to attribute 24 ancient Greek inscriptions to their rightful maker. “They knew nothing about inscriptions,” he says.

Tracy has spent his career making such attributions, which help scholars attach firmer dates to the tens of thousands of ancient Athenian and Attican stone inscriptions that have been found.

“Most inscriptions we find are very fragmentary,” Tracy says. “They are very difficult to date and, as is true of all archaeological artefacts, the better the date you can give to an artefact, the more it can tell you.”

Just as English handwriting morphed from ornate script filled with curvy flourishes to the utilitarian penmanship practiced today, Greek marble inscriptions evolved over the course of the civilisation.

“Lettering of the fifth century BC and lettering of the first century BC don’t look very much alike, and even a novice can tell them apart,” Tracy says.

But narrowing inscriptions to a window smaller than 100 years requires a better trained eye, not to mention far more time and effort; Tracy spent 15 years on his first book.

“One iota [a letter of the Greek alphabet] is pretty much like another, but I know one inscriber who makes an iota with a small little stroke at the top of the letter. I don’t know another cutter who does. That becomes, for him, like a signature,” says Tracy, who relies principally on the shape of individual letters to attribute authorship.

However, these signatures aren’t always apparent even after painstaking analysis, and attributions can vary among scholars, says Michail Panagopoulos, a computer scientist at the National Technical University of Athens, who led the project along with colleague Constantin Papaodysseus.

“I could show you two ‘A’s that look exactly the same, and I can tell you they are form different writers,” Panagopoulos says.

Panagopoulos’ team determined what different cutters meant each letter to look like by overlaying digital scans of the same letter in each individual inscription. They call this average a letter’s “platonic realisation”.

After performing this calculation for six Greek letters selected for their distinctness – Α, Ρ, Μ, Ν, Ο and Σ – across all 24 inscriptions, Panagopoulos’ team compared all the scripts that Tracy provided.

The researchers correctly attributed the inscriptions to six different cutters, who worked between 334 BC and 134 BC – a 100-per-cent success rate. “I was both surprised and encouraged,” Tracy says of their success.

“This is a very difficult problem,” agrees Lambert Schomaker, a researcher at University of Groningen, Netherlands, who has developed computational methods to identify the handwriting of mediaeval monks, which is much easier to link to a writer compared with chisel marks on stone.

I wonder, though, if an apprentice would make letters the same way his mentor did …

The New Scientist piece seems based on a couple of papers, one ‘techie’, one ‘arky’:

Jericho Quarry – That Legionary Banner (not)

I think I might be onto something here … just yesterday I was wondering about claims of an image purported to be a “legionary banner” found in that cave full of Christian symbols. If you read my coverage already, you know that I was having great difficulties seeing a banner in what was presented (apparently) as such. Amicus noster Joseph Lauer sent along a pile of links to photos from the site, including a better one of the item in question:

from ynet
from ynet

I’ve been staring at this for roughly an hour now, trying my darnedest to see a Roman vexillum or something vaguely military in it. I fiddled with it in photoshop to see if something was ‘hiding’. All to no avail. Then I realized I had seen this thing before … at Dura Europos. Ecce:

Wikimeda Commons
Wikimeda Commons

It’s that fresco usually dubbed ‘Ezekiel’s vision’. The thing on the right is the Mount of Olives being rent in two with all the resurrected folk spilling out. It seems to me that the incised image from the cave near Jericho is a stylized version of this … a single olive tree on top (the triangular thing) to designate the ‘olive’, and the mountain is split in two down the middle and across. Feel free to comment …

New Finds at the Villa of the Mysteries

A pair of articles in the Italian press have been lingering in my box for a couple of days … I figured something would have appeared more widely in the Italian press and at least something in the English press on this by now, but apparently not. Anyhoo, according to the news reports, there have recently been revealed at the Villa of the Mysteries:

  • a wine cellar with a row of dolia
  • ‘rustic’ rooms with their tiles intact
  • new areas of the first floor

Other features are mentioned in passing as well. Perhaps more importantly, though, the article highlights the difficulties faced by the folks in charge in regards to dealing with illegal building on the site (including that restaurant that’s ‘right there’ and a family of gypsies living next door).

Forum Follies?

Interesting review in the Times of  David Watkin, The Roman Forum … here’s a pair of excerpts:

A caption in the exhibition on the Emperor Vespasian currently in the Colosseum describes the Arch of Titus – only a few hundred yards away – as one of the best-preserved monuments from the Flavian dynasty. Yet what we have now is largely a nineteenth-century reconstruction. In 1819–22 the neoclassical architects Robert Stern and Giuseppe Valadier pulled down the private houses that had encroached on the sides of the arch and thoroughly rebuilt these sides together with the attic, using travertine instead of the original Pentelian marble. The inside of the arch includes the famous relief celebrating the taking of Jerusalem, with the Menorah looted from the Temple prominently displayed. Indeed until 1846, when the ceremony was abolished, every new pope’s inaugural procession passed through the arch, where a Jew was obliged to stand and pay homage to the leader of the Roman Catholic Church.

Both facts – the evolution, as it were, of Titus’ Arch, and its use in papal pageantry – not to be found in most guidebooks, are relevant to David Watkin’s excellent, handy new book, whose main object is to see the Forum not as it looks now – “a long, clean, livid trench”, as Émile Zola wrote in 1896, in which “piles of foundations appear like bits of bone” – but through its metamorphoses over more than 2,000 years, when every age has left its mark. The Forum only ceased to be lived in, by both people and animals, in the second half of the nineteenth century, when it was turned into an open-air museum, and archaeologists imposed the view that whatever was Roman must be retrieved, and whatever they considered irrelevant, removed. Uninterested as they were in Baroque architecture, which after all shapes modern Rome much more than relics from antiquity, they ruthlessly destroyed several Baroque churches from the seventeenth and the eighteenth centuries; these churches are now recorded only in Piranesi’s incomparable etchings.

[…]

Professor Watkin acknowledges that excavations made such monuments as the great Arch of Septimius Severus much more visible than they had been for centuries, but he argues that in most cases only the foundations – that is, holes in the ground – were unearthed, to be exhibited to the visitor with stones of no visible meaning. Even more questionably, edifices have been reconstructed from small fragments, much in the way a dinosaur might be assembled from a single cartilage. Today’s much-admired Temple of Vesta, for instance, in truth dates from the 1930s.

That seems a bit misleading as worded (by the Times … I’m sure Dr Watkin has a less controversial spin). Reading the description of the Temple in Platner (via Lacus Curtius) one will see that although it was just the podium and ‘various architectural elements’ which were found during various excavations, there was/is quite a bit of documentation from coins, reliefs, etc., of what the Temple looked like. I don’t think we’re in the same sort of ‘use your imagination to reconstruct things’ world like Evans did at Knossos …

CONF: Communities & Networks in the Ancient Greek World

… seen on the Classicists list:

COMMUNITIES AND NETWORKS IN THE ANCIENT GREEK WORLD
DEPARTMENT OF CLASSICS, TRINITY COLLEGE DUBLIN
6-9 JULY 2009

Organisers: Dr Claire Taylor, Trinity College Dublin;
Dr Kostas Vlassopoulos, University of Nottingham

Registration is still open for this conference in Dublin on 6-9 July 2009.
Please contact Claire Taylor (claire.taylor AT tcd.ie) to reserve a place (there
is no fee).

For further information, see http://www.tcd.ie/Classics/cnagw/index.php

PROGRAMME
Annelies Cazemier (Oxford): TBC
Claire Taylor (Trinity College, Dublin): Social networks and social hierarchies:
towards a model of social mobility in Athens.
Ben Gray (All Souls, Oxford): Exile communities and the citizen ideal in the
later classical and hellenistic Greek world.
Kostas Vlassopoulos (University of Nottingham): Free spaces: contexts of
interaction between citizens, metics and slaves in classical Athens.
Ben Akrigg (University of Toronto): The metic population in Athens.
Peter Hunt (University of Colorado, Boulder): Ethnic identity among slaves at
Athens.
Barbara Kowalzig (Royal Holloway, London): Trading gods and trading networks:
economies of trust in ancient Greece.
Vincent Gabrielsen (University of Copenhagen): Naval and grain networks at
Athens.
Christy Constantakopoulou (Birkbeck, London): Beyond the polis: island koina and
other non-polis entities in the Aegean.
Esther Eidinow (Newman College, Birmingham): Networks, narrative and
negotiation: magical practices and polis religion.