Cat Finds ‘Catacomb’

… but given that it was associated with a cliff, it seems more likely (and appropriate?) that it might be a columbarium of some sort … from the Guardian:

Rome may not exactly be short of catacombs, but one discovered this week is more deserving of the name than the city’s countless other subterranean burial chambers. For Mirko Curti stumbled into a 2,000-year-old tomb piled with bones while chasing a wayward moggy yards from his apartment building.

Curti and a friend were following the cat at 10pm on Tuesday when it scampered towards a low tufa rock cliff close to his home near Via di Pietralata in a residential area of the city. “The cat managed to get into a grotto and we followed the sound of its miaowing,” he said.

Inside the small opening in the cliff the two men found themselves surrounded by niches dug into the rock similar to those used by the Romans to hold funeral urns, while what appeared to be human bones littered the floor.

Archaeologists called to the scene said the tomb probably dated from between the 1st century BC and the 2nd century AD. Given that niches were used to store ashes in urns, the bones had probably tumbled into the tomb from a separate burial space higher up inside the cliff.

Heavy rains at the start of the week had probably caused rocks concealing the entrance to the tomb to crumble, they added.

Soft tufa rock has often been used for digging tombs over the centuries in Italy, but its softness means that ancient sites are today threatened by the elements. The cliffs near Via di Pietralata have also been extensively quarried.

Romans are often underwhelmed and sometimes irritated to find they are living on top of priceless remains. Shoppers arriving at the Ikea store on the outskirts of Rome leave their cars alongside a stretch of Roman road unearthed in the car park, while fans queueing to enter the city’s rugby stadium need to skirt around archaeologists excavating the Roman necropolis that stretches under the pitch. At the concert hall complex next door, halls had to be squeezed around an unearthed Roman villa.

But Curti said he was nonetheless amazed to wander into a tomb so close to his house, calling it “the most incredible experience” of his life.

… can’t seem to find any decent photos (this one doesn’t count)

Roman Orchids

From Science Now:

Turns out the early Romans were wild about orchids. A careful study of ancient artifacts in Italy has pushed back the earliest documented appearance of the showy and highly symbolic flowers in Western art from Renaissance to Roman times. In fact, the researchers say, the orchid’s popularity in public art appeared to wilt with the arrival of Christianity, perhaps because of its associations with sexuality.

The fanciful shapes and bright colors of orchids have long made them popular with flower fanciers, and today they support a multibillion-dollar global trade. The flowers also have a symbolic value that spans many cultures due to their resemblance to both male and female sexual organs; the flower’s scientific name—Orchis—derives from a Greek word for testicles. But while the biology and ecology of orchids has gotten plenty of attention from researchers, there are few studies of its “phytoiconography,” or how the flower has been used symbolically in art.

A few years ago, botanist Giulia Caneva of the University of Rome (Roma Tre) set out to change that. Working with several graduate students, she began assembling a database of Italian artifacts, including paintings, textiles, and stone carvings of subjects including vegetation. Then, the team began the painstaking process of trying to identify the real plants the artists had copied.

One surprise was that depictions of Italian orchids—there are about 100 species in all—showed up much earlier than expected. Although scholars had spotted the flowers in paintings from the 1400s, Caneva’s team discovered that stone carvers were reproducing orchids as early as 46 B.C.E., when Julius Caesar erected the Temple of Venus Genetrix in Rome. And at least three orchids appear among dozens of other plants on the Ara Pacis, a massive stone altar erected by the emperor Augustus in 9 B.C.E., Caneva and colleagues reported last week in the Journal of Cultural Heritage. Artists probably chose the flowers to help emphasize the altar’s theme of civic rebirth, fertility, and prosperity following a long period of conflict, Caneva says.

But orchids and other plants begin to fade from public art as Christianity began to gain influence in the 3rd and 4th centuries, she notes. “My idea is that they are eliminating pagan symbols, and [those] that are related to sexuality,” she says. With the arrival of the Renaissance, however, orchids blossom anew in art, “but this time mostly as a symbol of beauty and elegance.”

The new study is a reminder of “just how much history is tied up with this flower. … It shows up in all kinds of places you might not expect it,” says Kristin Nicole Edrington, a jewelry specialist in Alexandria, Virginia. She recently completed a master’s dissertation at the Corcoran College of Art + Design in Washington, D.C., that examined the rise of orchid imagery in high-end jewelry made in the late 19th and early 20th centuries. The discovery that Roman artists also favored the flower, she says, just confirms that “orchid mania is nothing new, and was such a big thing even back in the day.”

… the original article includes a photo of one of the orchids on the Ara Pacis. I’m pretty sure this isn’t really news to Classics types who study plants …

Possible Shrine of Juno Sospita Found

From the English version of Gazzetta del Sud:

Investigations into the activities of four tomb raiders in the Alban hills near Rome have led to the discovery of a previously unknown site containing ancient Roman votive offerings. The ex-votos date from the fourth to the second century BC and include life-sized statues and depictions of parts of the human anatomy in terracotta offered to the ancient Roman goddess Juno. Police caught the tomb robbers in action as they were stealing the devotional objects from a natural cavity in a tufa wall near Lanuvio and Genzano that did not appear on archaeological maps of the area. The cavity appears to be linked to a nearby sanctuary dedicated to Juno the Saviour via a network of caverns and tunnels. The discovery is considered important as it testifies to the existence of a workshop once producing prestigious terracotta objects in the area. Investigators believe the stolen ex-votos were destined for the international collectors’ market. Police found other ancient artefacts including sepulchral items mostly dating to the Etruscan era during their search of the tomb raiders’ homes. photo: statue of Juno in Quirinale Palace.

Roma Today includes a video (not sure why I didn’t have sound) where they appear to be reenacting the find of the artifacts, along with shots of everything that was found there … it’s quite the haul and the photos accompanying much of the Italian coverage (including GdS) don’t really do it justice:

Also Seen: Sibyls

Interesting (if somewhat basic) article on the Sibyls in Roman religion … with a nice explanation at the end how Christianity dealt with some of their prophecies: